Sound Designer
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Additional Sound Designer
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Hyrax Minister, Re-recording Mixer / Sound Designer / Supervising Sound Editor
Ice Age: Collision Course (2016)
Cinematography by: Renato Falcão
Sound Designer / Supervising Sound Editor
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer / Sound Designer
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Re-recording Mixer / Supervising Sound Designer: Skywalker Sound / Supervising Sound Editing And Design: Skywalker Sound
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Logging Foreman, Re-recording Mixer / Supervising Sound Designer
Rio 2 (2014)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Re-recording Mixer / Supervising Sound Designer / Supervising Sound Editor, Toothless
How to Train Your Dragon 2 (2014)
Directed by: Dean DeBlois
Cinematography by: Gil Zimmerman
Edited by: John K. Carr
Additional Voices, Re-recording Mixer / Supervising Sound Designer, Supervising Sound Editor
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Adr Group , Sandy, Supervising Sound Editor
The Croods (2013)
Cinematography by: Yong Duk Jhun
Edited by: Darren T. Holmes
Sound Designer
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Sound Designer
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Radio Stock Market Reporter, Re-recording Mixer / Sound Designer: Supervising, Supervising Sound Editor
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Additional Voices, Re-recording Mixer / Sound Designer / Supervising Sound Editor
Ice Age: Continental Drift (2012)
Cinematography by: Renato Falcão
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Lorax (2012)
Re-recording Mixer / Supervising Sound Designer, Supervising Sound Editor
Rio (2011)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Re-recording Mixer / Sound Designer / Supervising Sound Editor
How to Train Your Dragon (2010)
Cinematography by: Gil Zimmerman
Re-recording Mixer / Supervising Sound Designer
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Re-recording Mixer / Supervising Sound Designer
Ice Age: Dawn of the Dinosaurs (2009)
Re-recording Mixer / Sound Designer
Coraline (2009)
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Re-recording Mixer / Sound Designer, Supervising Sound Editor
Bolt (2008)
Cinematography by: Scott Beattie
Edited by: Tim Mertens
Sound Designer & Supervising Sound Editor / Sound Re-recording Mixer
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound: Design, Supervising Sound Editor
The Simpsons Movie (2007)
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Sound Designer: Supervising
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Re-Recording Mixer / Sound Designer, Supervising Sound Editor
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Sound Designer & Supervising Sound Editor / Sound Re-recording Mixer
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Sound Designer / Supervising Sound Mixer, Supervising Sound Editor
Monster House (2006)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Sound Designer
Zidane, un portrait du 21e siècle (2006)
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Additional Sound Effects
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Additional Sound Design
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sound Designer & Supervising Sound Editor
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Incredibles (2004)
Directed by: Brad Bird
Edited by: Stephen Schaffer
Sound Designer, Supervising Sound Editor
Shrek 2 (2004)
Re-recording Mixer / Sound Designer, Supervising Sound Editor
The Polar Express (2004)
Directed by: Robert Zemeckis
Re-recording Mixer / Sound Designer
Darkness Falls (2003)
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Re-recording Mixer / Supervising Sound Designer
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Sound Designer & Supervisor , Supervising Sound Editor
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Re-recording Sound Mixer, Supervising Sound Editor
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Re-recording Mixer: Skywalker Sound / Sound Designer: Skywalker Sound
Avalon (2001)
Directed by: Mamoru Oshii
Cinematography by: Grzegorz Kedzierski
Edited by: Hiroshi Okuda
Re-recording Mixer / Sound Designer, Supervising Sound Editor
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Re-recording Mixer / Sound Designer
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Sound: Design
Reindeer Games (2000)
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Rerecording Mixer / Sound Designer
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer: Skywalker Sound
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Sound Designer
Forces of Nature (1999)
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Re-recording Mixer / Sound Designer
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer, Supervising Sound Editor
The Iron Giant (1999)
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Re-recording Mixer
Stepmom (1998)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Sound Designer
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Re-Recording Mixer / Sound Designer
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Rerecording Mixer , Sound Designer
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Re-recording Mixer / Sound Designer
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Re-recording Mixer / Sound Designer
The Frighteners (1996)
Directed by: Peter Jackson
Edited by: Jamie Selkirk
Re-recording Mixer / Sound Designer
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Re-recording Mixer
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Re-recording Mixer
Disclosure (1994)
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Re-recording Mixer / Sound: Design, Sound Effects Recordist / Sound Supervisor
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Rerecording Mixer / Sound: Design
Miracle on 34th Street (1994)
Directed by: Les Mayfield
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Re-recording Mixer, Sound Designer
The Saint of Fort Washington (1993)
Directed by: Tim Hunter
Cinematography by: Frederick Elmes
Edited by: Howard E. Smith
Additional Audio
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Re-recording Mixer / Sound Designer
House of Cards (1993)
Directed by: Michael Lessac
Cinematography by: Victor Hammer
Edited by: Walter Murch
Re-recording Mixer: US Version
Siu nin Wong Fei Hung chi: Tit ma lau (1993)
Directed by: Woo-Ping Yuen
Rerecording Mixer / Sound Designer
Wild at Heart (1990)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Foley Artist / Re-recording Mixer
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Gardens of Stone (1987)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Rerecording Mixer / Sound Designer
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Re-recording Mixer
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer, Sound Effects Recordist
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
Production Sound: Mixer, U.S. / Re-recording Mixer
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Sound Effects Recording
Koyaanisqatsi (1982)
Directed by: Godfrey Reggio
Cinematography by: Ron Fricke
Cameras: ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera
Lenses: Canon Lenses
Sound Effects
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Staff Member
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Sound Effects Recording
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Mix Assistant / Sound Effects Recordist , Post Production Recordist
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
