Special Effects Technician
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Special Effects Technician
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Special Effects Technician
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Special Effects Technician
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Special Effects Technician
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Special Effects Technician
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Special Effects Technician
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Special Effects Technician
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Special Effects
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Pyrotechnics Foreman
Destroyer (2018)
Directed by: Karyn Kusama
Cinematography by: Julie Kirkwood
Edited by: Plummy Tucker
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Lenses
Pyrotechnician
12 Strong (2018)
Directed by: Nicolai Fuglsig
Cinematography by: Rasmus Videbæk
Edited by: Lisa Lassek
Special Effects Technician
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Special Effects Foreman
'Ray Donovan' Girl with Guitar (2016)
Directed by: Liev Schreiber
Cinematography by: Robert McLachlan
Edited by: Harvey Rosenstock
Special Effects Foreman
'Ray Donovan' Marisol (2016)
Directed by: John Dahl
Cinematography by: Robert McLachlan
Edited by: John Axness
Special Effects Foreman
'Ray Donovan' Little Bill Primm's Big Green Horseshoe (2016)
Directed by: Michael Apted
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Special Effects Foreman
'Ray Donovan' Federal Boobie Inspector (2016)
Directed by: Phil Abraham
Cinematography by: Roy H. Wagner
Edited by: Harvey Rosenstock
Special Effects Foreman
'Ray Donovan' Get Even Before Leavin' (2016)
Directed by: Robert McLachlan
Cinematography by: Robert McLachlan
Edited by: John Axness
Special Effects Foreman
'Ray Donovan' Fish and Bird (2016)
Directed by: Daisy von Scherler Mayer
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Special Effects Foreman
'Ray Donovan' Norman Saves the World (2016)
Directed by: Tricia Brock
Cinematography by: Robert McLachlan
Edited by: Harvey Rosenstock
Special Effects Foreman
'Ray Donovan' The Texan (2016)
Directed by: Tucker Gates
Cinematography by: Robert McLachlan
Edited by: John Axness
Special Effects Foreman
'Ray Donovan' Goodbye Beautiful (2016)
Directed by: James Whitmore Jr.
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Special Effects Foreman
'Ray Donovan' Lake Hollywood (2016)
Directed by: Stephen Williams
Cinematography by: Robert McLachlan
Edited by: Harvey Rosenstock
Special Effects Foreman
'Ray Donovan' Chinese Algebra (2016)
Directed by: John Dahl
Cinematography by: Robert McLachlan
Edited by: John Axness
Special Effects Foreman
'Ray Donovan' Rattus Rattus (2016)
Directed by: David Hollander
Edited by: Lynne Willingham
Special Effects Technician
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Special Effects Technician - 8 Episodes, 2020
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Special Effects Technician
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Special Effects Foreman
'Ray Donovan' The Kalamazoo (2015)
Directed by: Colin Bucksey
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis
Special Effects Foreman
'Ray Donovan' Ding (2015)
Directed by: Ed Bianchi
Cinematography by: Robert McLachlan
Edited by: Tanya M. Swerling
Special Effects Foreman
'Ray Donovan' Come and Knock on Our Door (2015)
Directed by: Daniel Attias
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Special Effects Foreman
'Ray Donovan' Breakfast of Champions (2015)
Directed by: Lesli Linka Glatter
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis
Special Effects Foreman
'Ray Donovan' Handshake Deal (2015)
Directed by: Colin Bucksey
Cinematography by: Robert McLachlan
Edited by: Tanya M. Swerling
Special Effects Foreman
'Ray Donovan' Swing Vote (2015)
Directed by: John Dahl
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Special Effects Foreman
'Ray Donovan' All Must Be Loved (2015)
Directed by: Tucker Gates
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis
Special Effects Foreman
'Ray Donovan' Tulip (2015)
Directed by: Michael Uppendahl
Cinematography by: Robert McLachlan
Edited by: Tanya M. Swerling
Special Effects Foreman
'Ray Donovan' The Octopus (2015)
Directed by: Colin Bucksey
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Special Effects Foreman
'Ray Donovan' One Night in Yerevan (2015)
Directed by: Daniel Attias
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis
Special Effects Foreman
'Ray Donovan' Poker (2015)
Directed by: Colin Bucksey
Cinematography by: Robert McLachlan
Edited by: Tanya M. Swerling
Special Effects Foreman
'Ray Donovan' Exsuscito (2015)
Directed by: David Hollander
