Executive In Charge Of Post Production
American Fiction (2023)
Directed by: Cord Jefferson
Cinematography by: Cristina Dunlap
Edited by: Hilda Rasula
Cameras: ARRI ALEXA Mini LF Camera
Lenses: Tribe7 Blackwing7 Lenses
Executive In Charge Of Post Production
Saltburn (2023)
Directed by: Emerald Fennell
Cinematography by: Linus Sandgren
Edited by: Victoria Boydell
Digital Intermediate Producer
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Digital Intermediate Senior Producer: Technicolor Hollywood
Death Note (2017)
Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Digital Intermediate Producer
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Digital Intermediate Producer
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Additional Digital Intermediate Producer: Los Angeles
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Digital Intermediate Project Manager
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Digital Intermediate Producer
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Digital Intermediate Producer
Stoker (2013)
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Digital Intermediate Producer
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Digital Intermediate Producer
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Digital Intermediate Manager: Technicolor Hollywood
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Intermediate Producer
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Digital Intermediate Producer
Diary of a Wimpy Kid: Dog Days (2012)
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Digital Intermediate Producer / Digital Intermediate Project Manager
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Project Manager
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Project Manager: Modern VideoFilm
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Digital Intermediate Producer
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Digital Intermediate Producer: Modern VideoFilm
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Digital Intermediate Producer
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Producer: Modern VideoFilm
Hesher (2010)
Directed by: Spencer Susser
Cinematography by: Morgan Susser
Digital Intermediate Producer: Modern VideoFilm
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Project Manager: Modern VideoFilm
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Digital Intermediate Producer: Modern VideoFilm
Bunraku (2010)
Directed by: Guy Moshe
Cinematography by: Juan Ruiz Anchía
Project Supervisor: Modern Videofilm
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Digital Intermediate Project Manager: Modern VideoFilm
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Digital Intermediate Producer: Modern VideoFilm
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Manager - Modern Videofilm
Why Did I Get Married Too? (2010)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Digital Intermediate Producer: Modern VideoFilm
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Digital Intermediate Producer: Modern VideoFilm
Grey Gardens (2009)
Directed by: Michael Sucsy
Cinematography by: Mike Eley
Digital Intermediate Coordinator: Modern Videofilm
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Digital Intermediate Producer: Modern VideoFilm
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Producer: Moden VideoFilm
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Digital Intermediate Producer: Modern VideoFilm
Recount (2008)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Digital Intermediate Producer: Modern VideoFilm
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Post-production Project Manager: Modern VideoFilm, Inc.
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Digital Intermediate Producer: Modern Video Film
Talk to Me (2007)
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
Dailies & Digital Intermediate Producer: Modern VideoFilm, Post-production Supervisor: Modern VideoFilm
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Post-production Project Manager
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Digital Intermediate Project Manager: Modern VideoFilm Inc.
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Post-production Coordinator: Modern VideoFilm
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Digital Intermediate Producer: Modern VideoFilm
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Coordinator: Modern VideoFilm
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Post-production Supervisor: Modern VideoFilm
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Digital Intermediate Producer: Modern VideoFilm
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by: Larry Charles
Cameras: Panasonic AJ-HDC27 Varicam Camera
Digital Intermediate Producer: Modern VideoFilm
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Digital Intermediate Project Manager: Modern Videofilm
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Post-production Coordinator: Modern VideoFilm
John Tucker Must Die (2006)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Post-production Coordinator: Modern VideoFilm
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Post-production Coordinator: Modern VideoFilm
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Post-production Coordinator: Modern VideoFilm, Project Manager: Modern Videofilm
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Post-production Coordinator: Modern VideoFilm
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Intermediate Project Manager
The Lake House (2006)
Directed by: Alejandro Agresti
Cinematography by: Alar Kivilo
Post Coordinator: Modern VideoFilm
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Post-production Coordinator: Modern VideoFilm
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Post-production Supervisor: Modern VideoFilm
Down in the Valley (2005)
Directed by: David Jacobson
Cinematography by: Enrique Chediak
Post-production Coordinator: Modern VideoFilm
In Her Shoes (2005)
Directed by: Curtis Hanson
Cinematography by: Terry Stacey
Post-production Coordinator: Modern VideoFilm
The Chumscrubber (2005)
Directed by: Arie Posin
Cinematography by: Lawrence Sher
Post-production Coordinator: Modern VideoFilm
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Post-production Coordinator: Modern VideoFilm
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Post-production Coordinator: Modern VideoFilm
Lackawanna Blues (2005)
Directed by: George C. Wolfe
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Post-production Coordinator: Modern VideoFilm
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Post-production Coordinator: Modern VideoFilm
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Post-production Coordinator: Modern VideoFilm
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Post-production Coordinator: Modern VideoFilm
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Post-production Coordinator: Modern VideoFilm
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Post-production Coordinator: The Post Group
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Post-production Coordinator: Modern VideoFilm
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Dailies Assistant: Magno Sound & Video
The Yards (2000)
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Dailies Assistant: Magno Sound & Video
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Dailies Assistant: Magno Sound & Video
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Dailies Assistant: Magno Sound & Video
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Dailies Assistant: Magno Sound & Video
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Dailies Assistant: Magno Sound & Video
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Dailies Assistant: Magno Sound & Video
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Dailies Assistant: Magno Sound & Video
Flawless (1999)
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Dailies Assistant: Magno Sound & Video
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
