Color Timer
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Lab Color Timer
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Lab Color Timer
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Color Timer
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Color Timer
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Lab Timer
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Lab Timer
Magic Mike XXL (2015)
Directed by: Gregory Jacobs
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Dragon Camera
Lab Color Timer
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Lab Color Timer
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Lab Color Timer
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Lab Color Timer
Neighbors (2014)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lab Color Timer
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Color Timer
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Color Timer
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Lab Color Timer
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Lab Color Timer
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Color Timer
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Color Timer: Fotokem
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Lab Timer
Machete Kills (2013)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: ARRI ALEXA Plus Camera
Color Timer
Walking with Dinosaurs 3D (2013)
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Lab Color Timer
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Color Timer: Fotokem
Magic Mike (2012)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Color Timer: FooKem 65mm
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Color Timer
The Last Reef 3D (2012)
Cinematography by: D.J. Roller
Editing System: Final Cut Pro Editing System
Lab Color Timer
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Color Timer
Air Racers 3D (2012)
Cinematography by: Vern Nobles
Edited by: Christine Steele
Editing System: Sony Vegas Editing System
Color Timer
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Color Timer
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Color Timer
Parental Guidance (2012)
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Lab Color Timer
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Color Timer
Diary of a Wimpy Kid: Rodrick Rules (2011)
Directed by: David Bowers
Cinematography by: Jack N. Green
Edited by: Troy Takaki
Cameras: Panavision Cameras
Lab Color Timer
Contagion (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Color Timer
Tornado Alley (2011)
Directed by: Sean C. Casey
Cameras: IMAX Cameras, VistaVision Cameras
Color Timer
Diary of a Wimpy Kid (2010)
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Color Timer, Laboratory Timer
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Color Timer
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Color Timer , Laboratory Timer
Crazy Heart (2009)
Directed by: Scott Cooper
Cinematography by: Barry Markowitz
Color Timer
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Color Timer
Bonneville (2006)
Directed by: Christopher N. Rowley
Cinematography by: Jeffrey L. Kimball
Color Timer
Marie Antoinette (2006)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Color Timer
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Color Timer
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Feature Color Timer: Fotokem
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Color Timer - Segment "Equilibrium"
Eros (2004)
Color Timer
Saw (2004)
Directed by: James Wan
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Color Timer
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Color Timer
50 First Dates (2004)
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Color Timer
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Color Timer
Pitcher and the Pin-Up (2003)
Directed by: Drew Johnson
Cinematography by: Doug Glover
Edited by: Drew Johnson
Color Timer
Full Frontal (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Color Timer
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Color Timer
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Color Timer
Out of the Black (2001)
Directed by: Karl Kozak
Cinematography by: Maximo Munzi
Edited by: Robert Pergament
Color Timer
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Technical Services
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Color Timer
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Cookie's Fortune (1999)
Directed by: Robert Altman
Cinematography by: Toyomichi Kurita
Edited by: Abraham Lim
Color Timer
The Minus Man (1999)
Directed by: Hampton Fancher
Cinematography by: Bobby Bukowski
Edited by: Todd C. Ramsay
Color Timer
Another Day in Paradise (1998)
