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United States | 1471 Titles

United States 3.00/5 1 Vote

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Mesrine Part 2: Public Enemy #1 (2008)

Motion Picture | 2D | Color | 2.39:1 | 133 Minutes

Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid

Starring | Vincent Cassel, Ludivine Sagnier, Mathieu Amalric, Samuel Le Bihan

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

My Name Is Khan (2010)

Motion Picture | 2D | Color | 2.39:1 | 165 Minutes

Directed by | Karan Johar | Cinematography by | Ravi K. Chandran | Editing by | Deepa Bhatia

Starring | Shah Rukh Khan, Kajol, Sheetal Menon, Katie A. Keane

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Adaptation. (2002)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen

Starring | Nicolas Cage, Meryl Streep, Chris Cooper, Tilda Swinton

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Battleship (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell

Starring | Alexander Skarsgård, Brooklyn Decker, Liam Neeson, Rihanna

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Prestige (2006)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Hugh Jackman, Scarlett Johansson, Michael Caine

Cameras | Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Something’s Gotta Give (2003)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing

Starring | Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Flags of Our Fathers (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Ryan Phillippe, Barry Pepper, Joseph Cross, Jesse Bradford

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses

Barbershop (2002)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Tom Priestley Jr. | Editing by | John Carter

Starring | Ice Cube, Cedric The Entertainer, Eve, Anthony Anderson

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Time Machine (2002)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman

Starring | Guy Pearce, Yancey Arias, Mark Addy, Phyllida Law

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

3000 Miles to Graceland (2001)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Demian Lichtenstein | Cinematography by | David Franco | Editing by | Michael J. Duthie, Miklos Wright

Starring | Kurt Russell, Kevin Costner, Courteney Cox, Christian Slater

Cameras | Panavision Cameras

Lenses | Panavision Lenses

What Lies Beneath (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Harrison Ford, Michelle Pfeiffer, Katharine Towne, Miranda Otto

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Extreme Justice (1993)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron

Starring | Lou Diamond Phillips, Scott Glenn, Chelsea Field, Yaphet Kotto

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | ARRI / Zeiss Lenses, Cooke Lenses, Zeiss Lenses

The Black Dahlia (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow

Starring | Josh Hartnett, Aaron Eckhart, Scarlett Johansson, Hilary Swank

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Whip It (2009)

Motion Picture | Color | 2.39:1 | 111 Minutes

Directed by | Drew Barrymore | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor

Starring | Ellen Page, Drew Barrymore, Kristen Wiig, Sarah Habel

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Grand Canyon (1991)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton

Starring | Danny Glover, Kevin Kline, Steve Martin, Mary McDonnell

Cameras | Panavision Panaflex Gold Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Daylight (1996)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson

Starring | Sylvester Stallone, Amy Brenneman, Viggo Mortensen, Dan Hedaya

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Charlie’s Angels: Full Throttle (2003)

Motion Picture | 2D | Color | 106 Minutes

Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman

Starring | Drew Barrymore, Lucy Liu, Cameron Diaz, Bernie Mac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Desire Street (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 82 Minutes

Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu

Starring | Alejandra Walker, Ellen Clifford, Javier Lopez, Alexandra Smothers

Cameras | ARRIFLEX 16mm Cameras

Chicago (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh

Starring | Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Taye Diggs

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

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