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Special Effects Technician
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Special Effects Technician
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Special Effects Technician
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Special Effects Technician
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Special Effects Foreman - 24 Episodes, 2015-2016
Ray Donovan (2013)
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Technician
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Technician
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Technician
'True Blood' I Wish I Was the Moon (2011)
Directed by: Jeremy Podeswa
Cinematography by: David Klein
Edited by: Louise Innes
Puppeteer #4
'True Blood' Me and the Devil (2011)
Directed by: Daniel Minahan
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Special Effects Technician
'True Blood' If You Love Me, Why Am I Dyin'? (2011)
Directed by: David Petrarca
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Special Effects Technician
'True Blood' I'm Alive and on Fire (2011)
Directed by: Michael Lehmann
Cinematography by: David Klein
Special Effects Technician
You Again (2010)
Directed by: Andy Fickman
Cinematography by: David Hennings
Special Effects
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Special Effects Foreman
'CSI: Crime Scene Investigation' Hog Heaven (2009)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' All In (2009)
Directed by: Paris Barclay
Cinematography by: Nelson Cragg
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' The Gone Dead Train (2009)
Directed by: Alec Smight
Cinematography by: Nelson Cragg
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' If I Had a Hammer... (2009)
Directed by: Brad Tanenbaum
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' A Space Oddity (2009)
Directed by: Michael Nankin
Cinematography by: Nelson Cragg
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Mascara (2009)
Directed by: William Friedkin
Cinematography by: Nelson Cragg
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' The Descent of Man (2009)
Directed by: Christopher Leitch
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' No Way Out (2009)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Turn, Turn, Turn (2009)
Directed by: Richard J. Lewis
Cinematography by: Nelson Cragg
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' Kill Me if You Can (2009)
Directed by: Nathan Hope
Cinematography by: Christian Sebaldt
Special Effects Foreman
'CSI: Crime Scene Investigation' Miscarriage of Justice (2009)
Directed by: Louis Shaw Milito
Cinematography by: Nelson Cragg
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Deep Fried and Minty Fresh (2009)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' Disarmed and Dangerous (2009)
Directed by: Kenneth Fink
Cinematography by: Nelson Cragg
Special Effects Foreman
'CSI: Crime Scene Investigation' One to Go (2009)
Directed by: Alec Smight
Cinematography by: Nelson Cragg
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' The Grave Shift (2009)
Directed by: Richard J. Lewis
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Special Effects Foreman
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Special Effects
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Puppeteer #4, Special Effects Technician - 3 Episodes, 2011
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Special Effects Foreman
'CSI: Crime Scene Investigation' 19 Down (2008)
Directed by: Kenneth Fink
Cinematography by: Christian Sebaldt
Special Effects Foreman
'CSI: Crime Scene Investigation' Say Uncle (2008)
Directed by: Richard J. Lewis
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Leave Out All the Rest (2008)
Directed by: Kenneth Fink
Cinematography by: Nelson Cragg
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Let It Bleed (2008)
Directed by: Brad Tanenbaum
Cinematography by: Nelson Cragg
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Art Imitates Life (2008)
Directed by: Kenneth Fink
Cinematography by: James L. Carter
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' The Happy Place (2008)
Directed by: Nathan Hope
Cinematography by: Nelson Cragg
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' For Warrick (2008)
Directed by: Richard J. Lewis
Cinematography by: James L. Carter
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' For Gedda (2008)
Directed by: Kenneth Fink
Cinematography by: Nelson Cragg
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' The Theory of Everything (2008)
Directed by: Christopher Leitch
Cinematography by: Nelson Cragg
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' Bull (2008)
Directed by: Richard J. Lewis
Cinematography by: Nelson Cragg
Edited by: John Ganem
Special Effects Foreman
