Louisiana | 83 Titles
Kinds of Kindness (2024)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Guldjakken – fra Struer til Hall of Fame (2018)
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen
Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
Hacking the Wild (2017)
Editing by | Andrew Kimble
Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Causeway (2022)
Directed by | Lila Neugebauer | Cinematography by | Diego García | Editing by | Robert Frazen, Lucian Johnston
Cameras | ARRI ALEXA LF Camera
Lenses | Panavision H Series Lenses
The Beguiled (2017)
Directed by | Sofia Coppola | Cinematography by | Philippe Le Sourd | Editing by | Sarah Flack
Cameras | ARRICAM Lite (LT) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Live and Let Die (1973)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, Raymond Poulton, John Shirley
Cameras | ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200
Lenses | Panavision Super Speed Lenses
Happy Death Day (2017)
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Geostorm (2017)
Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen
Cameras | Red Epic Dragon Camera
Mudbound (2017)
Directed by | Dee Rees | Cinematography by | Rachel Morrison | Editing by | Mako Kamitsuna
Cameras | ARRI ALEXA Mini Camera
Lenses | Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini
Cameras | Moviecam Compact MK2 Camera
True Blood (2008)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Seeking Justice (2011)
Directed by | Roger Donaldson | Cinematography by | David Tattersall | Editing by | Jay Cassidy
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
True Detective (2014)
| Cinematography by | Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister | Editing by | Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Lay the Favorite (2012)
Directed by | Stephen Frears | Cinematography by | Michael McDonough | Editing by | Mick Audsley
Cameras | Sony CineAlta F35 Camera
Beautiful Creatures (2013)
Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Semper Fi (2019)
Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta
Cameras | Red Monstro 8K Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses
Disaster Movie (2008)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
The Magicians (2015)
| Cinematography by | Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush | Editing by | Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras | ARRI ALEXA Mini Camera
Green Book (2018) 
Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
Five Feet Apart (2019)
Directed by | Justin Baldoni | Cinematography by | Frank G. DeMarco | Editing by | Angela M. Catanzaro
Cameras | ARRI AMIRA Camera
Lenses | Cooke Lenses, Cooke Spherical Lenses
