Foley Recordist
The Iron Claw (2023)
Directed by: Sean Durkin
Cinematography by: Mátyás Erdély
Edited by: Matthew Hannam
Foley Recordist
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Foley Editor
'Vikings' What Happens in the Cave (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Foley Editor
'Vikings' Ragnarok (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Editor
'Vikings' Baldur (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Don Cassidy
Foley Editor
'Vikings' The Buddha (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Foley Editor
'Vikings' The Most Terrible Thing (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Aaron Marshall
Foley Editor
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Foley Recordist
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Foley Recordist
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Foley Editor
'Vikings' Hell (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Don Cassidy
Foley Editor
'Vikings' The Lost Moment (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Editor
'Vikings' A New God (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Foley Editor
'Vikings' Murder Most Foul (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Foley Editor
'Vikings' The Revelation (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Michele Conroy
Foley Editor
'Vikings' A Simple Story (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Foley Editor
'Vikings' Moments of Vision (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Editor
'Vikings' The Joke (2018)
Directed by: Jeff Woolnough
Cinematography by: Peter Robertson
Foley Editor
'Vikings' The Message (2017)
Directed by: Ciaran Donnelly
Cinematography by: Suzie Lavelle
Foley Editor
'Vikings' The Plan (2017)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Foley Editor
'Vikings' On the Eve (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Editor
'Vikings' The Reckoning (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Foley Editor
'Vikings' Revenge (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Crossings (2017)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Editor
'Vikings' The Great Army (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Foley Recordist
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Foley Recordist
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Foley Editor
'Vikings' All His Angels (2016)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Editor
'Vikings' Two Journeys (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Editor
'Vikings' In the Uncertain Hour Before the Morning (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Foley Editor
'Vikings' The Outsider (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Editor
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Editor
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Foley Editor
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Kill the Queen (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Foley Editor
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Editor
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Editor
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Scarred (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Editor
'Vikings' The Usurper (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Born Again (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Editor
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Editor
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recordist
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Foley Recordist
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Foley Recordist
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Foley Editor: Footsteps Post-Production Sound, Inc.
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Foley Editor
'Vikings' The Lord's Prayer (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Foley Editor
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Blood Eagle (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Treachery (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Editor
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recordist
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Foley Recordist
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Recordist
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Recordist
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Foley Recordist
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Foley Recordist
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Foley Recordist
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Foley Editor / Foley Recordist - 69 Episodes, 2013-2019
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Editor / Foley Recordist
'Vikings' A King's Ransom (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Editor / Foley Recordist
'Vikings' Sacrifice (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Editor / Foley Recordist
'Vikings' All Change (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Editor / Foley Recordist
'Vikings' Burial of the Dead (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Foley Editor / Foley Recordist
'Vikings' Raid (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Editor / Foley Recordist
'Vikings' Trial (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Editor / Foley Recordist
'Vikings' Dispossessed (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Editor / Foley Recordist
'Vikings' Wrath of the Northmen (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Editor / Foley Recordist
'Vikings' Rites of Passage (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Recordist
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Foley Recordist
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Recording Assistant
Midnight's Children (2012)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Foley Recordist
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Foley Recording Assistant
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Foley Recordist
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Foley Recordist
Antiviral (2012)
Directed by: Brandon Cronenberg
Cinematography by: Karim Hussain
Edited by: Matthew Hannam
Cameras: ARRI ALEXA Camera
Foley Recordist
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Recordist
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Foley Recordist
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Foley Recordist
This Is 40 (2012)
Directed by: Judd Apatow
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA Camera
Foley Recordist
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Recordist
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Foley Recordist
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Foley Recording Assistant
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Foley Recording Assistant
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Foley Recordist
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Foley Recordist
Too Big to Fail (2011)
Directed by: Curtis Hanson
Cinematography by: Kramer Morgenthau
Foley Recordist
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Foley Recording Assistant
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Foley Recordist
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Foley Recordist
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Foley Recordist
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Foley Recordist
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Foley Recording Assistant
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Foley Recording Assistant
Going the Distance (2010)
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Foley Recording Assistant
Hubble 3D (2010)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Foley Recording Assistant
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Foley Recording Assistant
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Foley Recording Assistant
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Foley Recording Assistant
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Foley Recording Assistant
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Foley Recording Assistant
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
Foley Recording Assistant
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Foley Recording Assistant
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Foley Recording Assistant
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Foley Recording Assistant
Under the Sea 3D (2009)
Directed by: Howard Hall
Cinematography by: Howard Hall
Edited by: Toni Myers
Cameras: IMAX Cameras
Foley Recording Assistant
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Foley Recording Assistant
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Foley Recording Assistant
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Sound Recordist
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Foley Recording Assistant
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Foley Recording Assistant
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Foley Recording Assistant
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Foley Recording Mixer
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Foley Recording Assistant
Charlie Bartlett (2007)
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Foley Recording Assistant / Sound Recordist
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
