Colorado | 20 Titles
The Prestige (2006)
Around the World in Eighty Days (1956) 
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
Minding the Gap (2018)
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
The Ballad of Buster Scruggs (2018)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen
Symphony in Blue (2017)
Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko
Cameras | Panasonic AG-HVX200 Camera
Cheyenne Autumn (1964)
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins
Cameras | Super Panavision-70 Camera
Jesus Camp (2006)
Directed by | Heidi Ewing, Rachel Grady | Cinematography by | Mira Chang, Jenna Rosher | Editing by | Enat Sidi
Bowling for Columbine (2002)
The Hateful Eight (2015)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
Cameras | Mitchell BNC Camera
The Gold Rush (1925)
Directed by | Charles Chaplin | Cinematography by | Roland Totheroh | Editing by | Charles Chaplin
Cameras | Bell & Howell 2709 Camera
The Lone Ranger (2013)
Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood
Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens
Atom the Amazing Zombie Killer (2012)
Directed by | Zack Beins, Richard Taylor | Cinematography by | Richard Taylor | Editing by | Tim Johnson, Richard Taylor
Cameras | Sony PMW-EX1 Camera
About Schmidt (2002)
Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera
Spectrauma (2011)
Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter
Cameras | Red One MX Camera
xXx (2002)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Joel Negron, Paul Rubell
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses
Dumb & Dumber (1994)
Directed by | Peter Farrelly, Bobby Farrelly | Cinematography by | Mark Irwin | Editing by | Christopher Greenbury
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Atlas Shrugged: Part I (2011)
Directed by | Paul Johansson | Cinematography by | Ross Berryman | Editing by | Jim Flynn, Sherril Schlesinger
Cameras | Red One MX Camera