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Special Effects Foreman
'CSI: Crime Scene Investigation' You Kill Me (2007)
Directed by: Paris Barclay
Cinematography by: Nathan Hope
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Cockroaches (2007)
Directed by: William Friedkin
Cinematography by: James L. Carter
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Lying Down with Dogs (2007)
Directed by: Michael Slovis
Cinematography by: James L. Carter
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Goodbye and Good Luck (2007)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Who and What (2007)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' The Chick Chop Flick Shop (2007)
Directed by: Richard J. Lewis
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' The Case of the Cross-Dressing Carp (2007)
Directed by: Alec Smight
Cinematography by: James L. Carter
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' A La Cart (2007)
Directed by: Richard J. Lewis
Cinematography by: James L. Carter
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Go to Hell (2007)
Directed by: Jeffrey G. Hunt
Cinematography by: Nathan Hope
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Living Doll (2007)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Special Effects Foreman
'CSI: Crime Scene Investigation' Dead Doll (2007)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Special Effects Foreman
'CSI: Crime Scene Investigation' The Good, the Bad and the Dominatrix (2007)
Directed by: Alec Smight
Cinematography by: James L. Carter
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Ending Happy (2007)
Directed by: Kenneth Fink
Cinematography by: James L. Carter
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' Leapin' Lizards (2007)
Directed by: Richard J. Lewis
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Lab Rats (2007)
Directed by: Brad Tanenbaum
Cinematography by: Michael Slovis
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Big Shots (2007)
Directed by: Jeff Woolnough
Cinematography by: James L. Carter
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Fallen Idols (2007)
Directed by: Christopher Leitch
Cinematography by: James L. Carter
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Empty Eyes (2007)
Directed by: Michael Slovis
Cinematography by: Nathan Hope
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Monster in the Box (2007)
Directed by: Jeffrey G. Hunt
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Law of Gravity (2007)
Directed by: Richard J. Lewis
Cinematography by: James L. Carter
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Meet Market (2007)
Directed by: Paris Barclay
Cinematography by: Michael Slovis
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Redrum (2007)
Directed by: Martha Coolidge
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Sweet Jane (2007)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Leaving Las Vegas (2007)
Directed by: Richard J. Lewis
Cinematography by: Scott Galinsky
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Loco Motives (2006)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Living Legend (2006)
Directed by: Martha Coolidge
Cinematography by: Scott Galinsky
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Happenstance (2006)
Directed by: Jean de Segonzac
Cinematography by: Michael Slovis
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Burn Out (2006)
Directed by: Alec Smight
Cinematography by: Scott Galinsky
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' Post Mortem (2006)
Directed by: Richard J. Lewis
Cinematography by: David Stockton
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Double Cross (2006)
Directed by: Michael Slovis
Cinematography by: David Stockton
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' Toe Tags (2006)
Directed by: Jeffrey G. Hunt
Cinematography by: Scott Galinsky
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Fannysmackin' (2006)
Directed by: Richard J. Lewis
Cinematography by: Scott Galinsky
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Built to Kill: Part 2 (2006)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Special Effects Foreman
'CSI: Crime Scene Investigation' Way to Go (2006)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Built to Kill: Part 1 (2006)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Bang-Bang (2006)
Directed by: Terrence O'Hara
Cinematography by: Matthew Jensen
Special Effects Foreman
'CSI: Crime Scene Investigation' Time of Your Death (2006)
Directed by: Dean White
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Rashomama (2006)
Directed by: Kenneth Fink
Cinematography by: Matthew Jensen
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Poppin' Tags (2006)
Directed by: Bryan Spicer