Directed by: Larry Clark
Cinematography by: Eric Alan Edwards
Edited by: Luis Colina
Color Timer
The Apostle (1997)
Directed by: Robert Duvall
Cinematography by: Barry Markowitz
Edited by: Stephen Mack
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Super Speedway (1997)
Directed by: Stephen Low
Cinematography by: Andrew Kitzanuk
Edited by: James Lahti
Color Timer
Drive (1997)
Directed by: Steve Wang
Cinematography by: Michael G. Wojciechowski
Edited by: Ivan Ladizinsky
Color Timer
Meet Wally Sparks (1997)
Directed by: Peter Baldwin
Cinematography by: Richard H. Kline
Edited by: Raúl Dávalos
Color Timer
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
Color Timer
Lost Highway (1997)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Color Timer
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Color Timer
Sling Blade (1996)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Color Timer
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Color Timer
The Last Days of Frankie the Fly (1996)
Directed by: Peter Markle
Cinematography by: Phil Parmet
Edited by: David Campling
Color Timer
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Color Timer
The Stranger (1995)
Directed by: Fritz Kiersch
Cinematography by: Christopher Walling
Edited by: Tony Mizgalski
Color Timer
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Color Timer
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Color Timer
Holy Matrimony (1994)
Directed by: Leonard Nimoy
Cinematography by: Bobby Bukowski
Edited by: Peter E. Berger
Color Timer
Into the Deep (1994)
Directed by: Howard Hall
Cinematography by: Noel Archambault
Edited by: Barbara Kerr
Color Timer
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Color Timer
Roswell (1994)
Directed by: Jeremy Kagan
Cinematography by: Steven Poster
Cameras: Panavision Cameras
Color Timer
Killing Zoe (1993)
Directed by: Roger Avary
Cinematography by: Tom Richmond
Edited by: Kathryn Himoff
Cameras: Moviecam Compact MK2 Camera
Editing System: K.E.M. Editing System
Color Timer
Mother's Boys (1993)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Michael D. Ornstein
Color Timer
And the Band Played On (1993)
Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox
Color Timer
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Color Timer
Afterburn (1992)
Directed by: Robert Markowitz
Cinematography by: Isidore Mankofsky
Edited by: Jerrold L. Ludwig
Color Timer
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Color Timer
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Color Timer
Aces: Iron Eagle III (1992)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Color Timer
A Midnight Clear (1992)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Don Brochu
Cameras: ARRIFLEX Camera
Color Timer
Big Girls Don't Cry... They Get Even (1992)
Directed by: Joan Micklin Silver
Cinematography by: Theo van de Sande
Edited by: Janice Hampton
Color Timer
Honeymoon in Vegas (1992)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Color Timer
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Color Timer
Wild at Heart (1990)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Color Timer
Ernest Goes to Jail (1990)
Directed by: John R. Cherry III
Cinematography by: Peter Stein
Edited by: Sharyn L. Ross
Cameras: Panavision Cameras
Color Timer
Best of the Best (1989)
Directed by: Robert Radler
Cinematography by: Douglas Ryan
Edited by: William Hoy
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Color Timer
Sex, Lies, and Videotape (1989)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Color Timer
Phantom of the Mall: Eric's Revenge (1989)
Directed by: Richard Friedman
Cinematography by: Harry Mathias
Color Timer
Powwow Highway (1989)
Directed by: Jonathan Wacks
Cinematography by: Toyomichi Kurita
Edited by: Jim Stewart
Color Timer
Scenes from the Class Struggle in Beverly Hills (1989)
Directed by: Paul Bartel
Cinematography by: Steven Fierberg
Edited by: Alan Toomayan
Color Timer
Halloween 5: The Revenge of Michael Myers (1989)
Directed by: Dominique Othenin-Girard
Cinematography by: Robert Draper
Cameras: ARRI Cameras
Color Timer
The Boost (1988)
Directed by: Harold Becker
Cinematography by: Howard Atherton
Edited by: Maury Winetrobe
Color Timer
Feds (1988)
Directed by: Daniel Goldberg
Cinematography by: Tim Suhrstedt
Edited by: Donn Cambern
Color Timer
Hoosiers (1986)
Directed by: David Anspaugh
Cinematography by: Fred Murphy
Edited by: Carroll Timothy O'Meara
Cameras: ARRI Cameras
Color Timer
The Return of the Living Dead (1985)
Directed by: Dan O'Bannon
Cinematography by: Jules Brenner
Edited by: Robert Gordon
Cameras: Panavision Cameras
Color Timer
Fraternity Vacation (1985)
Directed by: James Frawley
Cinematography by: Paul Ryan
Cameras: ARRI Cameras
