Executive Visual Effects Producer: Digital Dream
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Visual Effects Producer: Digital Dream
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Visual Effects Producer: Digital Dream
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Visual Effects Producer: Digital Dream
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Producer: Digital Dream
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Visual Effects Producer: Digital Dream
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Visual Effects Producer: Digital Dream
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Executive Visual Effects Producer: Digital Dream
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Visual Effects Producer: Digital Dream
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer: Digital Dream
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Visual Effects Producer: Digital Dream
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Visual Effects Producer: Digital Dream
Unaccompanied Minors (2006)
Directed by: Paul Feig
Cinematography by: Christopher Baffa
Visual Effects Producer: Digital Dream
Let's Go to Prison (2006)
Directed by: Bob Odenkirk
Cinematography by: Ramsey Nickell
Visual Effects Producer: Digital Dream
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Visual Effects Producer: Digital Dream
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Digital Paint Supervisor
Because of Winn-Dixie (2005)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Digital Paint Supervisor
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Visual Effects Producer: Digital Dream
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Visual Effects Producer: Digital Dream
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Visual Effects Producer: Digital Dream
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Visual Effects Producer: Digital Dream
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Visual Effects Producer: Digital Dream
Must Love Dogs (2005)
Directed by: Gary David Goldberg
Cinematography by: John Bailey
Cameras: Panavision Cameras
Producer: Digital Dream
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Restoration Supervisor: Cinesite
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Digital Artist: Digital Dream
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Paint Supervisor: Cinesite
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Paint Supervisor: Cinesite
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Paint Supervisor
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Digital Paint Supervisor: Cinesite
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Digital Paint Supervisor
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Paint Supervisor: Cinesite
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Digital Paint Supervisor
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Paint Supervisor: Cinesite
Amy's Orgasm (2001)
Directed by: Julie Davis
Cinematography by: Mark Mervis
Edited by: Julie Davis
Paint Supervisor: Cinesite
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Digital Paint Supervisor
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Digital Paint Supervisor
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Digital Paint Supervisor: Cinesite
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Paint Supervisor: Cinesite
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Paint Supervisor: Cinesite
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Paint Supervisor: Cinesite
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Digital Paint Supervisor: Cinesite
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Digital Paint Supervisor
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Digital Artist
Miss Congeniality (2000)
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Paint Supervisor
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Digital Artist
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Digital Paint Supervisor
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Digital Paint Supervisor
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Digital Artist: Cinesite
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Paint Supervisor: Cinesite
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Digital Paint Supervisor: Cinesite
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Digital Paint Supervisor: Cinesite Digital Studios
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Paint Supervisor: Cinesite
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Digital Artist
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Digital Artist
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Digital Artist: Cinesite
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Artist
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Digital Artist: Cinesite
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
