Head Of Digital Imaging
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Head Of Digital Imaging
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Film Recording Manager: Weta Digital
Goddess (2013)
Directed by: Mark Lamprell
Cinematography by: Damian Wyvill
Cameras: ARRI ALEXA Camera
Head Of Digital Imaging
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Scanning And Recording Manager: Weta Digital
Emperor (2012)
Directed by: Peter Webber
Cinematography by: Stuart Dryburgh
Edited by: Chris Plummer
Lenses: Hawk V-Lite Lenses
Film Recording Manager: Weta Digital
Stefan v/s Kramer (2012)
Cinematography by: Antonio Quercia
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Editing System: Final Cut Pro Editing System
Head Of Digital Imaging: WETA Digital
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Imaging Hod: Weta Digital
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Film Recording Manager: Weta Digital
The Devil's Rock (2011)
Directed by: Paul Campion
Cinematography by: Rob Marsh
Edited by: Jeff Hurrell
Digital Imaging Manager: Weta Digital
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Digital Imaging Manager: Weta Digital
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Film Recording Manager: Weta Digital
X (2011)
Directed by: Jon Hewitt
Cinematography by: Mark Pugh
Edited by: Cindy Clarkson
Cameras: Red One MX Camera
Scanning And Recording Manager: Weta Digital
The Warrior's Way (2010)
Directed by: Sngmoo Lee
Cinematography by: Woo-hyung Kim
Edited by: Jonathan Woodford-Robinson
Film Recording Manager: Weta Digital
Road Kill (2010)
Directed by: Dean Francis
Cinematography by: Carl Robertson
Edited by: Rodrigo Balart
Cameras: Red One Camera
Film Recording Manager: Weta Digital
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Scanning And Recording Manager
Boy (2010)
Directed by: Taika Waititi
Cinematography by: Adam Clark
Edited by: Chris Plummer
Film Recording Manager: Weta Digital
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Film Recording Manager: Weta Digital
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Head Of Digital Imaging: Weta Digital
District 9 (2009)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Edited by: Julian Clarke
Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Editing System: Adobe Premiere Editing System
Film Recording Manager: Weta Digital
Cedar Boys (2009)
Directed by: Serhat Caradee
Cinematography by: Peter Holland
Edited by: Suresh Ayyar
Head Of Digital Imaging: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Imaging Manager
Closed for Winter (2009)
Directed by: James Bogle
Cinematography by: Kim Batterham
Edited by: Denise Haratzis
Head Of Digital Imaging: Weta Digital
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Digital Imaging Manager
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Digital Imaging Manager: Weta Digital
Rain of the Children (2008)
Directed by: Vincent Ward
Edited by: Chris Plummer
Scanning And Recording Manager: Weta Digital
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Digital Imaging Manager
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Head Of Digital Imaging: Weta Digital
The Water Horse (2007)
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Digital Imaging Manager: Weta Digital
Lucky Miles (2007)
Directed by: Michael James Rowland
Cinematography by: Geoff Burton
Edited by: Henry Dangar
Digital Imaging Manager: Weta Digital
30 Days of Night (2007)
Directed by: David Slade
Cinematography by: Jo Willems
Edited by: Art Jones
Film Recording Manager: Weta Digital
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
I/o Supervisor: Weta Digital
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Digital Imaging Manager: Weta Digital
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Scanning And Recording Manager: Weta Digital
Perfect Creature (2006)
Directed by: Glenn Standring
Cinematography by: Leon Narbey
Edited by: Chris Blunden
Digital Imaging Manager: Weta Digital
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Head Of Digital Imaging: Weta Digital
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Scanning And Recording Manager: Weta Digital
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Film Recording Manager: Weta Digital
Kokoda (2006)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Adrian Rostirolla
Digital Imaging Manager: Weta Digital
Qi jian (2005)
Directed by: Hark Tsui
Cinematography by: Kwok-Man Keung
Edited by: Angie Lam
Digital Imaging Manager: Weta Digital
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Digital Imaging: Weta Digital
Two Cars, One Night (2004)
Directed by: Taika Waititi
Cinematography by: Adam Clark
Edited by: Owen Ferrier-Kerr
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: Zeiss Ultra Prime Lenses
Head Of Digital Imaging: Weta Digital
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Flim Recording Manager
Travelers and Magicians (2003)
Directed by: Khyentse Norbu
Cinematography by: Alan Kozlowski
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera
Digital Imaging Supervisor: Weta Digital
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Head Of Digital Imaging: Weta Digital
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Scanning And Recording
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Head Of Digital Imaging: Weta Digital
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Scanning And Recording Manager/supervisor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Imaging: Cinesite Europe
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Scanning And Recording Manager
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Scanning And Recording Manager
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Digital Scanning And Recording: Cinesite
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Scanning
Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Digital Scanning And Recording Producer: Cinesite
The Man Who Knew Too Little (1997)
Directed by: Jon Amiel
Cinematography by: Robert M. Stevens
Cameras: Panavision Cameras
Scanning And Recording Manager
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Scanning And Recording Supervisor: Cinesite
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Scanning And Recording Manager
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Recording Operator
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Scanning And Recording Manager
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Scanning And Recording Manager
First Knight (1995)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
