Colorist
'PEN15' Opening Night (2020)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: John Daigle
Colorist
'PEN15' Play (2020)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: John Daigle
Colorist
'PEN15' Wrestle (2020)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Colorist
'PEN15' Vendy Wiccany (2020)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Colorist
'PEN15' Sleepover (2020)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Amelia Allwarden
Final Colorist
'Pandora' Things Have Changed (2020)
Directed by: Brett Simmons
Cinematography by: Maximilian Schmige
Edited by: Devon Greene
Final Colorist
'Pandora' Don't Think Twice, It's All Right (2020)
Directed by: Brett Simmons
Cinematography by: Maximilian Schmige
Final Colorist
'Pandora' Gates of Eden (2020)
Directed by: Chris LeDoux
Cinematography by: Maximilian Schmige
Final Colorist
'Pandora' Beyond Here Lies Nothin' (2020)
Directed by: Brea Grant
Cinematography by: Maximilian Schmige
Final Colorist
'Pandora' On a Night Like This (2020)
Directed by: Brea Grant
Cinematography by: Maximilian Schmige
Final Colorist
'Pandora' Pay in Blood (2020)
Directed by: Buddy Giovinazzo
Cinematography by: Maximilian Schmige
Edited by: Devon Greene
Final Colorist
'Pandora' A Fool Such as I (2020)
Directed by: Buddy Giovinazzo
Cinematography by: Maximilian Schmige
Edited by: Chris Patterson
Final Colorist
'Pandora' Tell Me That It Isn't True (2020)
Directed by: Maximilian Schmige
Cinematography by: Maximilian Schmige
Edited by: Devon Greene
Final Colorist
'Pandora' All Along the Watchtower (2020)
Directed by: Buddy Giovinazzo
Cinematography by: Maximilian Schmige
Edited by: Ian Harbilas
Final Colorist
'Pandora' I Forgot More Than You'll Ever Know (2020)
Directed by: Buddy Giovinazzo
Cinematography by: Maximilian Schmige
Edited by: William Paley
Sdr Finishing Colorist
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Home Video Mastering Colorist
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Home Video Mastering Colorist
My Big Fat Greek Wedding 2 (2016)
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Home Video Mastering Colorist
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Sdr Finishing Colorist
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Home Video Mastering Colorist 2d & 3d
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Home Video Mastering Colorist
Fifty Shades of Grey (2015)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Home Video Mastering Colorist
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Home Video Mastering Colorist
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Home Video Mastering Colorist
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Second Home Video Mastering Colorist
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Film Out Trim Colorist
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Home Video Mastering Colorist
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Home Video Mastering Colorist
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Home Video Mastering Colorist
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Digital Intermediate Colorist
Beyond the Lights (2014)
Directed by: Gina Prince-Bythewood
Cinematography by: Tami Reiker
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA M Camera
Home Video Mastering Colorist
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Home Video Mastering Colorist
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Home Video Mastering Colorist
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Home Video Mastering Colorist
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Home Video Mastering Colorist
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Film Colorist: Technicolor
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Home Video Mastering Colorist
Stoker (2013)
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Home Video Mastering Colorist
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Home Video Mastering Colorist
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Home Video Consultant: Technicolor
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Home Video Mastering Colorist
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Home Video Mastering Colorist
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Home Video Mastering Colorist
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Home Video Mastering Colorist
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Home Video Mastering Colorist
The Babymakers (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Brad Katz
Home Video Mastering Colorist
LOL (2012)
Directed by: Lisa Azuelos
Cinematography by: Kieran McGuigan
Edited by: Myron Kerstein
Home Video Mastering Colorist
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Additional Digital Intermediate Colorist / Home Video Mastering Colorist
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Additional Digital Colorist: Technicolor
Bucky Larson: Born to Be a Star (2011)
Directed by: Tom Brady
Cinematography by: Michael Barrett
Edited by: Jason Gourson
Home Video Mastering Colorist
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Home Video Mastering Colorist
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Home Video Mastering Colorist
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Home Video Mastering Colorist
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Home Video Mastering Colorist
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Home Video Mastering Colorist
