Executive Producer: CVD VFX
Gretel & Hansel (2020)
Directed by: Oz Perkins
Cinematography by: Galo Olivares
Cameras: ARRI ALEXA Mini Camera
Visual Effects Supervisor: CVD VFX
12 Strong (2018)
Directed by: Nicolai Fuglsig
Cinematography by: Rasmus Videbæk
Edited by: Lisa Lassek
Visual Effects Supervisor: CVD VFX
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Supervisor: CVD VFX
'The Magicians' The Tales of the Seven Keys (2018)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Visual Effects Supervisor: CVD VFX
'The Magicians' Heroes and Morons (2018)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Supervisor: CVD VFX
'The Magicians' Be the Penny (2018)
Directed by: Shannon Kohli
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Visual Effects Supervisor: CVD VFX
'The Magicians' Six Short Stories About Magic (2018)
Directed by: Salli Richardson-Whitfield
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Supervisor: CVD VFX
'The Magicians' All That Josh (2018)
Directed by: James L. Conway
Cinematography by: François Dagenais
Visual Effects Supervisor: CVD VFX
'The Magicians' The Art of the Deal (2018)
Directed by: Rebecca Johnson
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Visual Effects Supervisor: CVD VFX
'The Magicians' Twenty-Three (2018)
Directed by: Meera Menon
Cinematography by: François Dagenais
Visual Effects Supervisor: CVD VFX
'The Magicians' The Fillorian Candidate (2018)
Directed by: Joshua Butler
Cinematography by: François Dagenais
Edited by: Terry Kelley
Visual Effects Supervisor: CVD VFX
'The Magicians' Will You Play with Me? (2018)
Directed by: Chris Fisher
Cinematography by: François Dagenais
Edited by: Mats Abbott
Visual Effects Supervisor: CVD VFX
'Westworld' Phase Space (2018)
Directed by: Tarik Saleh
Cinematography by: John Grillo
Edited by: Ron Rosen
Visual Effects Supervisor: CVD VFX
'Westworld' The Passenger (2018)
Directed by: Frederick E.O. Toye
Cinematography by: John Grillo
Visual Effects Supervisor: CVD VFX
'Fargo' Somebody to Love (2017)
Directed by: Keith Gordon
Cinematography by: Dana Gonzales
Edited by: Regis Kimble
Visual Effects Supervisor: CVD VFX
'Fargo' The Lord of No Mercy (2017)
Directed by: Dearbhla Walsh
Cinematography by: Dana Gonzales
Edited by: Henk Van Eeghen
Visual Effects Supervisor: CVD VFX
'The Magicians' The Cock Barrens (2017)
Directed by: Kate Woods
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Supervisor: CVD VFX
'The Magicians' Knight of Crowns (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Supervisor: CVD VFX
'The Magicians' Hotel Spa Potions (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Supervisor: CVD VFX
'The Magicians' Divine Elimination (2017)
Directed by: John Scott
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Supervisor: CVD VFX
'The Magicians' The Flying Forest (2017)
Directed by: Carol Banker
Cinematography by: Elie Smolkin
Visual Effects Supervisor: CVD VFX
'The Magicians' Cheat Day (2017)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Supervisor: CVD VFX
'The Magicians' Plan B (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Supervisor: CVD VFX
'The Magicians' Word as Bond (2017)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Supervisor: CVD VFX
'The Magicians' Lesser Evils (2017)
Directed by: Rebecca Johnson
Cinematography by: Elie Smolkin
Visual Effects Supervisor: CVD VFX
'The Magicians' The Girl Who Told Time (2017)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Supervisor: CVD VFX
'The Magicians' The Rattening (2017)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Supervisor: CVD VFX
'The Magicians' We Have Brought You Little Cakes (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Supervisor: CVD VFX
'The Magicians' Ramifications (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Supervisor: CVD VFX
'The X-Files' Founder's Mutation (2016)
Directed by: James Wong
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Visual Effects Supervisor: CVD VFX - 2 Episodes, 2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Visual Effects Supervisor: CVD VFX - 4 Episodes, 2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: CVD VFX
'The X-Files' Mulder & Scully Meet the Were-Monster (2016)
Directed by: Darin Morgan
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Visual Effects Supervisor: CVD VFX
'The X-Files' Home Again (2016)
Directed by: Glen Morgan
Cinematography by: Joel Ransom
Edited by: Robert Komatsu
Visual Effects Supervisor: CVD VFX
'The X-Files' Babylon (2016)
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Robert Komatsu
Visual Effects Supervisor: CVD VFX
'The X-Files' My Struggle II (2016)
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Robert Komatsu
Visual Effects Supervisor: CVD VFX
'The X-Files' My Struggle (2015)
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Visual Effects Supervisor
'The Man in the High Castle' Sunrise (2015)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Edited by: Marta Evry
Visual Effects Supervisor
'The Man in the High Castle' Kindness (2015)
Directed by: Michael Slovis
Cinematography by: James Hawkinson
Edited by: Jon Dudkowski
Visual Effects Supervisor
'The Man in the High Castle' A Way Out (2015)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Visual Effects Supervisor - 3 Episodes, 2015
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Visual Effects Supervisor: CVD VFX - 22 Episodes, 2017-2018
The Magicians (2015)
Directed by: Chris Fisher, James L. Conway, John Scott, Joshua Butler, Shannon Kohli, Scott Smith, Carol Banker, Meera Menon, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Mike Cahill, Bill Eagles, Jan Eliasberg, Amanda Tapping, Kate Woods, Elie Smolkin, Sterlin Harjo, Geeta Patel
