Jeffrey J. Haboush

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Second Act | ShotOnWhat?

Re-recording Mixer

Second Act (2018)

Directed by: Peter Segal

Cinematography by: Ueli Steiger

Edited by: Jason Gourson

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Kingsglaive: Final Fantasy XV | ShotOnWhat?

Re-recording Mixer

Kingsglaive: Final Fantasy XV (2016)

Directed by: Takeshi Nozue

Transformers: Age of Extinction | ShotOnWhat?

Sound Re-recording Mixer

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

42 | ShotOnWhat?

Re-recording Mixer

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Pain & Gain | ShotOnWhat?

Re-recording Mixer

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Act of Valor | ShotOnWhat?

Re-recording Mixer

Act of Valor (2012)

Directed by: Mike McCoy, Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Michael Tronick, Scott Waugh

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

21 Jump Street | ShotOnWhat?

Re-recording Mixer

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Man on a Ledge | ShotOnWhat?

Re-recording Mixer

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Re-recording Mixer

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Green Hornet | ShotOnWhat?

Re-recording Mixer

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Salt | ShotOnWhat?

Re-recording Mixer

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Confessions of a Shopaholic | ShotOnWhat?

Re-recording Mixer

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Stepfather | ShotOnWhat?

Re-recording Mixer

The Stepfather (2009)

Directed by: Nelson McCormick

Cinematography by: Patrick Cady

Edited by: Eric L. Beason

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

2012 | ShotOnWhat?

Re-recording Mixer

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Armored | ShotOnWhat?

Re-recording Mixer

Armored (2009)

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Uninvited | ShotOnWhat?

Re-recording Mixer

The Uninvited (2009)

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

Fired Up! | ShotOnWhat?

Supervising Sound Mixer

Fired Up! (2009)

Directed by: Will Gluck

Cinematography by: Thomas E. Ackerman

Edited by: Tracey Wadmore-Smith

Made of Honor | ShotOnWhat?

Supervising Sound Mixer

Made of Honor (2008)

Directed by: Paul Weiland

Cinematography by: Tony Pierce-Roberts

Edited by: Richard Marks

Cameras: Panavision Cameras

Prom Night | ShotOnWhat?

Re-recording Mixer

Prom Night (2008)

Directed by: Nelson McCormick

Cinematography by: Checco Varese

Edited by: Jason Ballantine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Quarantine | ShotOnWhat?

Supervising Sound Mixer

Quarantine (2008)

Directed by: John Erick Dowdle

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Transformers | ShotOnWhat?

Sound Re-recording Mixer: Additional

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Vacancy | ShotOnWhat?

Re-recording Mixer

Vacancy (2007)

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Supervising Sound Mixer

I Now Pronounce You Chuck & Larry (2007)

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

The Holiday | ShotOnWhat?

Supervising Sound Mixer

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Gridiron Gang | ShotOnWhat?

Re-recording Mixer

Gridiron Gang (2006)

Directed by: Phil Joanou

Cinematography by: Jeff Cutter

Edited by: Joel Negron

Click | ShotOnWhat?

Supervising Sound Mixer

Click (2006)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Legend of Zorro | ShotOnWhat?

Re-recording Mixer

The Legend of Zorro (2005)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Stealth | ShotOnWhat?

Supervising Sound Mixer

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

National Treasure | ShotOnWhat?

Additional Sound Mixing

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Spider-Man 2 | ShotOnWhat?

Re-recording Mixer

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

50 First Dates | ShotOnWhat?

Supervising Sound Mixer

50 First Dates (2004)

Directed by: Peter Segal

Cinematography by: Jack N. Green

Edited by: Jeff Gourson

Cameras: Panavision Cameras

The Bourne Supremacy | ShotOnWhat?

Additional Sound Mixer

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Anger Management | ShotOnWhat?

Re-recording Mixer

Anger Management (2003)

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

The Order | ShotOnWhat?

Re-recording Mixer

The Order (2003)

Directed by: Brian Helgeland

Cinematography by: Nicola Pecorini

Edited by: Kevin Stitt

Something's Gotta Give | ShotOnWhat?

Supervising Sound Mixer

Something's Gotta Give (2003)

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

S.W.A.T. | ShotOnWhat?

Re-recording Mixer

S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

Stuart Little 2 | ShotOnWhat?

Re-recording Mixer

Stuart Little 2 (2002)

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

Baby Boy | ShotOnWhat?

Re-recording Mixer

Baby Boy (2001)

Directed by: John Singleton

Cinematography by: Charles Mills

Edited by: Bruce Cannon

Kate & Leopold | ShotOnWhat?