Cinematography by: Michael Slovis
Edited by: Randy Jon Morgan
Special Effects Foreman
'CSI: Crime Scene Investigation' Spellbound (2006)
Directed by: Jeffrey G. Hunt
Cinematography by: David Stockton
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' I Like to Watch (2006)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' The Unusual Suspect (2006)
Directed by: Alec Smight
Cinematography by: Matthew Jensen
Edited by: Barrie Wise
Special Effects Foreman
'CSI: Crime Scene Investigation' Up in Smoke (2006)
Directed by: Duane Clark
Cinematography by: Matthew Jensen
Edited by: Randy Jon Morgan
Special Effects Foreman
'CSI: Crime Scene Investigation' Killer (2006)
Cinematography by: Nathan Hope
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Pirates of the Third Reich (2006)
Directed by: Richard J. Lewis
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Kiss Kiss, Bye Bye (2006)
Directed by: Danny Cannon
Cinematography by: Michael Slovis
Edited by: Randy Jon Morgan
Special Effects Foreman
'CSI: Crime Scene Investigation' Daddy's Little Girl (2006)
Directed by: Terrence O'Hara
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Werewolves (2006)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Edited by: Augie Robles
Special Effects Foreman
'CSI: Crime Scene Investigation' A Bullet Runs Through It: Part 2 (2005)
Directed by: Kenneth Fink
Cinematography by: Robert Gantz
Edited by: Randy Jon Morgan
Special Effects Foreman
'CSI: Crime Scene Investigation' Dog Eat Dog (2005)
Directed by: Duane Clark
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Still Life (2005)
Directed by: Richard J. Lewis
Cinematography by: Robert Gantz
Special Effects Foreman
'CSI: Crime Scene Investigation' A Bullet Runs Through It: Part 1 (2005)
Directed by: Danny Cannon
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Secrets & Flies (2005)
Directed by: Terrence O'Hara
Cinematography by: Robert Gantz
Special Effects Foreman
'CSI: Crime Scene Investigation' Gum Drops (2005)
Directed by: Richard J. Lewis
Cinematography by: Michael Slovis
Edited by: Randy Jon Morgan
Special Effects Foreman
'CSI: Crime Scene Investigation' Shooting Stars (2005)
Directed by: Danny Cannon
Cinematography by: Robert Gantz
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Bite Me (2005)
Directed by: Jeffrey G. Hunt
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Room Service (2005)
Directed by: Kenneth Fink
Cinematography by: Robert Gantz
Special Effects Foreman
'CSI: Crime Scene Investigation' Bodies in Motion (2005)
Directed by: Richard J. Lewis
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Grave Danger: Part 2 (2005)
Directed by: Quentin Tarantino
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Grave Danger: Part 1 (2005)
Directed by: Quentin Tarantino
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Iced (2005)
Directed by: Richard J. Lewis
Cinematography by: David Stockton
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Weeping Willows (2005)
Directed by: Kenneth Fink
Cinematography by: David Stockton
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Committed (2005)
Directed by: Richard J. Lewis
Cinematography by: Michael Slovis
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' 4x4 (2005)
Directed by: Terrence O'Hara
Cinematography by: David Stockton
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Hollywood Brass (2005)
Directed by: Bill Eagles
Cinematography by: Eliot Rockett
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Spark of Life (2005)
Directed by: Kenneth Fink
Cinematography by: Michael Slovis
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Big Middle (2005)
Directed by: Bill Eagles
Cinematography by: Michael Slovis
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Compulsion (2005)
Directed by: Duane Clark
Cinematography by: David Stockton
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' King Baby (2005)
Directed by: Richard J. Lewis
Cinematography by: David Stockton
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Nesting Dolls (2005)
Directed by: Bill Eagles
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Unbearable (2005)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Snakes (2005)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Who Shot Sherlock? (2005)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' No Humans Involved (2004)
Directed by: Rob Bailey
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Mea Culpa (2004)
Directed by: David Grossman
Cinematography by: Nathan Hope
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Ch-Ch-Changes (2004)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Formalities (2004)
Directed by: Bill Eagles
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' What's Eating Gilbert Grissom? (2004)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Swap Meet (2004)