Cinematography by: Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush
Edited by: Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras: ARRI ALEXA Mini Camera
Visual Effects: LOOK! Effects
'Game of Thrones' The Lion and the Rose (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Visual Effects: LOOK! Effects
'Game of Thrones' Two Swords (2014)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Visual Effects: LOOK! Effects
'Game of Thrones' Breaker of Chains (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Visual Effects: LOOK! Effects
'Game of Thrones' Oathkeeper (2014)
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Visual Effects: LOOK! Effects
'Game of Thrones' The Laws of Gods and Men (2014)
Directed by: Alik Sakharov
Cinematography by: Fabian Wagner
Edited by: Crispin Green
Visual Effects: LOOK! Effects
'Game of Thrones' The Mountain and the Viper (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Visual Effects: LOOK! Effects
'Game of Thrones' Mockingbird (2014)
Directed by: Alik Sakharov
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: LOOK! Effects
'Game of Thrones' The Watchers on the Wall (2014)
Directed by: Neil Marshall
Cinematography by: David Franco
Edited by: Katie Weiland
Compositing Supervisor: LOOK Effects
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Compositor: Weta Digital
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor: CVD VFX - 2 Episodes, 2017
Fargo (2014)
Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron
Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Visual Effects: LOOK! Effects
'Game of Thrones' First of His Name (2014)
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Digital Compositor
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Compositing Supervisor: Method Studios Vancouver
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Associate Visual Effects Supervisor: Method Studios , Compositing Supervisor: Method Studios
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Digital Compositor: MPC
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Vfx Supervisor: Faction Creative
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Digital Artist: The Moving Picture Company
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Compositor: WETA Digital
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects: LOOK! Effects - 9 Episodes, 2014
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Supervisor
'R.L. Stine's The Haunting Hour' Ghostly Stare (2011)
Directed by: Neill Fearnley
Cinematography by: Michael Balfry
Edited by: Lisa Robison
Visual Effects Supervisor
'R.L. Stine's The Haunting Hour' Catching Cold (2011)
Directed by: Peter DeLuise
Cinematography by: Michael Balfry
Edited by: Lisa Robison
Digital Compositor: ILM
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Digital Supervisor: Faction Creative
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Digital Artist: Industrial Light & Magic
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor - 2 Episodes, 2011
R.L. Stine's The Haunting Hour (2010)
Directed by: Neill Fearnley, Peter DeLuise, James Head, Ken Friss, Jason Furukawa, Michael Scott, Terry Ingram, J.B. Sugar, Michael Robison, Allan Harmon, Jonathan A. Rosenbaum
Cinematography by: Michael Balfry
Cameras: Red Epic Camera
Digital Compositor: CIS Vancouver
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Digital Compositor
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Digital Compositor: Faction Creative
'Lost' Lighthouse (2010)
Directed by: Jack Bender
Cinematography by: Stephen St. John
Edited by: Mark Goldman
Digital Compositor: Frantic Films
Tooth Fairy (2010)
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Digital Compositor: Prime Focus Vancouver
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Digital Compositor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Digital Compositor: Rising Sun Pictures
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Digital Compositor: Frantic Films
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Compositing And Roto Artist: Faction Creative
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Compositor: Technicolor
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Digital Compositor: Zoic Studios
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Digital Compositor: Frantic Films
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Visual Effects: The Embassy
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Compositor: Technicolor Creative Services
Far Cry (2008)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
Visual Effects Artist: Frantic Films
Mr. Magorium's Wonder Emporium (2007)
Directed by: Zach Helm
Cinematography by: Roman Osin
Lead Compositor: Rainmaker
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
2D Compositor: Frantic Films
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Lead Artist: Rainmaker
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Digital Compositor: Rainmaker
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Digital Compositor: Frantic Films
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Compositor: Animal Logic
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Digital Compositor: Animal Logic
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: SPIN VFX
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Digital Compositor: Faction Creative - 1 Episode, 2010
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositor: Spin West VFX
Spymate (2003)
Directed by: Robert Vince
Cinematography by: Mike Southon
Edited by: Kelly Herron
Visual Effects Supervisor: CVD VFX - 6 Episodes, 2015-2016
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
