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Massachusetts | 63 Titles

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Jaws (1975)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields

Starring | Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Filming ‘Othello’ (1978)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 84 Minutes

Directed by | Orson Welles | Cinematography by | Gary Graver

Starring | Orson Welles, Micheál MacLiammóir, Hilton Edwards

Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

Thoroughbreds (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Cory Finley | Cinematography by | Lyle Vincent | Editing by | Louise Ford

Starring | Olivia Cooke, Anya Taylor-Joy, Anton Yelchin

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Black Panther: Wakanda Forever (2022)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 161 Minutes

Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver

Starring | Letitia Wright, Lupita Nyong'o, Danai Gurira

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Holdovers (2023)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 133 Minutes

Directed by | Alexander Payne | Cinematography by | Eigil Bryld | Editing by | Kevin Tent

Starring | Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Glory (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Edward Zwick | Cinematography by | Freddie Francis | Editing by | Steven Rosenblum

Starring | Matthew Broderick, Denzel Washington, Cary Elwes

Cameras | Panavision Panaflex Gold II Camera

CODA (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 111 Minutes

Directed by | Sian Heder | Cinematography by | Paula Huidobro | Editing by | Geraud Brisson

Starring | Emilia Jones, Marlee Matlin, Troy Kotsur

Cameras | Sony CineAlta VENICE Camera

Lenses | ARRI Signature Prime Lenses

Brad’s Status (2017)

Motion Picture | 3D | Color | 2.0:1 | 102 Minutes

Directed by | Mike White | Cinematography by | Xavier Grobet | Editing by | Heather Persons

Starring | Ben Stiller, Austin Abrams, Jenna Fischer

Cameras | ARRI ALEXA Series Cameras

Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

American Fiction (2023)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula

Starring | Jeffrey Wright, Tracee Ellis Ross, John Ortiz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Tribe7 Blackwing7 Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Warlock (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer

Starring | Julian Sands, Lori Singer, Richard E. Grant, Mary Woronov

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

The Beach House (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 88 Minutes

Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier

Starring | Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Crucible (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar

Starring | Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

Super Size Me (2004)

Documentary | 2D | SD Project | Color | 1.78:1 (16x9) | 100 Minutes

Directed by | Morgan Spurlock | Cinematography by | Scott Ambrozy | Editing by | Stela Georgieva, Julie Bob Lombardi

Starring | Morgan Spurlock, Daryl Isaacs, Chemeeka Walker, Dania Abu-Rmaileh

Cameras | Sony DSR-PD150 Camera

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Transformers (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

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