Executive In Charge Of Music
He's Just Not That Into You (2009)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Executive In Charge Of Music: New Line
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Executive In Charge Of Music: New Line
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Music
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Executive In Charge Of Music
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Executive In Charge Of Music
Semi-Pro (2008)
Directed by: Kent Alterman
Cinematography by: Shane Hurlbut
Executive In Charge Of Music: New Line
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Executive In Charge Of Music: New Line
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Executive In Charge Of Music
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Executive In Charge Of Music
Run, Fat Boy, Run (2007)
Directed by: David Schwimmer
Cinematography by: Richard Greatrex
Edited by: Michael Parker
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Executive In Charge Of Music
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Executive In Charge Of Music: New Line
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Executive In Charge Of Music: New Line
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Executive In Charge Of Music
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Executive In Charge Of Music: New Line
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Executive In Charge Of Music: New Line
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Executive In Charge Of Music: New Line
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Executive In Charge Of Music
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Executive In Charge Of Music: New Line
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Executive In Charge Of Music: New Line
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Executive In Charge Of Music: New Line
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Music
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Executive In Charge Of Music: New Line
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Executive In Charge Of Music
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Executive In Charge Of Music
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Music Executive
The Sleeping Dictionary (2003)
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Executive In Charge Of Music: New Line
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Executive In Charge Of Music: New Line
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Executive In Charge Of Music
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Executive In Charge Of Music
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Executive In Charge Of Music: New Line
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Music Executive
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Executive In Charge Of Music
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Music Executive
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Music Executive
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Music
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Executive Music Producer
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Music Executive
Life as a House (2001)
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Executive In Charge Of Music
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Music Executive
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Music Executive
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Music Executive
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Music Executive / Music Supervisor
The Astronaut's Wife (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Music Executive
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Executive
Drop Dead Gorgeous (1999)
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Music Executive / Music Supervisor
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Music Executive
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Executive
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Executive / Music Supervisor
American History X (1998)
Directed by: Tony Kaye
Cinematography by: Tony Kaye
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Music Executive
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Music Executive: Fine Line Features
Love! Valour! Compassion! (1997)
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
Music Executive
B*A*P*S (1997)
Directed by: Robert Townsend
Cinematography by: Bill Dill
Edited by: Patrick Kennedy
Music Executive
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
Music Supervisor
Meet Wally Sparks (1997)
Directed by: Peter Baldwin
Cinematography by: Richard H. Kline
Edited by: Raúl Dávalos
Music Executive
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Music Executive
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Executive
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Music Supervisor
Don't Look Back (1996)
Directed by: Geoff Murphy
Cinematography by: Mark Irwin
Edited by: Dan Lebental
Music Executive: New Line
In Love and War (1996)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Music Supervisor
Jury Duty (1995)
Directed by: John Fortenberry
Cinematography by: Avraham Karpick
Edited by: Stephen Semel
Music Supervisor
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
Music Supervisor
Red Rock West (1993)
Directed by: John Dahl
Cinematography by: Marc Reshovsky
Edited by: Scott Chestnut
Music Supervisor
Dream Lover (1993)
Directed by: Nicholas Kazan
Cinematography by: Jean-Yves Escoffier
Music Supervisor
Ruby (1992)
Directed by: John Mackenzie
Cinematography by: Phil Meheux
Edited by: Richard Trevor
Staff: Omni Zoetrope Studios
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System