Shooting Region » Americas » North America » United States » Florida

Florida | 70 Titles

Rate It

1 2 3 4 Next »

LessUpdatedTitleYear

Minority Report (2002)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

True Lies (1994)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 2.20:1, 2.39:1 | 141 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Starring | Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

The Yearling (1946)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 128 Minutes

Directed by | Clarence Brown | Cinematography by | Arthur E. Arling, Charles Rosher, Leonard Smith | Editing by | Harold F. Kress

Starring | Gregory Peck, Jane Wyman, Claude Jarman Jr.

Cameras | Technicolor 3-Strip Camera

Never Say Never Again (1983)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 134 Minutes

Directed by | Irvin Kershner | Cinematography by | Douglas Slocombe | Editing by | Ian Crafford

Starring | Sean Connery, Kim Basinger, Klaus Maria Brandauer

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Thunderball (1965)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 130 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler

Starring | Sean Connery, Claudine Auger, Adolfo Celi

Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses | Panavision B Series Anamorphic Lenses

Moonraker (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 126 Minutes

Directed by | Lewis Gilbert | Cinematography by | Jean Tournier | Editing by | John Glen

Starring | Roger Moore, Lois Chiles, Michael Lonsdale

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Tomorrow Never Dies (1997)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 119 Minutes

Directed by | Roger Spottiswoode | Cinematography by | Robert Elswit | Editing by | Michel Arcand, Dominique Fortin

Starring | Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Licence to Kill (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 133 Minutes

Directed by | John Glen | Cinematography by | Alec Mills | Editing by | John Grover

Starring | Timothy Dalton, Robert Davi, Carey Lowell

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Black Swan (1942)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 87 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean

Starring | Tyrone Power, Maureen O'Hara, Laird Cregar

Cameras | Technicolor Cameras

Baywatch (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth Gordon | Cinematography by | Eric Steelberg | Editing by | Peter S. Elliot

Starring | Dwayne Johnson, Zac Efron, Alexandra Daddario

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Moonlight (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | Mahershala Ali, Naomie Harris, Trevante Rhodes

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

An Enchanted (2019)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 103 Minutes

Directed by | Christian Cashmir | Editing by | Christian Cashmir

Starring | Yao Tsai, Quinton Aaron, Ashleigh Blackburn

Cameras | ARRI ALEXA Mini Camera

Lenses | Canon CN-E Series Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Miami Vice (1984)

Television Series | 2D | SD Project | Color | 48 Minutes

Directed by | John Nicolella, Richard Compton, Leon Ichaso, Vern Gillum, Don Johnson, Jim Johnston, David Jackson, Colin Bucksey, Virgil W. Vogel, Paul Michael Glaser, Rob Cohen, Jan Eliasberg, Aaron Lipstadt, James Quinn, Georg Stanford Brown, Lee H. Katzin, David Anspaugh, Abel Ferrara, Michael O'Herlihy, Mario DiLeo, Gabrielle Beaumont, Paul Krasny, George Mendeluk, Michelle Manning, Russ Mayberry, Alan Myerson, Thomas Carter, Richard A. Colla, Stan Lathan, Alan J. Levi, John Llewellyn Moxey, Bobby Roth, David Soul, Harry Mastrogeorge, Edward James Olmos, Tim Zinnemann, Daniel Attias, Craig Bolotin, Christopher Crowe, Dick Miller, Fred Walton, Ate de Jong, Tony Wharmby, Bill Duke, Donald L. Gold, Randy Roberts, Chip Chalmers, James A. Contner, Eugene Corr, Michael B. Hoggan, Robert Iscove | Cinematography by | Oliver Wood, Tom Priestley Jr., Duke Callaghan, James A. Contner, Michael McGowan, Robert E. Collins, William Cronjager, Victor Hammer | Editing by | Robert A. Daniels, Michael D. Ornstein, Michael B. Hoggan, Kevin Krasny, Douglas Ibold, Dick Williams, Casey O. Rohrs, Robert L. Sinise, Steve Shultz, Jack Horger, Eric A. Sears, Barry B. Leirer, Gene Foster, Buford F. Hayes, David Rosenbloom, David Solomon, Joel Goodman, Dov Hoenig, Sidney Wolinsky, Lawrence J. Gleason, Richard Leeman

Starring | Don Johnson, Philip Michael Thomas, Saundra Santiago

Cameras | Panavision Panaflex Series Cameras

Rosewood (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon

Starring | Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

8MM (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens

Starring | Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

A Time to Kill (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 149 Minutes

Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp

Starring | Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

1 2 3 4 Next »

©2012 - 2025 ShotOnWhat?

20254.20