Re-recording Mixer

Kate & Leopold (2001)

Directed by: James Mangold

Cinematography by: Stuart Dryburgh

Edited by: David Brenner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Riding in Cars with Boys | ShotOnWhat?

Re-recording Mixer

Riding in Cars with Boys (2001)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Ghosts of Mars | ShotOnWhat?

Re-recording Mixer

Ghosts of Mars (2001)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Paul C. Warschilka

Gone in Sixty Seconds | ShotOnWhat?

Additional Sound Re-recording Mixer

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Remember the Titans | ShotOnWhat?

Re-recording Mixer

Remember the Titans (2000)

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

What Women Want | ShotOnWhat?

Additional Sound Re-recording Mixer

What Women Want (2000)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

Idle Hands | ShotOnWhat?

Re-recording Mixer

Idle Hands (1999)

Directed by: Rodman Flender

Cinematography by: Christopher Baffa

Edited by: Stephen E. Rivkin

Blue Streak | ShotOnWhat?

Re-recording Mixer

Blue Streak (1999)

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Girl, Interrupted | ShotOnWhat?

Re-recording Mixer

Girl, Interrupted (1999)

Directed by: James Mangold

Cinematography by: Jack N. Green

Edited by: Kevin Tent

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

U.S. Marshals | ShotOnWhat?

Re-recording Mixer

U.S. Marshals (1998)

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

A Perfect Murder | ShotOnWhat?

Re-recording Mixer

A Perfect Murder (1998)

Directed by: Andrew Davis

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, Dennis Virkler

Vegas Vacation | ShotOnWhat?

Re-recording Mixer

Vegas Vacation (1997)

Directed by: Stephen Kessler

Cinematography by: William A. Fraker

Edited by: Seth Flaum

Cameras: Panavision Cameras

Conspiracy Theory | ShotOnWhat?

Re-recording Mixer

Conspiracy Theory (1997)

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

Midnight in the Garden of Good and Evil | ShotOnWhat?

Re-recording Mixer

Midnight in the Garden of Good and Evil (1997)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Murder at 1600 | ShotOnWhat?

Re-recording Mixer

Murder at 1600 (1997)

Directed by: Dwight H. Little

Cinematography by: Steven Bernstein

Edited by: Leslie Jones, Billy Weber

Batman & Robin | ShotOnWhat?

Rerecording Mixer

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

The Postman | ShotOnWhat?

Re-recording Mixer

The Postman (1997)

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Primal Fear | ShotOnWhat?

Re-recording Mixer

Primal Fear (1996)

Directed by: Gregory Hoblit

Cinematography by: Michael Chapman

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Ultra Speed MKII Lenses

The Glimmer Man | ShotOnWhat?

Re-recording Mixer

The Glimmer Man (1996)

Directed by: John Gray

Cinematography by: Rick Bota

Edited by: Donn Cambern

Eraser | ShotOnWhat?

Re-recording Mixer

Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

My Fellow Americans | ShotOnWhat?

Re-recording Mixer

My Fellow Americans (1996)

Directed by: Peter Segal

Cinematography by: Julio Macat

Edited by: William Kerr

A Very Brady Sequel | ShotOnWhat?

Re-recording Mixer

A Very Brady Sequel (1996)

Directed by: Arlene Sanford

Cinematography by: Mac Ahlberg

Edited by: Anita Brandt Burgoyne

Assassins | ShotOnWhat?

Re-recording Mixer

Assassins (1995)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Lawrence Jordan, Richard Marks

Cameras: Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Steal Big Steal Little | ShotOnWhat?

Re-recording Mixer

Steal Big Steal Little (1995)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Tina Hirsch

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Tommy Boy | ShotOnWhat?

Re-recording Mixer

Tommy Boy (1995)

Directed by: Peter Segal

Cinematography by: Victor J. Kemper

Edited by: William Kerr

Batman Forever | ShotOnWhat?

Additional Sound Re-recording Mixer

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Fair Game | ShotOnWhat?

Re-recording Mixer

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Loaded Weapon 1 | ShotOnWhat?

Re-recording Mixer

Loaded Weapon 1 (1993)

Directed by: Gene Quintano

Cinematography by: Peter Deming

Edited by: Christopher Greenbury

Body Snatchers | ShotOnWhat?

Re-recording Mixer

Body Snatchers (1993)

Directed by: Abel Ferrara

Cinematography by: Bojan Bazelli

Edited by: Anthony Redman

Dennis the Menace | ShotOnWhat?

Re-recording Mixer

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

Coneheads | ShotOnWhat?

Re-recording Mixer

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Wayne's World 2 | ShotOnWhat?

