Georgia USA | 83 Titles
Killing Season (2013)
Directed by | Mark Steven Johnson | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Sabotage (2014)
Scary Movie 5 (2013)
Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig
Cameras | ARRI ALEXA Camera
The Spectacular Now (2013)
RoboCop (2014)
Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Peter McNulty, Daniel Rezende
Cameras | ARRI ALEXA Camera, Red Epic Camera
Temptation: Confessions of a Marriage Counselor (2013)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Prisoners (2013)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA Studio Camera
Lenses | Zeiss Master Prime Lenses
The Hunger Games: Catching Fire (2013)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by | Larry Charles | Cinematography by | Luke Geissbuhler, Anthony Hardwick | Editing by | Craig Alpert, Peter Teschner, James Thomas
Cameras | Panasonic AJ-HDC27 Varicam Camera
Gone with the Wind (1939)
Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes
Cameras | Technicolor 3-Strip Camera
Lenses | Bausch & Lomb Lenses
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
We Were Soldiers (2002)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Lost in America (1985)
Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer
Cameras | Panavision Panaflex Gold Camera
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
27 Missing Kisses (2000)
Directed by | Nana Dzhordzhadze | Cinematography by | Phedon Papamichael | Editing by | Vessela Martschewski
Cameras | Moviecam Cameras
American Reunion (2012)
Directed by | Jon Hurwitz, Hayden Schlossberg | Cinematography by | Daryn Okada | Editing by | Jeff Betancourt
Cameras | Panavision Panaflex Platinum Camera
Driving Miss Daisy (1989)
Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Consenting Adults (1992)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen
Cameras | Panavision Panaflex Platinum Camera
Trouble with the Curve (2012)
Directed by | Robert Lorenz | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Platinum Camera