Special Effects Technician
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Special Effects Set Foreman
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Jon Gregory
Cameras: ARRI ALEXA XT Series Cameras
Special Effects Foreman
'Jane the Virgin' Chapter Fifty-Six (2017)
Directed by: Matthew Diamond
Cinematography by: Joe Gallo
Special Effects Foreman
'Jane the Virgin' Chapter Fifty-Seven (2017)
Directed by: Zetna Fuentes
Cinematography by: Lowell Peterson
Special Effects Foreman
'Jane the Virgin' Chapter Fifty-Eight (2017)
Directed by: Melanie Mayron
Edited by: Eric Lea
Special Effects Foreman
'Jane the Virgin' Chapter Fifty-Nine (2017)
Directed by: Anna Mastro
Cinematography by: Richard Crudo
Special Effects Foreman
'Jane the Virgin' Chapter Sixty (2017)
Directed by: Micah Schraft
Cinematography by: Lowell Peterson
Special Effects Foreman
'Jane the Virgin' Chapter Sixty-One (2017)
Directed by: Melanie Mayron
Cinematography by: Richard Crudo
Edited by: Eric Lea
Special Effects Foreman
'Jane the Virgin' Chapter Sixty-Two (2017)
Directed by: Fernando Sariñana
Cinematography by: Lowell Peterson
Special Effects Foreman
'Jane the Virgin' Chapter Sixty-Three (2017)
Directed by: Gina Lamar
Cinematography by: Richard Crudo
Special Effects Foreman
'Jane the Virgin' Chapter Sixty-Four (2017)
Directed by: Melanie Mayron
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Special Effects 1st Unit Foreman: Additional Photography
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Technician
Neighbors (2014)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: ARRI ALEXA Camera, Red Epic Camera
Special Effects Foreman - 9 Episodes, 2017
Jane the Virgin (2014)
Directed by: Gina Lamar, Melanie Mayron, Brad Silberling, Zetna Fuentes, Uta Briesewitz, Edward Ornelas, Anna Mastro, Jann Turner, Stuart Gillard, Joanna Kerns, Micah Schraft, Gina Rodriguez, Debbie Allen, Howard Deutch, Robert Luketic, Matthew Diamond, Fernando Sariñana, Eric Lea, Norman Buckley, Janice Cooke, Elodie Keene, Georgina Garcia Riedel, Eva Longoria, Jason Reilly, Justin Baldoni, Neema Barnette, Leo Zisman
Edited by: Eric Lea, Bruce Green, Gregg Featherman, Janet Weinberg, Raúl Dávalos, Brad Katz, Shannon Mitchell, Susan Kobata
Cameras: ARRI ALEXA Camera
Special Effects Pyro Technician
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Special Effects Technician
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Special Effects 1st Unit Foreman
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Special Effects Technician
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Special Effects Foreman: Second Unit
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Special Effects Technician: Manila
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects Technician
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Special Effects On-set Supervisor
'Glee' New York (2011)
Directed by: Brad Falchuk
Cinematography by: Christopher Baffa
Special Effects Technician
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Special Effects On-set Supervisor
'Glee' Silly Love Songs (2011)
Directed by: Tate Donovan
Cinematography by: Christopher Baffa
Edited by: Doc Crotzer
Special Effects On-set Supervisor
'Glee' Comeback (2011)
Directed by: Bradley Buecker
Cinematography by: Christopher Baffa
Edited by: John Roberts
Special Effects On-set Supervisor
'Glee' Blame It on the Alcohol (2011)
Directed by: Eric Stoltz
Cinematography by: Christopher Baffa
Edited by: Joe Leonard
Special Effects On-set Supervisor
'Glee' Funeral (2011)
Directed by: Bradley Buecker
Cinematography by: Christopher Baffa
Edited by: John Roberts
Special Effects On-set Supervisor
'Glee' Prom Queen (2011)
Directed by: Eric Stoltz
Cinematography by: Christopher Baffa
Edited by: Joe Leonard
Special Effects On-set Supervisor
'Glee' Rumours (2011)
Directed by: Tim Hunter
Cinematography by: Christopher Baffa
Edited by: Fabienne Bouville
Special Effects On-set Supervisor
'Glee' Born This Way (2011)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Christopher Baffa
Edited by: Doc Crotzer
Special Effects On-set Supervisor
'Glee' A Night of Neglect (2011)
Directed by: Carol Banker
Cinematography by: Christopher Baffa
Edited by: Joe Leonard
Special Effects On-set Supervisor
'Glee' Sexy (2011)
Directed by: Ryan Murphy
Cinematography by: Christopher Baffa
Edited by: Doc Crotzer
Special Effects On-set Supervisor
'Glee' Original Song (2011)
