Chris Dawson

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The Nun | ShotOnWhat?

Digital Compositor

The Nun (2018)

Directed by: Corin Hardy

Cinematography by: Maxime Alexandre

Edited by: Michel Aller, Ken Blackwell

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Logan | ShotOnWhat?

Digital Compositor

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Wonder Woman | ShotOnWhat?

Digital Compositor

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Blade Runner 2049 | ShotOnWhat?

Digital Compositor

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

The SpongeBob Movie: Sponge Out of Water | ShotOnWhat?

Compositor: In House

The SpongeBob Movie: Sponge Out of Water (2015)

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

I Am Number Four | ShotOnWhat?

Digital Compositor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Green Lantern | ShotOnWhat?

Stereo Compositor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Green Hornet | ShotOnWhat?

VFX Plate Supervisor: 2nd Unit

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Alice in Wonderland | ShotOnWhat?

Digital Compositor

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Stereo Compositor

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

You Again | ShotOnWhat?

Digital Compositor

You Again (2010)

Directed by: Andy Fickman

Cinematography by: David Hennings

Edited by: Keith Brachmann, David Rennie

Surrogates | ShotOnWhat?

Compositor: Synthespian Studios

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

All About Steve | ShotOnWhat?

Animator: Flash Film Works

All About Steve (2009)

Directed by: Phil Traill

Cinematography by: Tim Suhrstedt

Edited by: Rod Dean, Virginia Katz

Cameras: Panavision Cameras

Defiance | ShotOnWhat?

Cg Animator: Flash Film Works

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Rush Hour 3 | ShotOnWhat?

Encoding Crane Operator: Motion Control Unit

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Invisible | ShotOnWhat?

Motion Control Camera Operator

The Invisible (2007)

Directed by: David S. Goyer

Cinematography by: Gabriel Beristain

Edited by: Conrad Smart

Pirates of the Caribbean: At World's End | ShotOnWhat?

Miniatures Motion Control Camera Operator

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Poseidon | ShotOnWhat?

Miniatures Motion Control Camera Operator

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Night at the Museum | ShotOnWhat?

Miniatures Motion Control Camera Operator / Motion Control: Cinema Production Services

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

The Lake House | ShotOnWhat?

Data Wrangler

The Lake House (2006)

Directed by: Alejandro Agresti

Cinematography by: Alar Kivilo

Edited by: Alejandro Brodersohn, Lynzee Klingman

Wristcutters: A Love Story | ShotOnWhat?

Visual Effects Supervisor: Max Ink Cafe

Wristcutters: A Love Story (2006)

Directed by: Goran Dukic

Cinematography by: Vanja Cernjul

Edited by: Jonathan Alberts

Flightplan | ShotOnWhat?

Motion Control Operator

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

The Dukes of Hazzard | ShotOnWhat?

Digital Compositor

The Dukes of Hazzard (2005)

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

House of Wax | ShotOnWhat?

Motion Control Operator

House of Wax (2005)

Directed by: Jaume Collet-Serra

Cinematography by: Stephen F. Windon

Edited by: Joel Negron

2 Fast 2 Furious | ShotOnWhat?

Motion Control Camera Operator

2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Looney Tunes: Back in Action | ShotOnWhat?

Digital Effects Artist

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Intolerable Cruelty | ShotOnWhat?

Motion Control Camera Operator

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

xXx | ShotOnWhat?

Visual Effects Video Assistant

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Star Trek: Nemesis | ShotOnWhat?

Motion Control And Digital Integration

Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Solaris | ShotOnWhat?

Motion Control Camera Operator

Solaris (2002)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Point of Origin | ShotOnWhat?

Motion Control Camera Operator

Point of Origin (2002)

Television Movie

Directed by: Newton Thomas Sigel

Cinematography by: Anthony G. Nakonechnyj

Edited by: Cindy Mollo

Men in Black II | ShotOnWhat?

