Washington | 24 Titles
Twin Peaks (1991)
Country | USA
Type | Television Series
Running Time | 47 Minutes
Aspect Ratio | 1.33:1 (4x3)
Starring ~ Kyle MacLachlan,
Michael Ontkean,
Mädchen Amick
Cameras | ARRIFLEX Camera, Panavision Panaflex Camera
Lenses | Panavision Lenses
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The Man in the High Castle (2015)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Luke Kleintank,
DJ Qualls,
Arnold Chun
Cameras | Red Epic Dragon Camera
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The Last Campaign of Governor Booth Gardner (2009)
Country | USA
Type | Documentary, Motion Picture
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Booth Gardner,
Katherine Bragdon,
Dia Armenta
Directed by | Daniel Junge | Cinematography by | Davis Coombe | Editing by | Davis Coombemodified:
Fifty Shades of Grey (2015)
Country | USA
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 2.39:1
Starring ~ Dakota Johnson,
Jamie Dornan,
Jennifer Ehle
Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
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Glen Campbell: I’ll Be Me (2014)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Glen Campbell,
Kim Campbell,
Ronald Petersen
Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonoramodified:
Wild (2014)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Starring ~ Reese Witherspoon,
Laura Dern,
Gaby Hoffmann
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA XT Camera
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The Butterfly Effect (2004)
Country | USA, Canada
Type | Motion Picture
Running Time | 113 Minutes
Starring ~ Ashton Kutcher,
Amy Smart,
Melora Walters
Directed by | Eric Bress, J. Mackye Gruber | Cinematography by | Matthew F. Leonetti | Editing by | Peter Amundsonmodified:
Agent Cody Banks (2003)
Country | USA, Canada
Type | Motion Picture
Running Time | 102 Minutes
Starring ~ Frankie Muniz,
Hilary Duff,
Andrew Francis
Directed by | Harald Zwart | Cinematography by | Denis Crossan | Editing by | Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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St. Helens (1981)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Starring ~ Art Carney,
David Huffman,
Cassie Yates
Directed by | Ernest Pintoff | Cinematography by | Jacques Haitkin | Editing by | George Berndt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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I Love You to Death (1990)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Starring ~ Kevin Kline,
Tracey Ullman,
William Hurt
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Anne V. Coates
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
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50/50 (2011)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Starring ~ Joseph Gordon-Levitt,
Seth Rogen,
Anna Kendrick
Directed by | Jonathan Levine | Cinematography by | Terry Stacey | Editing by | Zene Baker
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There Will Be Blood (2007)
Country | USA
Type | Motion Picture
Running Time | 158 Minutes
Aspect Ratio | 2.39:1
Starring ~ Daniel Day-Lewis,
Paul Dano,
Ciarán Hinds
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens
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Always (1989)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 1.85:1
Starring ~ Richard Dreyfuss,
Holly Hunter,
Brad Johnson
Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Three Fugitives (1989)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 1.85:1
Starring ~ Nick Nolte,
Martin Short,
Sarah Rowland Doroff
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
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Dancer in the Dark (2000)
Country | Denmark, Spain, Germany, Netherlands, Italy, USA, UK, France, Sweden, Finland, Iceland, Norway
Type | Motion Picture
Running Time | 140 Minutes
Aspect Ratio | 2.39:1
Starring ~ Björk,
Catherine Deneuve,
David Morse
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | François Gédigier, Molly Marlene Stensgaard
Cameras | Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
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Assassins (1995)
Country | France, USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 1.85:1
Starring ~ Sylvester Stallone,
Antonio Banderas,
Julianne Moore
Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks
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Snow Falling on Cedars (1999)
Country | USA
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 2.39:1
Starring ~ Ethan Hawke,
Max von Sydow,
Yûki Kudô
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
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Men of Honor (2000)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Starring ~ Cuba Gooding Jr.,
Robert De Niro,
Charlize Theron
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
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Catchfire (1990)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.85:1
Starring ~ Dennis Hopper,
Jodie Foster,
Dean Stockwell
Directed by | Dennis Hopper, Alan Smithee | Cinematography by | Edward Lachman | Editing by | David Rawlins
Cameras | Cinerama Camera, Moviecam Cameras
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10 Things I Hate About You (1999)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Starring ~ Heath Ledger,
Julia Stiles,
Joseph Gordon-Levitt
Directed by | Gil Junger | Cinematography by | Mark Irwin | Editing by | O. Nicholas Brown
Cameras | Moviecam Compact Camera
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