24 Frame Playback Supervisor
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Playback Supervisor
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Playback Supervisor
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Playback Supervisor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Computer Playback Supervisor, Playback Supervisor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Computer Playback Supervisor
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Computer Imaging Supervisor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Computer Playback Supervisor
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Computer Playback Supervisor
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Video Playback Technician
Haywire (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Computer Playback Supervisor, Computer/video Playback Supervisor
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Data Wrangler
'Boardwalk Empire' 21 (2011)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Data Wrangler
'Boardwalk Empire' Ourselves Alone (2011)
Directed by: David Petrarca
Cinematography by: David Franco
Edited by: Tim Streeto
Data Wrangler
'Boardwalk Empire' A Dangerous Maid (2011)
Directed by: Susanna White
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Data Wrangler
'Boardwalk Empire' What Does the Bee Do? (2011)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Tim Streeto
24 Frame Video Playback, Computer Playback Supervisor
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Data Wrangler - 4 Episodes, 2011
Boardwalk Empire (2010)
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Computer/ Video Supervisor
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Computer/video Playback Supervisor
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Video Effects Producer
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Video Playback Supervisor
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Video Playback Operator
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Studio Camera Operator / Video Playback Supervisor
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Computer/video Supervisor
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Computer/video Supervisor
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Computer Playback Supervisor, Video Effects Supervisor: ILM
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Camera Operator: HDTV Camera , Computer/video Playback Supervisor
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Video Effects Consultant
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Computer Playback Supervisor
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Supervisor: Computer And Video Playback
The Adventures of Rocky & Bullwinkle (2000)
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Director-2nd Team, Video Effects Supervisor
Edtv (1999)
Directed by: Ron Howard
Cinematography by: John Schwartzman
24 Frame Computer Engineer
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Computer Playback Supervisor
RocketMan (1997)
Directed by: Stuart Gillard
Cinematography by: Steven Poster
Edited by: William D. Gordean
Computer Guy
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Camera Loader
The Opposite Sex and How to Live with Them (1992)
Directed by: Matthew Meshekoff
Cinematography by: Jacek Laskus
Edited by: Adam Weiss
Second Assistant Camera
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
Assistant Camera
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Third Assistant Camera
The Grifters (1990)
Directed by: Stephen Frears
Cinematography by: Oliver Stapleton
Edited by: Mick Audsley
Cameras: Panavision Cameras
Fishmonger #3, Production Assistant
The Magic Snowman (1987)
Cinematography by: Karpo Acimovic-Godina
Edited by: Vuksan Lukovac