Matchmover/digital Integration

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Clockstoppers | ShotOnWhat?

Motion Control Camera Operator

Clockstoppers (2002)

Directed by: Jonathan Frakes

Cinematography by: Tim Suhrstedt

Edited by: Peter E. Berger, Jeff Canavan

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Time Machine | ShotOnWhat?

Motion Control Operator: Digital Domain

The Time Machine (2002)

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Fast and the Furious | ShotOnWhat?

Motion Control Camera Operator

The Fast and the Furious (2001)

Directed by: Rob Cohen

Cinematography by: Ericson Core

Edited by: Peter Honess

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Dr. Dolittle 2 | ShotOnWhat?

Motion Control Camera Operator

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Battlefield Earth | ShotOnWhat?

Miniatures Motion Control Camera Operator

Battlefield Earth (2000)

Directed by: Roger Christian

Cinematography by: Giles Nuttgens

Edited by: Robin Russell

Mission: Impossible II | ShotOnWhat?

Encoding

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Dude, Where's My Car? | ShotOnWhat?

Motion Control Camera Operator

Dude, Where's My Car? (2000)

Directed by: Danny Leiner

Cinematography by: Robert M. Stevens

Edited by: Kimberly Ray

Dinosaur | ShotOnWhat?

Motion Control Camera Operator

Dinosaur (2000)

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

The Patriot | ShotOnWhat?

Motion Control/encoding

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Charlie's Angels | ShotOnWhat?

Motion Control

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Mystery Men | ShotOnWhat?

Motion Control Supervisor

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Stereo Compositor

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Armageddon | ShotOnWhat?

Motion Control Operator: Visual Effects Shoot Crew

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Star Trek: Insurrection | ShotOnWhat?

Effects Camera Assistant

Star Trek: Insurrection (1998)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses

Jack Frost | ShotOnWhat?

Motion Control Camera Operator: Model Unit

Jack Frost (1998)

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

Dante's Peak | ShotOnWhat?

Lead Motion Control Operator: Digital Domain

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Titanic | ShotOnWhat?

Motion Control Camera Operator

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Chain Reaction | ShotOnWhat?

Motion Control Camera Operator

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Apollo 13 | ShotOnWhat?

Animation Rephotography: Digital Domain

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Strange Days | ShotOnWhat?

Motion Control Camera Operator

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

Silent Fall | ShotOnWhat?

Composite Camera Operator

Silent Fall (1994)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Ian Crafford

Jimmy Hollywood | ShotOnWhat?

Himself, Plate Camera Assistant

Jimmy Hollywood (1994)

Directed by: Barry Levinson

Cinematography by: Peter Sova

Edited by: Jay Rabinowitz

Best of the Best II | ShotOnWhat?

Visual Effects Camera Assistant

Best of the Best II (1993)

Directed by: Robert Radler

Cinematography by: Fred Tammes

Edited by: Bert Lovitt, Florent Retz

Fearless | ShotOnWhat?

Visual Effects Camera Operator

Fearless (1993)

Directed by: Peter Weir

Cinematography by: Allen Daviau

Edited by: William M. Anderson, Armen Minasian, Lee Smith

The Fugitive | ShotOnWhat?

Cameraman

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

Out on a Limb | ShotOnWhat?

Visual Effects Editorial

Out on a Limb (1992)

Directed by: Francis Veber

Cinematography by: Donald E. Thorin

Edited by: Barry Dresner, Glenn Farr

Cameras: Panavision Cameras

Under Siege | ShotOnWhat?

Composite Camera Operator/visual Effects Editorial: Introvision

Under Siege (1992)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Robert A. Ferretti, Dov Hoenig, Dennis Virkler

Cameras: Panavision Cameras

Army of Darkness | ShotOnWhat?

Motion Control Camera Operator / Visual Effects Editorial

Army of Darkness (1992)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski, Sam Raimi

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