First Assistant Camera: A Camera
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Assistant Camera: "b" Camera
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
First Assistant Camera
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
First Assistant Camera: "a" Camera
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
First Assistant Camera: "a" Camera
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
First Assistant Camera
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
First Assistant Photographer: "b" Camera
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
First Assistant Camera: "a" Camera
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
First Assistant Camera: "b" Camera, Washington DC
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
First Assistant Camera: "b" Camera
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
First Assistant Camera
Justin Bieber: Never Say Never (2011)
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
First Assistant Camera
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
First Assistant Camera
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
First Assistant Camera: "b" Camera
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Camera: "a" Camera
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
First Assistant "b" Camera
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
First Assistant Camera: "b" Camera, New York
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
First Assistant Camera: "a" Camera
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Camera First Assistant: Second Unit
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
First Assistant Camera
Baby Mama (2008)
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
First Assistant Camera: "a" Camera
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
First Assistant Camera: New York
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
First Assistant Camera: "b" Camera
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
First Assistant Camera
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Assistant Camera
'Law & Order: Special Victims Unit' Scheherazade (2007)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Daniel J. Simmons
First Assistant Camera: Second Unit, New York/New Jersey
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Assistant Camera
'Law & Order: Special Victims Unit' Recall (2006)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Clock (2006)
Directed by: James Hayman
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Camera
'Law & Order: Special Victims Unit' Informed (2006)
Directed by: Peter Leto
Cinematography by: Geoffrey Erb
Edited by: Daniel J. Simmons
Assistant Camera
'Law & Order: Special Victims Unit' Web (2006)
Directed by: Peter Leto
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Influence (2006)
Directed by: Norberto Barba
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Camera
'Law & Order: Special Victims Unit' Fat (2006)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Jim Stewart
Assistant Camera
'Law & Order: Special Victims Unit' Fault (2006)
Directed by: Paul McCrane
Cinematography by: Geoffrey Erb
Edited by: Jim Stewart
Assistant Camera
'Law & Order: Special Victims Unit' Gone (2006)
Directed by: George Pattison
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Taboo (2006)
Directed by: Arthur W. Forney
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Camera
'Law & Order: Special Victims Unit' Manipulated (2006)
Directed by: Matt Earl Beesley
Cinematography by: Geoffrey Erb
Edited by: Jim Stewart
Assistant Camera
'Law & Order: Special Victims Unit' Infected (2006)
Directed by: Michelle MacLaren
Cinematography by: Geoffrey Erb
Edited by: Jim Stewart
First Assistant Camera: "a" Camera, New York
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Assistant Camera
'Law & Order: Special Victims Unit' Storm (2005)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Camera
'Law & Order: Special Victims Unit' Rockabye (2005)
Directed by: Peter Leto
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Ripped (2005)
Directed by: Rick Wallace
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Camera
'Law & Order: Special Victims Unit' Demons (2005)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Parts (2005)
Directed by: Matt Earl Beesley
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Blood (2005)
Directed by: Félix Enríquez Alcalá
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Night (2005)
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Intoxicated (2005)
Directed by: Marita Grabiak
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Rage (2005)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Pure (2005)
Directed by: Aaron Lipstadt
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Ghost (2005)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Hooked (2005)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Quarry (2005)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Identity (2005)
Directed by: Rick Wallace
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Contagious (2005)
Directed by: Aaron Lipstadt
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
First Assistant Camera
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Assistant Cameraman
'Law & Order: Special Victims Unit' Haunted (2004)
Directed by: Juan José Campanella
Cinematography by: George Pattison
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Weak (2004)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Conscience (2004)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Steve Polivka
Assistant Cameraman
'Law & Order: Special Victims Unit' Outcry (2004)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Devon Greene
Assistant Cameraman
'Law & Order: Special Victims Unit' Obscene (2004)
Directed by: Constantine Makris
Cinematography by: George Pattison
Edited by: Devon Greene
Assistant Cameraman
'Law & Order: Special Victims Unit' Scavenger (2004)
Directed by: Daniel Sackheim
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Debt (2004)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Birthright (2004)
Directed by: Arthur W. Forney
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Head (2004)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Poison (2004)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Bound (2004)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Criminal (2004)
Directed by: Alex Zakrzewski
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Painless (2004)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Sick (2004)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Lowdown (2004)
Directed by: Jud Taylor
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Careless (2004)
Directed by: Steve Shill
Cinematography by: George Pattison
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Home (2004)
