Himself
The Kid Stays in the Picture (2002)
Cinematography by: John Bailey
Edited by: Jun Diaz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Joe Steiner
Blackout (1985)
Directed by: Douglas Hickox
Cinematography by: Tak Fujimoto
Edited by: Michael Brown
Cameras: Panavision Cameras
Ransom
Hanky Panky (1982)
Directed by: Sidney Poitier
Cinematography by: Arthur J. Ornitz
Edited by: Harry Keller
Hopalong Cassidy
Fade to Black (1980)
Directed by: Vernon Zimmerman
Cinematography by: Álex Phillips Jr.
Dr. Harris
Coma (1978)
Directed by: Michael Crichton
Cinematography by: Victor J. Kemper
Edited by: David Bretherton
General Slater
The Swarm (1978)
Directed by: Irwin Allen
Cinematography by: Fred J. Koenekamp
Edited by: Harold F. Kress
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Capt. Thomas Archer
Cheyenne Autumn (1964)
Directed by: John Ford
Cinematography by: William H. Clothier
Cameras: Super Panavision-70 Camera
Mike King
How the West Was Won (1962)
Edited by: Harold F. Kress
Cameras: Cinerama Camera, Ultra Panavision 70 Camera
Lenses: Kodak Ektar 27 mm Lens, Panavision Lenses
Johnny Gannon
Warlock (1959)
Directed by: Edward Dmytryk
Cinematography by: Joseph MacDonald
Edited by: Jack W. Holmes
August 'Augie' Poole
The Tunnel of Love (1958)
Directed by: Gene Kelly
Cinematography by: Robert J. Bronner
Edited by: John McSweeney Jr.
Richard Widmark
'I Love Lucy' The Tour (1955)
Directed by: William Asher
Cinematography by: Karl Freund
Edited by: Bud Molin
Capt. Adam Jones
Hell and High Water (1954)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Richard Widmark
I Love Lucy (1951)
Cameras: Mitchell BNC Camera
Editing System: Moviola Editing System