Directed by: Danny Cannon
Cinematography by: Nathan Hope
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Crow's Feet (2004)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Harvest (2004)
Directed by: David Grossman
Cinematography by: Nathan Hope
Edited by: Ray Daniels III
Special Effects Foreman
'CSI: Crime Scene Investigation' Down the Drain (2004)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Viva Las Vegas (2004)
Directed by: Danny Cannon
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' No More Bets (2004)
Directed by: Richard J. Lewis
Cinematography by: Nathan Hope
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Bloodlines (2004)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Dead Ringer (2004)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Turn of the Screws (2004)
Directed by: Deran Sarafian
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Bad Words (2004)
Directed by: Rob Bailey
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' XX (2004)
Directed by: Deran Sarafian
Cinematography by: Frank Byers
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Bad to the Bone (2004)
Directed by: David Grossman
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Getting Off (2004)
Directed by: Kenneth Fink
Cinematography by: Nathan Hope
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Early Rollout (2004)
Directed by: Duane Clark
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Paper or Plastic? (2004)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Suckers (2004)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Butterflied (2004)
Directed by: Richard J. Lewis
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Eleven Angry Jurors (2004)
Directed by: Matt Earl Beesley
Cinematography by: Frank Byers
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Fur and Loathing (2003)
Directed by: Richard J. Lewis
Cinematography by: Nathan Hope
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Coming of Rage (2003)
Directed by: Nelson McCormick
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' After the Show (2003)
Directed by: Kenneth Fink
Cinematography by: Michael Barrett
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Grissom Versus the Volcano (2003)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Invisible Evidence (2003)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Jackpot (2003)
Directed by: Danny Cannon
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Feeling the Heat (2003)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Homebodies (2003)
Directed by: Kenneth Fink
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' All for Our Country (2003)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Play with Fire (2003)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Inside the Box (2003)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Assume Nothing (2003)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Forever (2003)
Directed by: David Grossman
Cinematography by: Michael Barrett
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Last Laugh (2003)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' A Night at the Movies (2003)
Directed by: Matt Earl Beesley
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Precious Metal (2003)
Directed by: Deran Sarafian
Cinematography by: Frank Byers
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Crash and Burn (2003)
Directed by: Richard J. Lewis
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Lucky Strike (2003)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Lady Heather's Box (2003)
Directed by: Richard J. Lewis
Cinematography by: Michael Barrett
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' One Hit Wonder (2003)
Directed by: Félix Enríquez Alcalá
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Random Acts of Violence (2003)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Got Murder? (2003)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Recipe for Murder (2003)
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Technician
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Special Effects Supervisor
'CSI: Crime Scene Investigation' High and Low (2002)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Snuff (2002)
Directed by: Kenneth Fink
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Blood Lust (2002)
Directed by: Charles Correll
Cinematography by: Michael Barrett
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' Fight Night (2002)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Abra Cadaver (2002)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' The Execution of Catherine Willows (2002)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' A Little Murder (2002)
Directed by: Tucker Gates