Directed by: Rick Wallace
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Ritual (2004)
Directed by: Ed Bianchi
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Families (2004)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Hate (2004)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Brotherhood (2004)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
First Assistant Camera: New York
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
First Assistant Camera
Head of State (2003)
Directed by: Chris Rock
Cinematography by: Donald E. Thorin
Edited by: Stephen A. Rotter
Assistant Cameraman
'Law & Order: Special Victims Unit' Shaken (2003)
Directed by: Constantine Makris
Cinematography by: George Pattison
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Loss (2003)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Assistant Cameraman
'Law & Order: Special Victims Unit' Tragedy (2003)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Assistant Cameraman
'Law & Order: Special Victims Unit' Manic (2003)
Directed by: Guy Norman Bee
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Soulless (2003)
Directed by: Chad Lowe
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Perfect (2003)
Directed by: Rick Wallace
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Grief (2003)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Futility (2003)
Directed by: Alex Zakrzewski
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Fallacy (2003)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Dominance (2003)
Directed by: Steve Shill
Cinematography by: George Pattison
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Appearances (2003)
Directed by: Alex Zakrzewski
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Tortured (2003)
Directed by: Steve Shill
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Privilege (2003)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Mercy (2003)
Directed by: David Platt
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Damaged (2003)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Risk (2003)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
First Assistant Camera: "a" Camera
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
First Assistant Camera
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
First Assistant Camera: New York
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Assistant Camera
'Law & Order: Special Victims Unit' Resilience (2002)
Directed by: Joyce Chopra
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Juvenile (2002)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Waste (2002)
Directed by: Donna Deitch
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Angels (2002)
Directed by: Arthur W. Forney
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Disappearing Acts (2002)
Directed by: Alex Zakrzewski
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Vulnerable (2002)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Lust (2002)
Directed by: Michael Fields
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Deception (2002)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Chameleon (2002)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Silence (2002)
Directed by: Steve Shill
Cinematography by: Geoffrey Erb
Assistant Camera
'Law & Order: Special Victims Unit' Greed (2002)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Denial (2002)
Directed by: Steve Shill
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Competence (2002)
Directed by: Jud Taylor
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Justice (2002)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Camera
'Law & Order: Special Victims Unit' Guilt (2002)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Surveillance (2002)
Directed by: Steve Shill
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Camera
'Law & Order: Special Victims Unit' Popular (2002)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Execution (2002)
Directed by: Alex Zakrzewski
Cinematography by: George Pattison
Edited by: Bonnie Koehler
Assistant Camera
'Law & Order: Special Victims Unit' Prodigy (2002)
Directed by: Steve Shill
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
First Assistant Camera: New York
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
First Assistant Camera
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
First Assistant Camera
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
First Assistant Camera: "b" Camera
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
First Assistant Camera
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
First Assistant Camera: "b" Camera, New York
The Corruptor (1999)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Assistant Camera / Assistant Cameraman - 84 Episodes, 2002-2007
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
First Assistant Camera
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera
Meet Joe Black (1998)
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
First Assistant Camera
In & Out (1997)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera: New York
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
First Assistant Camera: "b" Camera
Sleepers (1996)
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Second Assistant Camera
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
First Assistant Photographer: Second Unit
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Second Assistant Camera
Quiz Show (1994)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Cameras: ARRIFLEX 35mm Cameras
Second Assistant Camera
Nobody's Fool (1994)
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Second Assistant Camera
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Second Assistant Camera
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Second Assistant Photographer
Leap of Faith (1992)
Directed by: Richard Pearce
Cinematography by: Matthew F. Leonetti
Second Assistant Camera
Defending Your Life (1991)
Directed by: Albert Brooks
Cinematography by: Allen Daviau
Edited by: David Finfer
Second Assistant Camera
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Second Assistant Camera: New York
Sea of Love (1989)
Directed by: Harold Becker
Cinematography by: Ronnie Taylor
Edited by: David Bretherton
Second Assistant Camera
Black Rain (1989)
Directed by: Ridley Scott
Cinematography by: Jan de Bont
Edited by: Tom Rolf
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera: New York
Arthur 2: On the Rocks (1988)
Directed by: Bud Yorkin
Cinematography by: Stephen H. Burum
Edited by: Michael Kahn
Camera Trainee
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
Assistant Camera
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Second Assistant Camera
Dirty Rotten Scoundrels (1988)
Directed by: Frank Oz
Cinematography by: Michael Ballhaus
