Kate Biscoe

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Terminator: Dark Fate | ShotOnWhat?

Makeup Artist: Los Angeles Unit

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Vice | ShotOnWhat?

Makeup Department Head

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Ghost in the Shell | ShotOnWhat?

Makeup Department Head: Los Angeles

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Bright | ShotOnWhat?

Special Makeup Effects Artist

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

The Accountant | ShotOnWhat?

Makeup Artist: Mr. Affleck

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Live by Night | ShotOnWhat?

Makeup Department Head

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Suicide Squad | ShotOnWhat?

Makeup Artist: Mr. Affleck

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Key Makeup Artist

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Gone Girl | ShotOnWhat?

Makeup Department Head

Gone Girl (2014)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Saving Mr. Banks | ShotOnWhat?

Key Makeup Artist

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Iron Man Three | ShotOnWhat?

The Master | ShotOnWhat?

Makeup Department Head

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

Argo | ShotOnWhat?

Makeup Department Head

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Contagion | ShotOnWhat?

Makeup Department Head

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Water for Elephants | ShotOnWhat?

Key Makeup Artist

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Little Fockers | ShotOnWhat?

Makeup Artist: Mr. Stiller

Little Fockers (2010)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

Iron Man 2 | ShotOnWhat?

Makeup Artist: Ms. Paltrow

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Makeup Artist: Mr. Stiller

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

A Single Man | ShotOnWhat?

Department Head Makeup Artist

A Single Man (2009)

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Tropic Thunder | ShotOnWhat?

Makeup Artist: Mr. Stiller

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Mysteries of Pittsburgh | ShotOnWhat?

Makeup Department Head

The Mysteries of Pittsburgh (2008)

Directed by: Rawson Marshall Thurber

Cinematography by: Michael Barrett

Edited by: Barbara Tulliver

Iron Man | ShotOnWhat?

Makeup Artist: Ms. Paltrow

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Night at the Museum | ShotOnWhat?

Makeup Artist: Mr. Stiller

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Fur: An Imaginary Portrait of Diane Arbus | ShotOnWhat?

Special Makeup Effects Artist: Robert Downey Jr.

Fur: An Imaginary Portrait of Diane Arbus (2006)

Directed by: Steven Shainberg

Cinematography by: Bill Pope

Edited by: Kristina Boden, Keiko Deguchi

Memoirs of a Geisha | ShotOnWhat?

Department Head Makeup

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Producers | ShotOnWhat?

Makeup Department Head

The Producers (2005)

Directed by: Susan Stroman

Cinematography by: John Bailey, Charles Minsky

Edited by: Steven Weisberg

Starsky & Hutch | ShotOnWhat?

Makeup Artist: Mr. Stiller

Starsky & Hutch (2004)

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Spanglish | ShotOnWhat?

Key Makeup Artist

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

Master and Commander: The Far Side of the World | ShotOnWhat?

Key Makeup Artist

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Analyze That | ShotOnWhat?

Makeup Artist: Ms. Kudrow

Analyze That (2002)

Directed by: Harold Ramis

Cinematography by: Ellen Kuras

Edited by: Andrew Mondshein

Austin Powers in Goldmember | ShotOnWhat?

Key Makeup Artist

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

Men in Black II | ShotOnWhat?

Makeup Artist

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Zoolander | ShotOnWhat?

Makeup Artist

Zoolander (2001)

Directed by: Ben Stiller

Cinematography by: Barry Peterson

Edited by: Greg Hayden

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Daddy and Them | ShotOnWhat?

Makeup Artist

Daddy and Them (2001)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Cameras

The Royal Tenenbaums | ShotOnWhat?

Key Makeup Artist

The Royal Tenenbaums (2001)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Pearl Harbor | ShotOnWhat?

Makeup Artist

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Planet of the Apes | ShotOnWhat?

Ape Makeup Artist

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Shaft | ShotOnWhat?

Key Makeup Artist: New York

The Shaft (2001)

Directed by: Dick Maas

Cinematography by: Marc Felperlaan

Edited by: Bert Rijkelijkhuizen

Bedazzled | ShotOnWhat?

Assistant Make-up Artist

Bedazzled (2000)

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

How the Grinch Stole Christmas | ShotOnWhat?

Makeup Artist

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

All the Pretty Horses | ShotOnWhat?

Makeup Artist

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

What Dreams May Come | ShotOnWhat?

Makeup Artist: Annabella Sciorra

What Dreams May Come (1998)

Directed by: Vincent Ward

Cinematography by: Eduardo Serra

Edited by: David Brenner, Maysie Hoy

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Clay Pigeons | ShotOnWhat?

Special Makeup Effects Artist

Clay Pigeons (1998)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Stan Salfas

Sling Blade | ShotOnWhat?

Key Hair Stylist

Sling Blade (1996)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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