Visual Effects Supervisor: CosA VFX
'Westworld' The Passenger (2018)
Directed by: Frederick E.O. Toye
Cinematography by: John Grillo
Visual Effects Supervisor: CosA VFX
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Visual Effects Supervisor: CosA VFX
'Westworld' Reunion (2018)
Directed by: Vincenzo Natali
Cinematography by: John Grillo
Edited by: David Eisenberg
Visual Effects Supervisor: CosA VFX
'Westworld' Virtù e Fortuna (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Anna Hauger
Visual Effects Supervisor: CosA VFX
'Westworld' The Riddle of the Sphinx (2018)
Directed by: Lisa Joy
Cinematography by: John Grillo
Edited by: Andrew Seklir
Visual Effects Supervisor: CosA VFX
'Westworld' Akane no Mai (2018)
Directed by: Craig Zobel
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Visual Effects Supervisor: CosA VFX
'Westworld' Phase Space (2018)
Directed by: Tarik Saleh
Cinematography by: John Grillo
Edited by: Ron Rosen
Visual Effects Supervisor: CosA VFX
'Westworld' Les Écorchés (2018)
Directed by: Nicole Kassell
Cinematography by: M. David Mullen
Edited by: Anna Hauger
Visual Effects Supervisor: CosA VFX
'Westworld' Kiksuya (2018)
Directed by: Uta Briesewitz
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Visual Effects Supervisor: CosA VFX
'Westworld' Vanishing Point (2018)
Directed by: Stephen Williams
Cinematography by: Darran Tiernan
Edited by: Ron Rosen
Visual Effects Supervisor: CoSA VFX
'The Walking Dead' Monsters (2017)
Directed by: Greg Nicotero
Cinematography by: Michael E. Satrazemis
Edited by: Alan Cody
Visual Effects Supervisor: CoSA VFX
'The Walking Dead' The Damned (2017)
Directed by: Rosemary Rodriguez
Cinematography by: Michael E. Satrazemis
Edited by: Evan Schrodek
Composting Supervisor: CosA VFX
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Composting Supervisor: CosA VFX
'Westworld' The Stray (2016)
Directed by: Neil Marshall
Cinematography by: Robert McLachlan
Edited by: Andrew Seklir
Composting Supervisor: CosA VFX
'Stranger Things' Chapter Seven: The Bathtub (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Composting Supervisor: CosA VFX
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Composting Supervisor: CosA VFX
'Stranger Things' Chapter Five: The Flea and the Acrobat (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Composting Supervisor: CosA VFX
'Stranger Things' Chapter Four: The Body (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Dean Zimmerman
Composting Supervisor: CosA VFX
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Composting Supervisor: CosA VFX
'Stranger Things' Chapter Two: The Weirdo on Maple Street (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Composting Supervisor: CosA VFX
'Stranger Things' Chapter One: The Vanishing of Will Byers (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Composting Supervisor: CosA VFX - 8 Episodes, 2016, Composting Supervisor: CoSA VFX / Composting Supervisor: CosA VFX - 8 Episodes, 2016
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Composting Supervisor: CosA VFX / Visual Effects Supervisor: CosA VFX - 10 Episodes, 2016-2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Composting Supervisor: CosA VFX
'Westworld' The Original (2016)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Composting Supervisor: CosA VFX
'Westworld' Chestnut (2016)
Directed by: Richard J. Lewis
Cinematography by: Brendan Galvin
Edited by: Mark Yoshikawa
Composting Supervisor: CosA VFX
'Westworld' Dissonance Theory (2016)
Directed by: Vincenzo Natali
Cinematography by: Brendan Galvin
Edited by: Tanya M. Swerling
Composting Supervisor: CosA VFX
'Westworld' Contrapasso (2016)
Directed by: Jonny Campbell
Cinematography by: Robert McLachlan
Edited by: Mark Yoshikawa
Composting Supervisor: CosA VFX
'Westworld' The Adversary (2016)
Directed by: Frederick E.O. Toye
Edited by: Tanya M. Swerling
Composting Supervisor: CosA VFX
'Westworld' Trompe L'Oeil (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Brendan Galvin
Edited by: Andrew Seklir
Composting Supervisor: CosA VFX
'Westworld' Trace Decay (2016)
Directed by: Stephen Williams
Edited by: Tanya M. Swerling
Composting Supervisor: CosA VFX
'Westworld' The Well-Tempered Clavier (2016)
Directed by: Michelle MacLaren
Cinematography by: Jeffrey Jur
Edited by: Mark Yoshikawa
Composting Supervisor: CosA VFX
'Westworld' The Bicameral Mind (2016)
Directed by: Jonathan Nolan
Cinematography by: David Franco
Edited by: Andrew Seklir
Compositor: Method Studios LA
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Lead Compositor: Method Studios LA
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Compositor: Method Studios LA
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Compositor: Method Studios
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Compositor: Method Studios LA
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Compositor: Method Studios
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Visual Effects: Method Studios
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Compositor: Method Studios
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Compositor: Method Studios
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Compositor: Method Studios
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Visual Effects Supervisor: CoSA VFX - 2 Episodes, 2017
The Walking Dead (2010)
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Compositor: CIS Hollywood
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Compositing Supervisor: CIS Hollywood
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Compositor
The Informant! (2009)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Compositor: CIS Hollywood
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Compositor: CIS Hollywood
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Compositor: CIS Hollywood
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Compositor: CIS Hollywood
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Compositor: CIS Hollywood
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: CIS Hollywood
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Compositor: CIS Hollywood
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Compositor: CIS Hollywood
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Digital Compositor: Warner Bros
The Lake House (2006)
Directed by: Alejandro Agresti
Cinematography by: Alar Kivilo
Visual Effects
The Dukes of Hazzard (2005)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Technical Director: SPI
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Compositor: Warner Brothers
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Lead Compositor / Sequence Supervisor: Cinesite
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Compositor
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Digital Compositor: Cinesite
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Compositor: Cinesite
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Digital Compositor: Cinesite
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Digital Compositor: Cinesite
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Digital Compositor: Cinesite
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Digital Compositor: Cinesite
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Digital Compositor: Cinesite
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Compositor: Cinesite
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Visual Effects Compositor
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Motion Tracker: Cinesite
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Digital Compositor: Cinesite
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Visual Effects Compositor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Compositor: Cinesite
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Digital Compositor
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Compositor/animator: Computer V
Barney's Great Adventure (1998)
Directed by: Steve Gomer
Cinematography by: Sandi Sissel
Edited by: Richard Halsey
3D Animator: ComputerCafe
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
3D Animator: ComputerCafe
Wishmaster (1997)
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Animator: ComputerCafe
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
