Special Effects Supervisor
Kandahar (2023)
Directed by: Ric Roman Waugh
Cinematography by: MacGregor
Edited by: Colby Parker Jr.
Editing System: Avid Editing System
Special Effects Coordinator
Greenland (2020)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Gabriel Fleming
Cameras: ARRI ALEXA Mini Camera
Special Effects Supervisor
Marriage Story (2019)
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Special Effects Foreman
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Special Effects Foreman: Additional Photography
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Special Effects Coordinator
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Special Effects Coordinator
Reach Me (2014)
Directed by: John Herzfeld
Cinematography by: Vern Nobles
Edited by: Steven Cohen
Cameras: Red Epic Camera
Special Effects Coordinator
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Supervisor
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Special Effects Supervisor
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Special Effects Coordinator
Snitch (2013)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
Stunt Utility
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Special Effects Foreman
The Bling Ring (2013)
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Special Effects Technician: Additional Photography
Her (2013)
Directed by: Spike Jonze
Cinematography by: Hoyte Van Hoytema
Special Effects Technician
Haywire (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Special Effects Supervisor: Pyrotechnics
S.W.A.T.: Firefight (2011)
Directed by: Benny Boom
Cinematography by: Don Davis
Cameras: Sony CineAlta F35 Camera
Special Effects Coordinator, Stunt Performer
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Coordinator
Armored (2009)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Special Effects Supervisor, Utility Stunts
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Special Effects Foreman
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Special Effects Technician
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Special Effects On-set Foreman
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Technician: K-rail
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Special Effects Coordinator / Special Effects Director
Deja Vu (2006)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Special Effects Coordinator
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Special Effects Foreman / Special Effects Technician
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Special Effects Foreman / Special Effects Technician
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Additional Special Effects Foreman
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Foreman
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Special Effects Foreman
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Special Effects Technician
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects
Space Cowboys (2000)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Forces of Nature (1999)
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Special Effects
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Special Effects Foreman
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Special Effects Technician
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Special Effects Coordinator
Midnight in the Garden of Good and Evil (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Special Effects Crew
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Special Effects Technician
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Special Effects
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Special Effects
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Special Effects
The Bridges of Madison County (1995)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Special Effects
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Special Effects
Treacherous (1993)
Directed by: Kevin Brodie
Cinematography by: Leo J. Napolitano
Edited by: Duncan Burns
Special Effects Crew
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Craft Service
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