Re-recording Mixer

Wayne's World 2 (1993)

Directed by: Stephen Surjik

Cinematography by: Francis Kenny

Edited by: Malcolm Campbell

Under Siege | ShotOnWhat?

Rerecording Mixer

Under Siege (1992)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Robert A. Ferretti, Dov Hoenig, Dennis Virkler

Cameras: Panavision Cameras

The Opposite Sex and How to Live with Them | ShotOnWhat?

Re-recording Mixer

The Opposite Sex and How to Live with Them (1992)

Directed by: Matthew Meshekoff

Cinematography by: Jacek Laskus

Edited by: Adam Weiss

Batman Returns | ShotOnWhat?

Re-recording Mixer

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek VI: The Undiscovered Country | ShotOnWhat?

Re-recording Mixer

Star Trek VI: The Undiscovered Country (1991)

Directed by: Nicholas Meyer

Cinematography by: Hiro Narita

Edited by: William Hoy, Ronald Roose

Thelma & Louise | ShotOnWhat?

Additional Sound Re-recordist

Thelma & Louise (1991)

Directed by: Ridley Scott

Cinematography by: Adrian Biddle

Edited by: Thom Noble

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Freddy's Dead: The Final Nightmare | ShotOnWhat?

Re-recording Mixer

Freddy's Dead: The Final Nightmare (1991)

Directed by: Rachel Talalay

Cinematography by: Declan Quinn

Edited by: Janice Hampton

Men at Work | ShotOnWhat?

Re-recording Mixer

Men at Work (1990)

Directed by: Emilio Estevez

Cinematography by: Tim Suhrstedt

Edited by: Craig Bassett

Heat Wave | ShotOnWhat?

Re-recording Mixer

Heat Wave (1990)

Television Movie

Directed by: Kevin Hooks

Cinematography by: Mark Irwin

Edited by: Debra Neil-Fisher

The First Power | ShotOnWhat?

Re-recording Mixer

The First Power (1990)

Directed by: Robert Resnikoff

Cinematography by: Theo van de Sande

Edited by: Michael Bloecher

I Love You to Death | ShotOnWhat?

Re-recording Mixer

I Love You to Death (1990)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Days of Thunder | ShotOnWhat?

Additional Re-recording Mixer

Days of Thunder (1990)

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Look Who's Talking Too | ShotOnWhat?

Re-recording Mixer

Look Who's Talking Too (1990)

Directed by: Amy Heckerling

Cinematography by: Thomas Del Ruth

Edited by: Debra Chiate

Tremors | ShotOnWhat?

Re-recording Mixer

Tremors (1990)

Directed by: Ron Underwood

Cinematography by: Alexander Gruszynski

Edited by: O. Nicholas Brown

Look Who's Talking | ShotOnWhat?

Re-recording Mixer

Look Who's Talking (1989)

Directed by: Amy Heckerling

Cinematography by: Thomas Del Ruth

Edited by: Debra Chiate

Triumph of the Spirit | ShotOnWhat?

Re-recording Mixer

Triumph of the Spirit (1989)

Directed by: Robert M. Young

Cinematography by: Curtis Clark

Edited by: Norman Buckley, Arthur Coburn

Cameras: Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

UHF | ShotOnWhat?

Re-recording Mixer

UHF (1989)

Directed by: Jay Levey

Cinematography by: David Lewis

Edited by: Dennis M. O'Connor

After Midnight | ShotOnWhat?

Re-recording Mixer

After Midnight (1989)

Directed by: Jim Wheat, Ken Wheat

Cinematography by: Phedon Papamichael

Edited by: Cari Coughlin, Phillip Linson, Quinnie Martin Jr.

Cameras: ARRIFLEX Camera

Dangerous Curves | ShotOnWhat?

Re-recording Mixer

Dangerous Curves (1988)

Directed by: David Lewis

Cinematography by: David Lewis

Edited by: Bob Bring

Bloodsport | ShotOnWhat?

Re-recording Mixer

Bloodsport (1988)

Directed by: Newt Arnold

Cinematography by: David Worth

Edited by: Carl Kress, Michael J. Duthie, Jean-Claude Van Damme

Cameras: Panavision Cameras

Pumpkinhead | ShotOnWhat?

Re-recording Mixer

Pumpkinhead (1988)

Directed by: Stan Winston

Cinematography by: Bojan Bazelli

Edited by: Marcus Manton

Cameras: ARRI Cameras

A Prayer for the Dying | ShotOnWhat?

Re-recording Mixer

A Prayer for the Dying (1987)

Directed by: Mike Hodges

Cinematography by: Michael Garfath

Edited by: Peter Boyle

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

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