Washington | 24 Titles
Twin Peaks (1990)
Country | USA
Type | Television Series
Running Time | 47 Minutes
Aspect Ratio | 1.33:1 (4x3)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Cameras | ARRIFLEX Camera, Panavision Panaflex Camera
Lenses | Panavision Lenses
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The Man in the High Castle (2015)
Country | USA, UK, Canada
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Gonzalo Amat, James Hawkinson | Editing by | Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras | Red Epic Dragon Camera
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The Last Campaign of Governor Booth Gardner (2009)
Country | USA
Type | Documentary, Motion Picture
Running Time | 37 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Daniel Junge | Cinematography by | Davis Coombe | Editing by | Davis Coombemodified:
Fifty Shades of Grey (2015)
Country | USA
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
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Glen Campbell: I’ll Be Me (2014)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonoramodified:
Wild (2014)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA XT Camera
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The Butterfly Effect (2004)
Country | USA, Canada
Type | Motion Picture
Running Time | 113 Minutes
Directed by | Eric Bress, J. Mackye Gruber | Cinematography by | Matthew F. Leonetti | Editing by | Peter Amundsonmodified:
Agent Cody Banks (2003)
Country | USA, Canada
Type | Motion Picture
Running Time | 102 Minutes
Directed by | Harald Zwart | Cinematography by | Denis Crossan | Editing by | Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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St. Helens (1981)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Directed by | Ernest Pintoff | Cinematography by | Jacques Haitkin | Editing by | George Berndt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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I Love You to Death (1990)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Anne V. Coates
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
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50/50 (2011)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Jonathan Levine | Cinematography by | Terry Stacey | Editing by | Zene Baker
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There Will Be Blood (2007)
Country | USA
Type | Motion Picture
Running Time | 158 Minutes
Aspect Ratio | 2.39:1
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens
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Always (1989)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 1.85:1
Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Three Fugitives (1989)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 1.85:1
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
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Dancer in the Dark (2000)
Country | Denmark, Germany, Netherlands, Italy, USA, UK, France, Sweden, Finland, Iceland, Argentina, Norway, Taiwan, Belgium
Type | Motion Picture
Running Time | 140 Minutes
Aspect Ratio | 2.39:1
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | François Gédigier, Molly Malene Stensgaard
Cameras | Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
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Assassins (1995)
Country | France, USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 1.85:1
Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks
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Snow Falling on Cedars (1999)
Country | USA
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 2.39:1
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
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Men of Honor (2000)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
modified:
Catchfire (1990)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.85:1
Directed by | Dennis Hopper, Alan Smithee | Cinematography by | Edward Lachman | Editing by | David Rawlins
Cameras | Cinerama Camera, Moviecam Cameras
modified:
10 Things I Hate About You (1999)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Directed by | Gil Junger | Cinematography by | Mark Irwin | Editing by | O. Nicholas Brown
Cameras | Moviecam Compact Camera
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