First Assistant Camera: Uk
F9 (2021)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Vista Cinema Prime Lenses
First Assistant Camera: Splinter Unit
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
First Assistant Camera: Second Unit
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
First Assistant Camera: Second Unit & Additional Photography
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
First Assistant Camera
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
First Assistant Camera
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
First Assistant Camera
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
First Assistant Camera
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
First Assistant Camera: Additional Photography
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
First Assistant Camera
The Awakening (2011)
Directed by: Nick Murphy
Cinematography by: Eduard Grau
Edited by: Victoria Boydell
Editing System: Avid Editing System
Clapper Loader: "c" Camera
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
First Assistant Camera: Additional
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Visual Effects: Element Photography Unit, One Of Us
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
First Assistant Camera: Vista Vision
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
First Assistant Camera: Second Unit
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Focus Puller: "b" Camera
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
First Assistant Camera: Dailies
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Digital Imaging Technician: Second Unit/action Unit / First Assistant Camera: Splinter Unit
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
First Assistant Camera: Second Unit
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
First Assistant Camera: Underwater Unit
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
First Assistant Camera: VFX Unit
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
First Assistant Camera: "c" Camera
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
First Assistant Camera
U Be Dead (2009)
Directed by: Jamie Payne
Cinematography by: Mike Southon
Edited by: Eddie Hamilton
Cameras: ARRIFLEX D-21 Camera
First Assistant Camera: "a" Camera: Uk
Princess Kaiulani (2009)
Directed by: Marc Forby
Cinematography by: Gabriel Beristain
Edited by: Beverley Mills
Camera Operator: Model Unit
Moon (2009)
Directed by: Duncan Jones
Cinematography by: Gary Shaw
Edited by: Nicolas Gaster
First Assistant Camera: Second Unit
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
First Assistant Camera
Dean Spanley (2008)
Directed by: Toa Fraser
Cinematography by: Leon Narbey
Edited by: Chris Plummer
First Assistant Camera: Second Unit
'The Color of Magic' Part 1: The Colour of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
First Assistant Camera: Second Unit - 2 Episodes, 2008
The Color of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Cameras: ARRIFLEX D-21 Camera
Focus Puller
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
First Assistant Camera: "a" Camera
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
First Assistant Camera: Second Unit
'The Color of Magic' Part 2: The Light Fantastic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
First Assistant Camera: "a" Camera
When Did You Last See Your Father? (2007)
Directed by: Anand Tucker
Cinematography by: Howard Atherton
Edited by: Trevor Waite
Lenses: Hawk V-Series Lenses
First Assistant Camera
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
First Assistant Camera: Second Unit
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
First Assistant Camera: Vfx Unit
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
First Assistant Camera: "a" Camera, Miniatures Unit
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
First Assistant Camera: "a" Camera, Miniatures Unit
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Focus Puller: Second Unit
Ladies in Lavender (2004)
Directed by: Charles Dance
Cinematography by: Peter Biziou
Edited by: Michael Parker
First Assistant Camera: "a" Camera
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
First Assistant Camera: Vfx Unit
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
First Assistant Camera: UK
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Focus Puller: Second Unit
The House of Mirth (2000)
Directed by: Terence Davies
Cinematography by: Remi Adefarasin
Edited by: Michael Parker
Focus Puller: "b" Camera, Magic Camera Company Model Unit
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Focus Puller: Model Unit, Operator: Libra III
The Borrowers (1997)
Directed by: Peter Hewitt
Edited by: David Freeman
Focus Puller: Model Unit
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Focus Puller: Sfx Unit
Bitter Moon (1992)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