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Home Video Mastering Colorist
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Digital Intermediate Colorist
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Home Video Mastering Colorist
J. Edgar (2011)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Additional Digital Colorist
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Home Video Mastering Colorist
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Colorist
Redemption Road (2010)
Directed by: Mario Van Peebles
Cinematography by: Matthew Irving
Edited by: Mark Conte
Additional Digital Colorist
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Home Video Mastering Colorist
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Home Video Mastering Colorist
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Digital Intermediate Colorist
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Additional Digital Colorist: Technicolor
Obsessed (2009)
Directed by: Steve Shill
Cinematography by: Ken Seng
Edited by: Paul Seydor
Cameras: Panavision Panaflex Platinum Camera
Additional Digital Colorist: Technicolor
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Additional Digital Colorist: Technicolor Digital Intermediates
Fired Up! (2009)
Directed by: Will Gluck
Cinematography by: Thomas E. Ackerman
Edited by: Tracey Wadmore-Smith
Additional Digital Colorist: Technicolor
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Additional Digital Colorist: Technicolor
The Stepfather (2009)
Directed by: Nelson McCormick
Cinematography by: Patrick Cady
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Gold II Camera
Additional Digital Colorist: Technicolor
Observe and Report (2009)
Directed by: Jody Hill
Cinematography by: Tim Orr
Edited by: Zene Baker
Additional Digital Colorist: Technicolor
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Additional Digital Colorist: Technicolor
A Perfect Getaway (2009)
Directed by: David Twohy
Cinematography by: Mark Plummer
Edited by: Tracy Adams
Additional Digital Colorist: Technicolor
Shorts (2009)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Additional Digital Colorist: Technicolor
Paul Blart: Mall Cop (2009)
Directed by: Steve Carr
Cinematography by: Russ T. Alsobrook
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera
Additional Digital Colorist: Technicolor
Armored (2009)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Digital Colorist
To Save a Life (2009)
Directed by: Brian Baugh
Cinematography by: C. Clifford Jones
Cameras: Red One Camera
Additional Digital Colorist
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Additional Digital Colorist: Technicolor
Forgetting Sarah Marshall (2008)
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Digital Colorist: Technicolor
The Eye (2008)
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
Additional Digital Colorist: Technicolor
Pineapple Express (2008)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Additional Digital Colorist: Technicolor
Choke (2008)
Directed by: Clark Gregg
Cinematography by: Tim Orr
Edited by: Joe Klotz
Additional Digital Colorist: Technicolor
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Additional Digital Colorist: Technicolor
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Colorist
The Rainbow Tribe (2008)
Directed by: Christopher R. Watson
Cinematography by: Shane Daly
Edited by: Marshall Lee
Additional Digital Colorist: Technicolor
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Additional Digital Colorist: Technicolor
Lakeview Terrace (2008)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Joel Plotch
Additional Digital Colorist: Technicolor
The House Bunny (2008)
Directed by: Fred Wolf
Cinematography by: Shelly Johnson
Edited by: Debra Chiate
Cameras: Panavision Genesis Camera
Additional Digital Colorist: Technicolor
Quarantine (2008)
Directed by: John Erick Dowdle
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Additional Digital Colorist: Technicolor
First Sunday (2008)
Directed by: David E. Talbert
Cinematography by: Alan Caso
Edited by: Jeffrey Wolf
Additional Digital Colorist: Technicolor
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Additional Digital Colorist: Technicolor
Prom Night (2008)
Directed by: Nelson McCormick
Cinematography by: Checco Varese
Edited by: Jason Ballantine
Additional Digital Colorist: Technicolor
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Additional Digital Colorist: Technicolor
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Additional Digital Colorist: Technicolor
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Digital Dailies Colorist: Technicolor
Superbad (2007)
Directed by: Greg Mottola
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Phantom HD Camera
Editing System: Avid Editing System
Additional Digital Colorist: Technicolor
The Kingdom (2007)
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Additional Digital Colorist: Technicolor
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Additional Digital Colorist: Technicolor
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Dailies Colorist
The Long Shot (2004)
Directed by: Georg Stanford Brown
Cinematography by: Geza Sinkovics
Edited by: Jennifer Jean Cacavas
Hd Mastering
That Little Monster (1994)
Directed by: Paul Bunnell
Cinematography by: Craig Bassuk
Edited by: Carl Mastromarino
Hd Mastering
Blue Steel (1990)
Directed by: Kathryn Bigelow
Cinematography by: Amir Mokri
Edited by: Lee Percy
