Score Recording Engineer
Society of the Snow (2023)
Directed by: J.A. Bayona
Cinematography by: Pedro Luque
Score Recorded And Mixed By
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
Score Recorded And Mixed By
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Music Recorded And Mixed By
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Score Editor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Score Mixed By
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Score Editor / Score Mixer
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Score Music Editor
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Music Mixed By
All I See Is You (2016)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Hughes Winborne
Cameras: ARRI ALEXA XT Camera
Additional Score Editing
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Additional Music Editing , Score Mixer
The Danish Girl (2015)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Score Editor
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Music Editor
The Imitation Game (2014)
Directed by: Morten Tyldum
Cinematography by: Oscar Faura
Edited by: William Goldenberg
Lenses: Zeiss Master Prime Lenses
Score Editor / Score Mixer
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Additional Score Editing And Mixing
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Score Editor
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Additional Music Editorial
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Score Editor
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Music Editor
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Music Mixer
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Score Editor
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Score Mixer: Score Editor
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Music Editor: UK
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Score Editor
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Score Editor
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Score Producer / Supervising Music Editor
Angels Crest (2011)
Directed by: Gaby Dellal
Cinematography by: David Johnson
Music Editor
There Be Dragons (2011)
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Score Editor
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Music Editor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Music Editor
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Choir Editor
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Music Editor
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Editor
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Score Editor
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Score Editor
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Score Editor
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Score Editor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Score Editing
Coco Before Chanel (2009)
Directed by: Anne Fontaine
Cinematography by: Christophe Beaucarne
Edited by: Luc Barnier
Synthesizer Programmer
Le hérisson (2009)
Directed by: Mona Achache
Cinematography by: Patrick Blossier
Edited by: Julia Gregory
Score Producer, Score Programmer
Amelia (2009)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Music Editor
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Musician: Solo Cello
Adam Resurrected (2008)
Directed by: Paul Schrader
Cinematography by: Sebastian Edschmid
Edited by: Sandy Saffeels
Assistant To Composer
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Music Arranger / Music Editor / Synthesizer Programmer
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Music Editor
Virgin Territory (2007)
Directed by: David Leland
Cinematography by: Ben Davis
Edited by: Jim Clark
Music Editor
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Music Editor
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Music Editor: Gabriel Yared's Music
Shall We Dance (2004)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Music Editor
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Music Recorded And Mixed By
Merci Docteur Rey (2002)
Directed by: Andrew Litvack
Cinematography by: Laurent Machuel
Edited by: Giles Gardner
Music Programmer
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Score Recordist / Score Mixing
The Golden Bowl (2000)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: John David Allen
Synthesizer Programming And Realization
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Music Programmer
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Synth Programmer / Synthesizer Programmer, Synthesizer Programmer
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Synthesizer Programmer
B. Monkey (1998)
Directed by: Michael Radford
Cinematography by: Ashley Rowe
Edited by: Joëlle Hache
Score Recording Engineer / Score Mixer
A Soldier's Daughter Never Cries (1998)
Directed by: James Ivory
Cinematography by: Jean-Marc Fabre
Edited by: Noëlle Boisson
Cameras: Panavision Panaflex Platinum Camera
Synthesizer Programmer
G.I. Jane (1997)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Synthesizer Programmer
Roseanna's Grave (1997)
Directed by: Paul Weiland
Cinematography by: Henry Braham
Edited by: Martin Walsh
Synthesizer Programmer
Brassed Off (1996)
Directed by: Mark Herman
Cinematography by: Andy Collins
Edited by: Michael Ellis
Orchestrator / Score Mixer / Score Recordist
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Music Mixer / Music Recordist
Richard III (1995)
Directed by: Richard Loncraine
Cinematography by: Peter Biziou
Edited by: Paul Green
Score Mixing Engineer / Synthesizer Programmer: Score
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Score Programmer
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras