Massachusetts | 47 Titles
Super Size Me (2004)
Country | USA
Type | Documentary
Running Time | 100 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Morgan Spurlock | Cinematography by | Scott Ambrozy | Editing by | Stela Georgieva, Julie Bob Lombardi Cameras | Sony DSR-PD150 Camera
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Jaws (1975)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
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The Perfect Storm (2000)
Country | USA
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce Cameras | Panavision Panaflex Millennium XL Camera
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Manchester by the Sea (2016)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 1.85:1
Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Lenses, Canon K35 Prime Lenses
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Ghostbusters (2016)
Country | USA, Australia
Type | Motion Picture
Running Time | 116 Minutes
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White Cameras | ARRI ALEXA XT Camera
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Mutiny on the Bounty (1935) 
Country | USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 1.37:1
Directed by | Frank Lloyd | Cinematography by | Arthur Edeson, Charles G. Clarke, Sidney Wagner | Editing by | Margaret Boothmodified:
The Hunting Ground (2015)
Country | USA
Type | Documentary, Motion Picture
Running Time | 103 Minutes
Directed by | Kirby Dick | Cinematography by | Aaron Kopp, Thaddeus Wadleigh | Editing by | Douglas Blush, Derek Boonstra, Kim Robertsmodified:
Joy (2015)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 1.85:1
Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen Lenses | Zeiss Ultra Prime Lenses
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Spotlight (2015)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 1.85:1
Directed by | Tom McCarthy | Cinematography by | Masanobu Takayanagi | Editing by | Tom McArdle Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
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Annabelle Hooper and the Ghosts of Nantucket (2016)
Country | USA
Type | Motion Picture, Television Movie
Running Time | 92 Minutes
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
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Bob and the Trees (2015)
Country | USA, France
Type | Motion Picture
Running Time | 91 Minutes
Directed by | Diego Ongaro | Cinematography by | Chris Teague, Daniel Vecchione | Editing by | Benoit Sauvage Cameras | Blackmagic Pocket Cinema Camera
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Labor Day (2013)
Country | USA
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
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Glen Campbell: I’ll Be Me (2014)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonoramodified:
The Bostonians (1984)
Country | UK, USA
Type | Motion Picture
Running Time | 122 Minutes
Directed by | James Ivory | Cinematography by | Walter Lassally | Editing by | Mark Potter Jr., Katherine Wenningmodified:
The Hunger Games: Mockingjay – Part 2 (2015)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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Who’s Afraid of Virginia Woolf? (1966)
Country | USA
Type | Motion Picture
Running Time | 131 Minutes
Directed by | Mike Nichols | Cinematography by | Haskell Wexler | Editing by | Sam O'Steenmodified:
The Judge (2014)
Country | USA
Type | Motion Picture
Running Time | 141 Minutes
Aspect Ratio | 2.39:1
Directed by | David Dobkin | Cinematography by | Janusz Kaminski | Editing by | Mark Livolsimodified:
The Equalizer (2014)
Country | USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Angenieux Optimo Anamorphic 56-152mm 2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Sex Tape (2014)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Directed by | Jake Kasdan | Cinematography by | Tim Suhrstedt | Editing by | Steve Edwards, Tara Timpone Cameras | ARRI ALEXA XT Camera
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