New York | 282 Titles
A Very Harold & Kumar 3D Christmas (2011)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Starring ~ Kal Penn,
John Cho,
Neil Patrick Harris
Directed by | Todd Strauss-Schulson | Cinematography by | Michael Barrett | Editing by | Eric Kissack
Cameras | Panavision Genesis Camera
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Fly Away Home (1996)
Country | USA, Canada
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 1.85:1
Starring ~ Jeff Daniels,
Anna Paquin,
Dana Delany
Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Pi (1998)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 1.66:1
Starring ~ Sean Gullette,
Mark Margolis,
Ben Shenkman
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch
Cameras | Aaton XTR Prod Camera, Bolex H16 Camera
Lenses | Angenieux Lenses, Canon Lenses
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Morning Glory (2010)
Country | USA
Type | Motion Picture
Aspect Ratio | 2.39:1
Starring ~ Rachel McAdams,
Harrison Ford,
Diane Keaton
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
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Friends with Benefits (2011)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Starring ~ Mila Kunis,
Justin Timberlake,
Patricia Clarkson
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
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Begin Again (2013)
Country | USA
Type | Motion Picture
Running Time | 104 Minutes
Starring ~ Keira Knightley,
Mark Ruffalo,
Adam Levine
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus
Cameras | Red Epic Camera
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Ghost Team (2016)
Country | USA
Type | Motion Picture
Running Time | 83 Minutes
Starring ~ Jon Heder,
David Krumholtz,
Justin Long
Directed by | Oliver Irving | Cinematography by | Timothy Naylor | Editing by | Oliver Irvingmodified:
Sleepy Hollow (2013)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Tom Mison,
Nicole Beharie,
Lyndie Greenwood
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
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Hands of Stone (2016)
Country | Panama, USA
Type | Motion Picture
Running Time | 105 Minutes
Starring ~ Robert De Niro,
Ana de Armas,
Ellen Barkin
Directed by | Jonathan Jakubowicz | Cinematography by | Miguel Ioann Littin Menz | Editing by | Ethan Maniquis
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
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House of Lies (2012)
Country | USA
Type | Television Series
Running Time | 28 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Don Cheadle,
Kristen Bell,
Ben Schwartz
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Vamps (2012)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Alicia Silverstone,
Krysten Ritter,
Larry Wilmore
Directed by | Amy Heckerling | Cinematography by | Tim Suhrstedt | Editing by | Debra Chiate
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Royal Pains (2016)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Mark Feuerstein,
Paulo Costanzo,
Reshma Shetty
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Arthur (2011)
Country | USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 1.85:1
Starring ~ Russell Brand,
Helen Mirren,
Jennifer Garner
Directed by | Jason Winer | Cinematography by | Uta Briesewitz | Editing by | Brent White
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Nine Lives (2016)
Country | France, China
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Starring ~ Kevin Spacey,
Jennifer Garner,
Robbie Amell
Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses
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Front Cover (2015)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Starring ~ Jake Choi,
James Chen,
Jennifer Neala Page
Directed by | Ray Yeung | Cinematography by | Eun-ah Lee | Editing by | Joseph Gutowskimodified:
Nerve (2016)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Starring ~ Emma Roberts,
Dave Franco,
Emily Meade
Directed by | Henry Joost, Ariel Schulman | Cinematography by | Michael Simmonds | Editing by | Madeleine Gavin, Jeff McEvoymodified:
Teenage Mutant Ninja Turtles (2014)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Starring ~ Megan Fox,
Will Arnett,
William Fichtner
Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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The Amazing Spider-Man 2 (2014)
Country | USA
Type | Motion Picture
Running Time | 142 Minutes
Aspect Ratio | 2.39:1
Starring ~ Andrew Garfield,
Emma Stone,
Jamie Foxx
Directed by | Marc Webb | Cinematography by | Daniel Mindel | Editing by | Pietro Scalia
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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The Avengers (2012)
Country | USA
Type | Motion Picture
Running Time | 143 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution, 2880x1620 - (1.78:1) Capture Resolution
Starring ~ Robert Downey Jr.,
Chris Evans,
Scarlett Johansson
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
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Need for Speed (2014)
Country | USA, UK, France, Philippines
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Starring ~ Aaron Paul,
Dominic Cooper,
Imogen Poots
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
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