New York | 332 Titles
Incredibles 2 (2018)
Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer
Unbreakable Kimmy Schmidt (2015)
| Cinematography by | John Inwood | Editing by | Ken Eluto, Elizabeth Merrick, Meg Reticker, Kyle Gilman, Jesse Gordon, Craig Cobb, Alex Minnick, Ellen Tam, Katie Abel, Micah Gardner
Cameras | Red Epic Dragon Camera, Red Helium (Weapon) 8K
Archer (2009)
| Editing by | Pierre Cerrato, Brad Lee Zimmerman, Christian Danley, Andy Sipes, Nate Ladd, Ted Murphy
Batman (1989)
Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera
Lenses | Panavision SL35-M 35 mm T1.9 Lens
The Daily Show (1996)
| Cinematography by | Dave Carroll, Ryan Scafuro, Michael Chase, James P. Brady, James Markham Hall Jr., Peter Zivkovic, Joel Sadler, Matt Sohn | Editing by | Einar Westerlund, Mark Paone, Daric Schlesselman, Randi Snitz, Graham Knox Frazier, Andrew Matheson, David Small, Eric Davies, Nikolai Johnson, Tonya Dreher, Thomas Favilla, Mike Choi, Aurora De Lucia, Amanda Sprecher, Randy Ross, Max Heller, Erin Shannon, Catherine Trasborg, Elyse Kaftan, Jesse Gordon, Woody Richman, Robert York, Eric Kissack, Joseph Vassallo, Matthew Giaquinto, Blake Gingerich, Nick Mougis, Alexis Johnson
21 Bridges (2019)
Orange Is the New Black (2013)
| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras | ARRI ALEXA Camera, Panasonic VariCam 35
Lenses | Cooke 5/i Lenses
Blade Runner 2049 (2017)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Joker (2019)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth
Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Rounded Corners (2019)
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
Beyond the Night (2018)
Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens
Marriage Story (2019)
Pirates of the Caribbean: At World’s End (2007)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Munich (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Mad Men (2007)
| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Suits (2011)
| Cinematography by | Dan Stoloff, William Klayer, John B. Aronson, Karl Walter Lindenlaub, Alwyn Kumst, Patrick Cady, Jim Denault, Colin Hoult | Editing by | Dan Rovetto, David Kaldor, Peter Forslund, Brock Hammitt, Angela M. Catanzaro, Sandra McCallig, Daniel Martens, David L. Bertman, Christopher Cibelli, Sara Mineo, Sarah E. Williams, Janet Ashikaga, Robert Ivison, Danielle Wang
Cameras | ARRI ALEXA Camera
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
The Mirror Has Two Faces (1996)
Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner
Cameras | Panavision Panaflex Camera
Ready Player One (2018)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses
White Collar (2009)
| Cinematography by | Russell Lee Fine, Robert Gantz, Niels Alpert, Jamie Silverstein, Joel Ransom | Editing by | Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny
Cameras | Sony CineAlta F35 Camera