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Let the Seller Beware (2002)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: Tom McQuade
Special Effects Foreman
'CSI: Crime Scene Investigation' The Accused Is Entitled (2002)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Revenge Is Best Served Cold (2002)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' The Hunger Artist (2002)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Cross-Jurisdictions (2002)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Anatomy of a Lye (2002)
Directed by: Kenneth Fink
Cinematography by: Gary B. Kibbe
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Cats in the Cradle... (2002)
Directed by: Richard J. Lewis
Cinematography by: Frank Byers
Edited by: J. Benjamin Chulay
Special Effects Foreman
'CSI: Crime Scene Investigation' Stalker (2002)
Directed by: Peter Markle
Cinematography by: Frank Byers
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Chasing the Bus (2002)
Directed by: Richard J. Lewis
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Felonious Monk (2002)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: J. Benjamin Chulay
Special Effects Foreman
'CSI: Crime Scene Investigation' Primum Non Nocere (2002)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Burden of Proof (2002)
Directed by: Kenneth Fink
Cinematography by: Frank Byers
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' The Finger (2002)
Directed by: Richard J. Lewis
Cinematography by: Michael Barrett
Edited by: J. Benjamin Chulay
Special Effects Foreman
'CSI: Crime Scene Investigation' Identity Crisis (2002)
Directed by: Kenneth Fink
Cinematography by: Jonathan West
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' You've Got Male (2001)
Directed by: Charles Correll
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Ellie (2001)
Directed by: Charles Correll
Cinematography by: Michael Barrett
Edited by: J. Benjamin Chulay
Special Effects Foreman
'CSI: Crime Scene Investigation' Organ Grinder (2001)
Directed by: Allison Liddi-Brown
Cinematography by: Jonathan West
Edited by: J. Benjamin Chulay
Special Effects Foreman
'CSI: Crime Scene Investigation' And Then There Were None (2001)
Directed by: John Patterson
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Slaves of Las Vegas (2001)
Directed by: Peter Markle
Cinematography by: Jonathan West
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Caged (2001)
Directed by: Richard J. Lewis
Cinematography by: Jonathan West
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Alter Boys (2001)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Bully for You (2001)
Directed by: Thomas J. Wright
Cinematography by: Jonathan West
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Scuba Doobie-Doo (2001)
Directed by: Jefery Levy
Cinematography by: Jonathan West
Edited by: John Ganem
Special Effects Foreman
'CSI: Crime Scene Investigation' Overload (2001)
Directed by: Richard J. Lewis
Cinematography by: Jonathan West
Edited by: J. Benjamin Chulay
Special Effects Foreman
'CSI: Crime Scene Investigation' Chaos Theory (2001)
Directed by: Kenneth Fink
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' The Strip Strangler (2001)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Burked (2001)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: J. Benjamin Chulay
Special Effects Foreman
'CSI: Crime Scene Investigation' Evaluation Day (2001)
Directed by: Kenneth Fink
Cinematography by: Jonathan West
Edited by: Lou Angelo
Special Effects Foreman
'CSI: Crime Scene Investigation' Justice Is Served (2001)
Directed by: Thomas J. Wright
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Sounds of Silence (2001)
Directed by: Peter Markle
Cinematography by: Jonathan West
Edited by: Lou Angelo
Special Effects Foreman
'CSI: Crime Scene Investigation' Gentle, Gentle (2001)
Directed by: Danny Cannon
Cinematography by: Michael Barrett
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' $35K O.B.O. (2001)
Directed by: Roy H. Wagner
Cinematography by: Jonathan West
Edited by: Augie Hess
Special Effects Foreman
'CSI: Crime Scene Investigation' Face Lift (2001)
Directed by: Lou Antonio
Cinematography by: Jonathan West
Edited by: Lou Angelo
Special Effects Foreman
'CSI: Crime Scene Investigation' Too Tough to Die (2001)
Directed by: Richard J. Lewis
Cinematography by: Roy H. Wagner
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Table Stakes (2001)
Directed by: Danny Cannon
Cinematography by: Jonathan West
Edited by: Augie Hess
Special Effects Foreman
'CSI: Crime Scene Investigation' To Halve and to Hold (2001)
Directed by: Lou Antonio
Cinematography by: Roy H. Wagner
Edited by: Lou Angelo
Special Effects Foreman
'CSI: Crime Scene Investigation' Boom (2001)
Directed by: Kenneth Fink
Cinematography by: Jonathan West
