Gaffer
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Gaffer: USA
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Gaffer - 10 Episodes, 2019
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Gaffer: Additional Photography
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Gaffer: Additional Photography
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Gaffer: Additional Photography
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Gaffer: Additional Photography
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Gaffer
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Gaffer
'Mad Men' Person to Person (2015)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer: Additional Photography
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Gaffer
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Gaffer: Second Unit
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Gaffer: Los Angeles
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Gaffer
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Gaffer
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Gaffer: Additional Photography
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Gaffer: Los Angeles
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Additional Gaffer
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Gaffer
The Experiment (2010)
Directed by: Paul Scheuring
Cinematography by: Amy Vincent
Edited by: Peter S. Elliot
Gaffer
Death at a Funeral (2010)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Genesis Camera
Gaffer: Additional Photography, Los Angeles
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Gaffer: Additional Photography
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Gaffer
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Gaffer
Lakeview Terrace (2008)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Joel Plotch
Chief Lighting Technician: Additional Photography
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Gaffer: Additional Photography
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Electrician
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Gaffer - 1 Episode, 2015
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Assistant Chief Lighting Technician
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Electrician
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Assistant Chief Lighting Technician: Additional Photography
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Assistant Chief Lighting Technician
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Assistant Chief Lighting Technician
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Lighting Technician
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Assistant Chief Lighting Technician
Masked and Anonymous (2003)
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Assistant Chief Lighting Technician: Utah
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Assistant Chief Lighting Technician
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Chief Lighting Technician
Deliver Us from Eva (2003)
Directed by: Gary Hardwick
Cinematography by: Alexander Gruszynski
Edited by: Earl Watson
Dimmer Board Operator
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Gaffer: New York
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Rigging Electrician
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Crew Chief
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Lighting Technician
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Rigging Best Boy: Second Unit
Edtv (1999)
Directed by: Ron Howard
Cinematography by: John Schwartzman
Rigging Gaffer
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Rigging Gaffer
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rigging Electric Gang Boss
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Gaffer
Eve's Bayou (1997)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Rigging Gaffer
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Lighting Technician
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Dimmer Board Operator: Second Unit
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Electrician
Airheads (1994)
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Lighting Technician
Body Snatchers (1993)
Directed by: Abel Ferrara
Cinematography by: Bojan Bazelli
Edited by: Anthony Redman
Electrician
Kalifornia (1993)
Directed by: Dominic Sena
Cinematography by: Bojan Bazelli
Edited by: Martin Hunter
Cameras: ARRI Cameras
Editing System: Lightworks Editing System
Electrician
Deep Cover (1992)
Directed by: Bill Duke
Cinematography by: Bojan Bazelli
Edited by: John Carter
