Rhode Island | 10 Titles
True Lies (1994)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Measure of a Man (2018)
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Murderball (2005)
Directed by | Henry Alex Rubin, Dana Adam Shapiro | Cinematography by | Henry Alex Rubin | Editing by | Conor O'Neill, Geoffrey Richman
Cameras | Panasonic AG-DVX100 Camera
Infinitely Polar Bear (2014)
Directed by | Maya Forbes | Cinematography by | Bobby Bukowski | Editing by | Michael R. Miller
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Style Lenses
Body of Proof (2011)
| Cinematography by | Patrick Cady | Editing by | Lynne Willingham, Jennifer Barbot, Randy Jon Morgan, Paul Trejo, Tirsa Hackshaw, Eric Litman, Louise Innes, Chris G. Willingham, Susan Godfrey, Tom McQuade
Cameras | ARRI ALEXA Camera
Little Children (2006)
Moonrise Kingdom (2012)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Dumb & Dumber (1994)
Directed by | Peter Farrelly, Bobby Farrelly | Cinematography by | Mark Irwin | Editing by | Christopher Greenbury
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
Die You Zombie Bastards! (2005)
