Mark Curtis

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Visual Effects Supervisor

Furious 7  (2015)

Directed by: James Wan
Cinematography by: Marc Spicer, Stephen F. Windon
Lenses: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Compositing Head Of Department: MPC Vancouver

300: Rise of an Empire  (2014)

Directed by: Noam Murro
Cinematography by: Simon Duggan

Compositing Head Of Department: MPC Vancouver

Maleficent  (2014)

Directed by: Robert Stromberg
Cinematography by: Dean Semler

Compositing Head Of Department: MPC Vancouver

Seventh Son  (2014)

Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel

Compositing Head Of Department: MPC Vancouver

Man of Steel  (2013)

Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner

Head Of Department: The Moving Picture Company

Life of Pi  (2012)

Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Editing System:

Compositing Head Of Department: MPC Vancouver

The Big Year  (2011)

Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi

Digital Supervisor: MPC

Sucker Punch  (2011)

Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy

Compositor: MPC

Surrogates  (2009)

Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt

Compositing Supervisor / Digital Effects Supervisor: MPC

Fred Claus  (2007)

Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi

Compositor: MPC

Amazing Grace  (2006)

Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras:

Compositor

Suzie Gold  (2004)

Directed by: Ric Cantor
Cinematography by: Daf Hobson
Edited by: Michael Ellis

Digital Compositor

The Medallion  (2003)

Directed by: Gordon Chan
Cinematography by: Arthur Wong

Digital Compositor

LD 50 Lethal Dose  (2003)

Directed by: Simon De Selva
Cinematography by: Robin Vidgeon
Edited by: Kant Pan

Digital Compositor

Ali G Indahouse  (2002)

Directed by: Mark Mylod
Cinematography by: Ashley Rowe
Edited by: Paul Knight