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Tennessee | 25 Titles

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The Matrix (1999)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 136 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Boy Erased (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 115 Minutes

Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz

Starring | Lucas Hedges, Nicole Kidman, Joel Edgerton

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

The People vs. Larry Flynt (1996)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen

Starring | Woody Harrelson, Courtney Love, Edward Norton, Brett Harrelson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Trouble the Water (2008)

Documentary | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Carl Deal, Tia Lessin | Cinematography by | PJ Raval, Kimberly Rivers Roberts | Editing by | Woody Richman

Starring | Michael Brown, George W. Bush, Julie Chen Moonves, Ray Nagin

In the Heat of the Night (1967)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Norman Jewison | Cinematography by | Haskell Wexler | Editing by | Hal Ashby

Starring | Sidney Poitier, Rod Steiger, Warren Oates, Lee Grant

Daughter from Danang (2002)

Documentary | 2D | Color | 1.37:1 | 83 Minutes

Directed by | Gail Dolgin, Vicente Franco | Cinematography by | Vicente Franco | Editing by | Kim Roberts

Starring | Mai Thi Kim, Heidi Neville-Bub, Gerald Ford, Tom Miller

Alone Yet Not Alone (2013)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Ray Bengston, George D. Escobar | Cinematography by | James Suttles | Editing by | M. Scott Smith

Starring | Kelly Greyson, Natalie Racoosin, Clay Walker, Jenn Gotzon Chandler

Glen Campbell: I’ll Be Me (2014)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 116 Minutes

Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonora

Starring | Glen Campbell, Kim Campbell, Ronald Petersen, Dave Kaplan

Undefeated (2011)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Daniel Lindsay, T.J. Martin | Cinematography by | Daniel Lindsay, T.J. Martin | Editing by | Daniel Lindsay, T.J. Martin

Starring | Bill Courtney, O.C. Brown, Montrail 'Money' Brown, Chavis Daniels

Nashville (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters | Editing by | Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson

Starring | Hayden Panettiere, Clare Bowen, Charles Esten, Jonathan Jackson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

The Guilt Trip (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly

Starring | Barbra Streisand, Seth Rogen, Julene Renee, Zabryna Guevara

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

42 (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt

Starring | Chadwick Boseman, T.R. Knight, Harrison Ford, Nicole Beharie

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

21 Grams (2003)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

The Green Mile (1999)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce

Starring | Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

The Evil Dead (1981)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 85 Minutes

Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul

Starring | Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker

Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera

In the Valley of Elah (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis

Starring | Tommy Lee Jones, Charlize Theron, Jonathan Tucker, Jason Patric

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Walk the Line (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

Wag the Dog (1997)

Motion Picture | Color | 1.85:1 | 97 Minutes

Directed by | Barry Levinson | Cinematography by | Robert Richardson | Editing by | Stu Linder

Starring | Dustin Hoffman, Robert De Niro, Anne Heche, Woody Harrelson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Cast Away (2000)

Motion Picture | 2D | Color | 1.85:1 | 143 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Helen Hunt, Paul Sanchez, Lari White

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Classic Spherical Lenses

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