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New York | 324 Titles

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Pirates of the Caribbean: At World’s End (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 169 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Mad Men (2007)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 47 Minutes

| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty

Starring | Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones

Cameras | ARRI ALEXA Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Suits (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Dan Stoloff, William Klayer, John B. Aronson, Karl Walter Lindenlaub, Alwyn Kumst, Patrick Cady, Jim Denault, Colin Hoult | Editing by | Dan Rovetto, David Kaldor, Peter Forslund, Brock Hammitt, Angela M. Catanzaro, Sandra McCallig, Daniel Martens, David L. Bertman, Christopher Cibelli, Sara Mineo, Sarah E. Williams, Janet Ashikaga, Robert Ivison, Danielle Wang

Starring | Gabriel Macht, Patrick J. Adams, Meghan Markle, Sarah Rafferty

Cameras | ARRI ALEXA Camera

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Lenses

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

The Mirror Has Two Faces (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner

Starring | Barbra Streisand, Jeff Bridges, Lauren Bacall, George Segal

Cameras | Panavision Panaflex Camera

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

White Collar (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Russell Lee Fine, Robert Gantz, Niels Alpert, Jamie Silverstein, Joel Ransom | Editing by | Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny

Starring | Matt Bomer, Tim DeKay, Willie Garson, Tiffani Thiessen

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

King Kong (1933)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman

Starring | Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher

Cameras | Mitchell Standard Camera

8MM (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens

Starring | Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

Ralph Breaks the Internet (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Phil Johnston, Rich Moore | Cinematography by | Nathan Warner | Editing by | Jeremy Milton, Fabienne Rawley

Starring | John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses

Avengers: Endgame (2019)

Motion Picture | 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Pi (1998)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 84 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch

Starring | Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart

Cameras | Aaton XTR Prod Camera, Bolex H16 Camera

Lenses | Angenieux Lenses, Canon Lenses

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

$Last Days of Kubrick\'s Life - Behind the Scenes at ShotOnSet!$

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Taxi Driver (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro

Starring | Robert De Niro, Jodie Foster, Cybill Shepherd, Albert Brooks

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

If Beale Street Could Talk (2018)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 119 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | KiKi Layne, Stephan James, Regina King, Teyonah Parris

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses

A Beautiful Mind (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Music of the Heart (1999)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Gregg Featherman, Patrick Lussier

Starring | Meryl Streep, Cloris Leachman, Henry Dinhofer, Michael Angarano

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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