Visual Effects Executive Producer: Aaron Sims Creative
Overlord (2018)
Directed by: Julius Avery
Edited by: Matt Evans
Executive Producer Aaron Sims Creative
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Executive Producer Aaron Sims Creative
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Executive Producer Aaron Sims Creative
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Executive Producer: Aaron Sims Creative - 3 Episodes, 2016
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Executive Producer: Aaron Sims Creative
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Executive Producer: Aaron Sims Creative
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Executive Producer: Aaron Sims Creative
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Director Of Development At Prime Focus
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Director Of Global Development At Prime Focus
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Director Of Global Development At Prime Focus
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Director Of Global Development At Prime Focus
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Director Of Global Development At Prime Focus
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Director Of Global Development At Prime Focus / Director Of Global Development: Prime Focus
World War Z (2013)
Directed by: Marc Forster
Director Of Global Development At Prime Focus
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Director Of Global Development At Prime Focus
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Director Of Global Development At Prime Focus
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Director Of Global Development At Prime Focus
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Director Of Global Development At Prime Focus
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Compositing Lead: CafeFX
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Victim
Unthinkable (2010)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Scott Chestnut
Compositor: ICO Entertainment
The Warrior's Way (2010)
Directed by: Sngmoo Lee
Cinematography by: Woo-hyung Kim
Edited by: Jonathan Woodford-Robinson
Compositor: FuriousFX
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Compositor: FuriousFX
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Compositor: FuriousFX
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Digital Compositor: Wildfirevfx
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Compositor: Furious FX
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Digital Compositor: Digital Domain
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Senior Compositor: CafeFx
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Digital Compositor: CIS
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Senior Compositor: BrainStorm Digital
Hot Rod (2007)
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Senior Compositor: Brainstorm Digital
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Senior Compositor: ICO Entertainment
Pulse (2006)
Directed by: Jim Sonzero
Cinematography by: Mark Plummer
Compositor: Filmworks/FX Inc.
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Digital Compositor: Rhythm & Hues
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Director Of Global Development At Prime Focus
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Digital Compositor: Rhythm & Hues
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Digital Compositor: Rhythm & Hues
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Compositor: Rhythm & Hues
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Compositor
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Compositor: Rhythm & Hues/Stan Winston Digital
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Director Of Global Development At Prime Focus
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Compositor: ILM
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Digital Compositor: Digital Domain
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Compositor: Weta Digital
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Digital Compositor
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Compositor: Amalgamated Pixels
Ghosts of Mars (2001)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Director Of Global Development At Prime Focus
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Compositor
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Director Of Global Development At Prime Focus , Director Of Global Development: Prime Focus - 3D Version 2013
The Wizard of Oz (1939)
Cinematography by: Harold Rosson
Edited by: Blanche Sewell
