Supervising Dialogue/adr Editor
Pearl (2022)
Directed by: Ti West
Cinematography by: Eliot Rockett
Edited by: Ti West
Cameras: Sony CineAlta VENICE Camera
Dialog: Editor
Booksmart (2019)
Directed by: Olivia Wilde
Cinematography by: Jason McCormick
Cameras: ARRI ALEXA Mini Camera
Supervising Adr Editor
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Dialogue Editor: Warner Bros. Post Production Creative Services
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Dialogue Editor / Supervising Adr Editor
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Dialogue Editor
My Big Fat Greek Wedding 2 (2016)
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Supervising Dialogue & Adr Editor
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Adr Supervisor
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Adr Editor / Dialogue Editor
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Dialogue Editor / Supervising Adr Editor
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Adr Supervisor
Million Dollar Arm (2014)
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Dialogue Editor
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Adr Supervisor
The Purge: Anarchy (2014)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Additional Dialogue Editor
Before I Disappear (2014)
Directed by: Shawn Christensen
Cinematography by: Daniel Katz
Cameras: ARRI ALEXA Series Cameras
Lenses: Hawk V-Lite Lenses
Editing System: Final Cut Pro Editing System
Dialogue Editor
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Dialogue Supervisor
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Supervising Dialogue Editor
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Dialogue Editor
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Dialogue Editor
Madea's Witness Protection (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Adr Editor / Dialogue Editor
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Adr Editor
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Dialogue Editor
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Supervising Dialogue And Adr Editor
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Adr Editor
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Dialogue Editor
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Dialogue Editor
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Dialogue Editor
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Dialogue Editor , Dialogue Supervisor
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Dialogue Editor
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Dialogue Editor
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Dialogue Editor
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Dialogue Editor
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Adr Editor / Dialogue Editor
License to Wed (2007)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Dialogue Editor
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Adr & Dialogue Editor
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Dialogue Editor
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Supervising Sound Editor
9/Tenths (2006)
Directed by: Bob Degus
Cinematography by: Nathan Wilson
Edited by: Logan Breit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Dialogue Editor
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Dialogue Editor
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Adr Supervisor
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Dialogue Editor
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Adr Editor / Dialogue Editor
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Dialogue Editor: Director's Cut
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Dialogue Editor
Employee of the Month (2004)
Directed by: Mitch Rouse
Cinematography by: John Peters
Edited by: Hughes Winborne
Supervising Adr Editor
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Adr Editor
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Dialogue Editor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Sound Editor
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Dialogue Editor
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Dialogue Editor
Baby Boy (2001)
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Dialogue Editor
Joe Somebody (2001)
Directed by: John Pasquin
Cinematography by: Daryn Okada
Edited by: David Finfer
Supervising Dialogue Editor
The Ladies Man (2000)
Directed by: Reginald Hudlin
Cinematography by: Johnny E. Jensen
Edited by: Earl Watson
Adr Editor
Election (1999)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Editor
Eye for an Eye (1996)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Assistant Sound Editor
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Dialogue Editor
Hercules: The Legendary Journeys - Hercules and the Lost Kingdom (1994)
Directed by: Harley Cokeliss
Cinematography by: James Bartle
Edited by: Jon Koslowsky
Dialogue Editor
Roswell (1994)
Directed by: Jeremy Kagan
Cinematography by: Steven Poster
Cameras: Panavision Cameras
Dialogue Editor
Hercules and the Amazon Women (1994)
Directed by: Bill Norton
Cinematography by: James Bartle
Edited by: Steve Polivka
