Glen Sharah

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Avengers: Endgame | ShotOnWhat?

Cg Supervisor

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

CG Supervisor

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Cg Supervisor

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

The BFG | ShotOnWhat?

Cg Supervisor

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Jungle Book | ShotOnWhat?

Digital Environments Supervisor

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hobbit: The Battle of the Five Armies | ShotOnWhat?

Digital Environments Supervisor

The Hobbit: The Battle of the Five Armies (2014)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Digital Environments Supervisor

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Man of Steel | ShotOnWhat?

Digital Effects Crew: Weta Digital

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Iron Man Three | ShotOnWhat?

The Hobbit: The Desolation of Smaug | ShotOnWhat?

Digital Environments Supervisor

The Hobbit: The Desolation of Smaug (2013)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Avengers | ShotOnWhat?

Lead Shader Writer

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

The Hobbit: An Unexpected Journey | ShotOnWhat?

Textures Technical Supervisor

The Hobbit: An Unexpected Journey (2012)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Lead Shader Writer

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rise of the Planet of the Apes | ShotOnWhat?

Senior Shader Writer: Weta Digital

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The A-Team | ShotOnWhat?

Senior Shader Writer

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Shader Writer: Weta Digital

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Lighting Technical Director

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

The Day the Earth Stood Still | ShotOnWhat?

Lead Lighting Technical Director

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

Bridge to Terabithia | ShotOnWhat?

Visual Effects Artist: Shaders And Textures, Weta Digital

Bridge to Terabithia (2007)

Directed by: Gabor Csupo

Cinematography by: Michael Chapman

Edited by: John Gilbert

Cameras: Panavision Cameras

Enchanted | ShotOnWhat?

Lighting Technical Director: Weta Digital

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Lighting And Effects Team: Weta Digital

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

Eragon | ShotOnWhat?

Lighting Technical Director

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

X-Men: The Last Stand | ShotOnWhat?

Digital Effects Artist: Weta Digital

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

King Kong | ShotOnWhat?

Lighting Technical Director

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

I, Robot | ShotOnWhat?

Lighting Technical Director: Weta Digital

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King | ShotOnWhat?

Systems Administrator: Weta Digital

The Lord of the Rings: The Return of the King (2003)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Lord of the Rings: The Two Towers | ShotOnWhat?

Systems Administrator: Weta Digital

The Lord of the Rings: The Two Towers (2002)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Michael Horton

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses

Moulin Rouge! | ShotOnWhat?

Systems Administrator

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

The Lord of the Rings: The Fellowship of the Ring | ShotOnWhat?

Systems Administrator

The Lord of the Rings: The Fellowship of the Ring (2001)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: John Gilbert

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Matrix | ShotOnWhat?

Systems Administrator

The Matrix (1999)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Babe: Pig in the City | ShotOnWhat?

Systems Administrator

Babe: Pig in the City (1998)

Directed by: George Miller

Cinematography by: Andrew Lesnie

Edited by: Jay Friedkin, Margaret Sixel

The Thin Red Line | ShotOnWhat?

Systems Administrator

The Thin Red Line (1998)

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

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