Adr Editor
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Dialogue Editor
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Adr Editor / Dialogue Editor
My Big Fat Greek Wedding 2 (2016)
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Adr Editor
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Dialogue Editor
Miracles from Heaven (2016)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Adr Editor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Dialogue Editor
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Adr Editor
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Dialogue Editor
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Adr Editor
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Dialogue Editor
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Adr Editor
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Dialogue Editor
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Dialogue Editor
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Dialogue Editor
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Editor
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Adr Editor
The Cabin in the Woods (2011)
Directed by: Drew Goddard
Cinematography by: Peter Deming
Edited by: Lisa Lassek
Dialogue Editor
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Dialogue Editor
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Adr Editor
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Dialogue Editor
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Adr Editor / Dialogue Editor
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Dialogue Editor
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Adr Editor / Dialogue Editor
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Dialogue Editor
500 Days of Summer (2009)
Directed by: Marc Webb
Cinematography by: Eric Steelberg
Edited by: Alan Edward Bell
Lenses: Panavision Lenses
Dialogue Editor
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Dialogue Editor
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Supervising Dialogue Adr Editor
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Adr Editor
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Dialogue Editor
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Dialogue Editor
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Sound Editor
Syriana (2005)
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Dialogue Editor
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Sound Editor
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Adr Editor
I Heart Huckabees (2004)
Directed by: David O. Russell
Cinematography by: Peter Deming
Edited by: Robert K. Lambert
Dialogue Editor
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Adr Supervisor / Dialogue Supervisor
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Dialogue Editor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Adr Editor
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Adr Editor
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
A.d.r. Editor
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Editor
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Adr Editor
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Dialogue Editor
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Adr Editor
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Editor: Los Angeles
Crocodile Dundee in Los Angeles (2001)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Dialogue Editor
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Adr Editor
The Whole Nine Yards (2000)
Directed by: Jonathan Lynn
Cinematography by: David Franco
Edited by: Tom Lewis
Additional Sound Editor
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Dialogue Editor
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Dialogue Editor
South Park: Bigger, Longer & Uncut (1999)
Directed by: Trey Parker
Edited by: John Venzon
Dialogue Editor
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Adr Editor
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Adr Editor
Love Jones (1997)
Directed by: Theodore Witcher
Cinematography by: Ernest Holzman
Edited by: Maysie Hoy
Cameras: Panavision Cameras
Dialogue Editor
Private Parts (1997)
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Foley Editor
Fear (1996)
Directed by: James Foley
Cinematography by: Thomas Kloss
Edited by: David Brenner
Foley Editor
French Kiss (1995)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Foley Editor
Moonlight and Valentino (1995)
Directed by: David Anspaugh
Cinematography by: Julio Macat
Edited by: David Rosenbloom
Foley Editor
The Net (1995)
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Dialogue Editor
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Foley Editor
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Dialogue Editor / Foley Editor
RoboCop 3 (1993)
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Sound Editor
One Good Cop (1991)
Directed by: Heywood Gould
Cinematography by: Ralf D. Bode
Edited by: Richard Marks
Adr Editor
Run (1991)
Directed by: Geoff Burrowes
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
First Assistant Editor: Los Angeles
The Grifters (1990)
Directed by: Stephen Frears
Cinematography by: Oliver Stapleton
Edited by: Mick Audsley
Cameras: Panavision Cameras
Assistant Sound Editor
Say Anything... (1989)
Directed by: Cameron Crowe
Cinematography by: László Kovács
Edited by: Richard Marks
Cameras: Panavision Cameras
Assistant Sound Editor
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Assistant Film Editor
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: Panavision Cameras
Assistant Film Editor
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Assistant Film Editor
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Assistant Editor
The Return of the Living Dead (1985)
Directed by: Dan O'Bannon
Cinematography by: Jules Brenner
Edited by: Robert Gordon
Cameras: Panavision Cameras
Assistant Sound Editor
A Soldier's Story (1984)
Directed by: Norman Jewison
Cinematography by: Russell Boyd