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Fahrenheit 932 (2001)
Directed by: Danny Cannon
Cinematography by: Jonathan West
Edited by: Augie Hess
Special Effects Foreman
'CSI: Crime Scene Investigation' I-15 Murders (2001)
Directed by: Oz Scott
Cinematography by: Roy H. Wagner
Edited by: Augie Hess
Special Effects Assistant
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Special Effects Assistant
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Special Effects Foreman / Special Effects Supervisor - 180 Episodes, 2000-2009, Special Effects Foreman / Special Effects Supervisor - 199 Episodes, 2000-2009
CSI: Crime Scene Investigation (2000)
Directed by: Kenneth Fink, Richard J. Lewis, Alec Smight, Danny Cannon, Brad Tanenbaum, Jeffrey G. Hunt, Louis Shaw Milito, Frank Waldeck, Philip Conserva, Martha Coolidge, David Grossman, Duane Clark, Bill Eagles, Terrence O'Hara, Paris Barclay, Michael Nankin, Eagle Egilsson, Lou Antonio, Thomas J. Wright, Charles Correll, Peter Markle, Deran Sarafian, Michael Slovis, Christopher Leitch, Karen Gaviola, Matt Earl Beesley, Rob Bailey, Quentin Tarantino, William Friedkin, Nathan Hope, Paul McCrane, Michael Shapiro, Michael W. Watkins, Jefery Levy, Allison Liddi-Brown, John Patterson, Oz Scott, Roy H. Wagner, Tucker Gates, Félix Enríquez Alcalá, Nelson McCormick, J. Miller Tobin, Andrew Baron, Jean de Segonzac, Bryan Spicer, Dean White, Jeff Woolnough, Andrew Bernstein, Naren Shankar, Charles Haid, Steven Felder, David Semel, Kevin Bray, Timothy Beavers, Alrick Riley, Claudia Yarmy
Cinematography by: Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona
Edited by: John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt
Special Effects Foreman
'CSI: Crime Scene Investigation' Unfriendly Skies (2000)
Directed by: Michael Shapiro
Cinematography by: Jonathan West
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Sex, Lies and Larvae (2000)
Directed by: Thomas J. Wright
Cinematography by: Roy H. Wagner
Edited by: Lou Angelo
Special Effects Foreman
'CSI: Crime Scene Investigation' Pledging Mr. Johnson (2000)
Directed by: Richard J. Lewis
Cinematography by: Roy H. Wagner
Special Effects Foreman
'CSI: Crime Scene Investigation' Friends & Lovers (2000)
Directed by: Lou Antonio
Cinematography by: Jonathan West
Edited by: Augie Hess
Special Effects Foreman
'CSI: Crime Scene Investigation' Who Are You? (2000)
Directed by: Danny Cannon
Cinematography by: Roy H. Wagner
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Blood Drops (2000)
Directed by: Kenneth Fink
Cinematography by: Jonathan West
Edited by: Lou Angelo
Special Effects Foreman
'CSI: Crime Scene Investigation' Anonymous (2000)
Directed by: Danny Cannon
Cinematography by: Roy H. Wagner
Edited by: Augie Hess
Special Effects Foreman
'CSI: Crime Scene Investigation' Crate 'n' Burial (2000)
Directed by: Danny Cannon
Cinematography by: Roy H. Wagner
Edited by: Alec Smight
Special Effects Foreman
'CSI: Crime Scene Investigation' Cool Change (2000)
Directed by: Michael W. Watkins
Cinematography by: Roy H. Wagner
Edited by: Alec Smight
Technician
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Special Effects Technician
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Special Effects Technician
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Special Effects Technician
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Special Effects Foreman
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Special Effects Foreman
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Special Effects Technician
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Carpenter
Falling Down (1993)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Special Effects Technician
Coneheads (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Carpenter
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Welder
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Welder
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Welder
Arachnophobia (1990)
Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Welder
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Welder
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Welder Foreman
Three Fugitives (1989)
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Welder
Lock Up (1989)
Directed by: John Flynn
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Welder
Big Business (1988)
Directed by: Jim Abrahams
Cinematography by: Dean Cundey
Edited by: Harry Keramidas
Welder
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Welder
Something Wicked This Way Comes (1983)
Directed by: Jack Clayton
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Welder
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Welder
The Seduction (1982)
Directed by: David Schmoeller
Cinematography by: Mac Ahlberg
Edited by: Anthony DiMarco