Directed by: Bradley Buecker
Cinematography by: Christopher Baffa
Edited by: John Roberts
Special Effects On-set Supervisor
'Glee' The Sue Sylvester Shuffle (2011)
Directed by: Brad Falchuk
Cinematography by: Christopher Baffa
Special Effects On-set Supervisor
'Glee' A Very Glee Christmas (2010)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Christopher Baffa
Edited by: Bradley Buecker
Special Effects On-set Supervisor
'Glee' Special Education (2010)
Directed by: Paris Barclay
Cinematography by: Christopher Baffa
Edited by: Doc Crotzer
Special Effects On-set Supervisor
'Glee' Furt (2010)
Directed by: Carol Banker
Cinematography by: Christopher Baffa
Edited by: Joe Leonard
Special Effects On-set Supervisor
'Glee' The Substitute (2010)
Directed by: Ryan Murphy
Cinematography by: Christopher Baffa
Edited by: Bradley Buecker
Special Effects On-set Supervisor
'Glee' Never Been Kissed (2010)
Directed by: Bradley Buecker
Cinematography by: Christopher Baffa
Edited by: Doc Crotzer
Special Effects On-set Supervisor
'Glee' Duets (2010)
Directed by: Eric Stoltz
Cinematography by: Christopher Baffa
Edited by: John Roberts
Special Effects Technician
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects On-set Supervisor
'Glee' The Rocky Horror Glee Show (2010)
Directed by: Adam Shankman
Cinematography by: Christopher Baffa
Edited by: Joe Leonard
Special Effects On-set Supervisor
'Glee' Grilled Cheesus (2010)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Christopher Baffa
Edited by: Doc Crotzer
Special Effects On-set Supervisor
'Glee' Audition (2010)
Directed by: Brad Falchuk
Cinematography by: Christopher Baffa
Edited by: Joe Leonard
Special Effects On-set Supervisor
'Glee' Britney/Brittany (2010)
Directed by: Ryan Murphy
Cinematography by: Christopher Baffa
Edited by: Bradley Buecker
Special Effects Technician
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Special Effects Technician
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Special Effects On-set Supervisor - 22 Episodes, 2010-2011
Glee (2009)
Directed by: Bradley Buecker, Brad Falchuk, Eric Stoltz, Paris Barclay, Ian Brennan, Ryan Murphy, Alfonso Gomez-Rejon, Elodie Keene, Adam Shankman, Paul McCrane, Wendey Stanzler, John Scott, Carol Banker, Tate Donovan, Michael Uppendahl, Barbara Brown, Bill D'Elia, Joss Whedon, Tim Hunter, Matthew Morrison, Sanaa Hamri, Dante Di Loreto, Anthony Hemingway, Michael Hitchcock, Joaquin Sedillo
Special Effects Technician
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Special Effects Technician - 1 Episode, 2008
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Special Effects Technician
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Technician
'True Blood' Mine (2008)
Directed by: John Dahl
Cinematography by: Checco Varese
Edited by: Michael Ruscio
Special Effects Technician
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Hydraulics Crew
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Technician
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Special Effects Technician
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Special Effects Technician
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Special Effects Technician
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Special Effects Technician
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Special Effects Technician
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Special Effects Technician
The Texas Chainsaw Massacre (2003)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury
Special Effects Technician
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Technician
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Special Effects Technician
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Special Effects Technician
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Special Effects Technician
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Technician
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Special Effects
Blood Work (2002)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Special Effects Technician
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Special Effects
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Technician
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Special Effects Propmaker
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Special Effects Technician
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
