Ben Parry

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Kinds of Kindness | ShotOnWhat?

Choir Director

Kinds of Kindness (2024)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Barbie | ShotOnWhat?

Choir Director

Barbie (2023)

Directed by: Greta Gerwig

Cinematography by: Rodrigo Prieto

Edited by: Nick Houy

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Lenses, Panavision System 65 Lenses

Society of the Snow | ShotOnWhat?

Choir Director

Society of the Snow (2023)

Directed by: J.A. Bayona

Cinematography by: Pedro Luque

Edited by: Andrés Gil, Jaume Martí

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Maestro | ShotOnWhat?

Vocal Contactor

Maestro (2023)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Michelle Tesoro

Cameras: Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision PVintage Prime Lenses

The Creator | ShotOnWhat?

Choir Director

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Choir Director

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Blonde | ShotOnWhat?

Choir Director

Blonde (2022)

Directed by: Andrew Dominik

Cinematography by: Chayse Irvin

Edited by: Adam Robinson

Cameras: ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Elvis | ShotOnWhat?

Choir Director

Elvis (2022)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Puss in Boots: The Last Wish | ShotOnWhat?

Choir Director

Puss in Boots: The Last Wish (2022)

Directed by: Joel Crawford, Januel Mercado

Cinematography by: Chris Stover

Edited by: James Ryan

Guillermo del Toro's Pinocchio | ShotOnWhat?

Choirmaster

Guillermo del Toro's Pinocchio (2022)

Movie

Directed by: Guillermo del Toro, Mark Gustafson

Cinematography by: Frank Passingham

Edited by: Holly Klein, Ken Schretzmann

Cameras: Canon EOS-1D Mark IV Camera

No Time to Die | ShotOnWhat?

Wonder Woman 1984 | ShotOnWhat?

Choir Director

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Ad Astra | ShotOnWhat?

Choir Director

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Avengers: Endgame | ShotOnWhat?

Choir Director

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Mary Queen of Scots | ShotOnWhat?

Choir Director

Mary Queen of Scots (2018)

Directed by: Josie Rourke

Cinematography by: John Mathieson

Edited by: Chris Dickens

Cameras: Panavision Millennium DXL Camera, Red Epic Helium Camera

Isle of Dogs | ShotOnWhat?

Choir Director

Isle of Dogs (2018)

Directed by: Wes Anderson

Cinematography by: Tristan Oliver

Edited by: Edward Bursch, Ralph Foster, Andrew Weisblum

Cameras: Canon EOS-1DX Camera

Avengers: Infinity War | ShotOnWhat?

Choir Director

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Wonder Woman | ShotOnWhat?

Choir Master

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Roman J. Israel, Esq. | ShotOnWhat?

Choir Director

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Thor: Ragnarok | ShotOnWhat?

Choir Director

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

A Cure for Wellness | ShotOnWhat?

Choir Conductor

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

All I See Is You | ShotOnWhat?

Choir Director

All I See Is You (2016)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Hughes Winborne

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision G Series Anamorphic Lenses

Hacksaw Ridge | ShotOnWhat?

Choir Master

Hacksaw Ridge (2016)

Directed by: Mel Gibson

Cinematography by: Simon Duggan

Edited by: John Gilbert

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Choir Master

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pete's Dragon | ShotOnWhat?

Choir Director

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Doctor Strange | ShotOnWhat?

Choir Director

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Legend of Tarzan | ShotOnWhat?

Choir Director

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

The Huntsman: Winter's War | ShotOnWhat?

Choir Director

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Captain America: Civil War | ShotOnWhat?

Choir Director

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Spectre | ShotOnWhat?

Co-concertmaster

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

San Andreas | ShotOnWhat?

Choir Director

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Choir Director

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Les vacances du petit Nicolas | ShotOnWhat?

Choir Director

Les vacances du petit Nicolas (2014)

Directed by: Laurent Tirard

Cinematography by: Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

The Hobbit: The Battle of the Five Armies | ShotOnWhat?

Choir Director

The Hobbit: The Battle of the Five Armies (2014)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Exodus: Gods and Kings | ShotOnWhat?

Choir Director

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Unbroken | ShotOnWhat?

Chorus Master

Unbroken (2014)

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Interstellar | ShotOnWhat?

Choir Director

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Grand Budapest Hotel | ShotOnWhat?

Chorus Master: London Voices Choir

The Grand Budapest Hotel (2014)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Choirmaster

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Maleficent | ShotOnWhat?

Choir Director

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

The Hobbit: The Desolation of Smaug | ShotOnWhat?

Choir Co-director

The Hobbit: The Desolation of Smaug (2013)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Croods | ShotOnWhat?

Choirmaster

The Croods (2013)

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

The Hunger Games: Catching Fire | ShotOnWhat?

Choir Director

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hobbit: An Unexpected Journey | ShotOnWhat?

Choir Master

The Hobbit: An Unexpected Journey (2012)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Choir Director

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Byzantium | ShotOnWhat?

Choir Director: London Voices

Byzantium (2012)

Directed by: Neil Jordan

Cinematography by: Sean Bobbitt

Edited by: Tony Lawson

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

The Hunger Games | ShotOnWhat?

Choir Co-master

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

For Greater Glory: The True Story of Cristiada | ShotOnWhat?

Choir Director

For Greater Glory: The True Story of Cristiada (2012)

Directed by: Dean Wright

Cinematography by: Eduardo Martínez Solares

Edited by: Richard Francis-Bruce, Mike Jackson

Cameras: ARRIFLEX 435 Camera

Lenses: Zeiss Lenses

A Very Harold & Kumar 3D Christmas | ShotOnWhat?

Choir Co-director

A Very Harold & Kumar 3D Christmas (2011)

Directed by: Todd Strauss-Schulson

Cinematography by: Michael Barrett

Edited by: Eric Kissack

Cameras: Panavision Genesis Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Choir Director

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Immortals | ShotOnWhat?

Choir Master

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Green Lantern | ShotOnWhat?

Choir Director

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Iron Lady | ShotOnWhat?

Choirmaster: London Voices

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Iron Man 2 | ShotOnWhat?

Choir Director

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Choir Director

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Inkheart | ShotOnWhat?

Choir Director

Inkheart (2008)

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Kung Fu Panda | ShotOnWhat?

Choir Master

Kung Fu Panda (2008)

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

The Golden Compass | ShotOnWhat?

Choir Director

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Shrek | ShotOnWhat?

Singer

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

The Peacemaker | ShotOnWhat?

Singer

The Peacemaker (1997)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

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