Special Effects Foreman: Second Unit
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Special Effects Foreman: Second Unit
Greyhound (2020)
Directed by: Aaron Schneider
Cinematography by: Shelly Johnson
Cameras: Panavision Millennium DXL Camera
Special Effects Foreman, Special Effects On Set Foreman
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Foreman, Special Effects Foreman: Second Unit
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Special Effects Foreman
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Special Effects Foreman
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Special Effects Technician
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Special Effects Foreman: Second Unit
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Special Effects Foreman
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Special Effects Technician
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Special Effects Foreman
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Special Effects Technician
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Special Effects Technician
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects Foreman / Special Effects Technician
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Special Effects Technician
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Technician
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Special Effects Foreman
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Technician
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Technician
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Technician
Elite Squad (2007)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Edited by: Daniel Rezende
Cameras: Panavision Cameras
Special Effects Technician
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Special Effects Foreman
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Special Effects Technician
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Special Effects Technician
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Special Effects Technician
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Special Effects
Old School (2003)
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Michael Jablow
Special Effects Technician
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Special Effects Foreman
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Special Effects Supervisor
Bubble Boy (2001)
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin
Special Effects Supervisor / Special Effects Technician: Underwater Unit
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Special Effects Technician: Dynamic F/X
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Special Effects Technician
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Special Effects
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Special Effects Foreman
The Substitute (1996)
Directed by: Robert Mandel
Cinematography by: Bruce Surtees
Edited by: Alex Mackie
Special Effects
Curdled (1996)
Directed by: Reb Braddock
Cinematography by: Steven Bernstein
Edited by: Mallory Gottlieb
Special Effects Foreman
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Special Effects Foreman
Mr. Nanny (1993)
Directed by: Michael Gottlieb
Cinematography by: Peter Stein
Special Effects
Psycho IV: The Beginning (1990)
Directed by: Mick Garris
Cinematography by: Rodney Charters
Edited by: Charles Bornstein
Special Effects Technician
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Special Effects - Uncredited
Cocoon: The Return (1988)
Directed by: Daniel Petrie
Cinematography by: Tak Fujimoto
Edited by: Mark Warner
Special Effects Foreman - 67 Episodes, 1986-1989
Miami Vice (1984)
Directed by: John Nicolella, Richard Compton, Leon Ichaso, Vern Gillum, Don Johnson, Jim Johnston, David Jackson, Colin Bucksey, Virgil W. Vogel, Paul Michael Glaser, Rob Cohen, Jan Eliasberg, Aaron Lipstadt, James Quinn, Georg Stanford Brown, Lee H. Katzin, David Anspaugh, Abel Ferrara, Michael O'Herlihy, Mario DiLeo, Gabrielle Beaumont, Paul Krasny, George Mendeluk, Michelle Manning, Russ Mayberry, Alan Myerson, Thomas Carter, Richard A. Colla, Stan Lathan, Alan J. Levi, John Llewellyn Moxey, Bobby Roth, David Soul, Harry Mastrogeorge, Edward James Olmos, Tim Zinnemann, Daniel Attias, Craig Bolotin, Christopher Crowe, Dick Miller, Fred Walton, Ate de Jong, Tony Wharmby, Bill Duke, Donald L. Gold, Randy Roberts, Chip Chalmers, James A. Contner, Eugene Corr, Michael B. Hoggan, Robert Iscove
Cinematography by: Oliver Wood, Tom Priestley Jr., Duke Callaghan, James A. Contner, Michael McGowan, Robert E. Collins, William Cronjager, Victor Hammer
Edited by: Robert A. Daniels, Michael D. Ornstein, Michael B. Hoggan, Kevin Krasny, Douglas Ibold, Dick Williams, Casey O. Rohrs, Robert L. Sinise, Steve Shultz, Jack Horger, Eric A. Sears, Barry B. Leirer, Gene Foster, Buford F. Hayes, David Rosenbloom, David Solomon, Joel Goodman, Dov Hoenig, Sidney Wolinsky, Lawrence J. Gleason, Richard Leeman
Cameras: Panavision Panaflex Series Cameras
