Dialect Coach: Ms. Blanchett
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Dialect Coach: To Mr. Fassbender
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Dialect Coach: Ms. Blanchett
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Dialect Coach: Ms. Pike
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Dialect Coach: Jessica Lange
'American Horror Story' Continuum (2013)
Directed by: Craig Zisk
Cinematography by: Michael Goi
Edited by: Fabienne Bouville
Dialect Coach - Segment "Happy Birthday"
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Dialect Coach
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Dialect Coach: Jessica Lange
'American Horror Story' The Name Game (2013)
Directed by: Michael Lehmann
Cinematography by: Michael Goi
Edited by: Stewart Schill
Dialect Coach
A Thousand Words (2012)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Dialect Coach: Adr
The Lorax (2012)
Dialogue Coach: Adr
Cosmopolis (2012)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: ARRI ALEXA Camera
Dialect Coach: Ms. Lange
'American Horror Story' The Coat Hanger (2012)
Directed by: Jeremy Podeswa
Cinematography by: Michael Goi
Edited by: Fabienne Bouville
Dialect Coach
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Dialect Coach: Jessica Lange
'American Horror Story' Unholy Night (2012)
Directed by: Michael Lehmann
Cinematography by: Michael Goi
Edited by: Adam Penn
Dialect Coach: Jessica Lange
'American Horror Story' Dark Cousin (2012)
Directed by: Michael Rymer
Cinematography by: Michael Goi
Edited by: Stewart Schill
Dialect Coach: Mr. Stiller
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Dialect Coach: Jessica Lange / Dialect Coach: Ms. Lange - 5 Episodes, 2012-2013
American Horror Story (2011)
Directed by: Bradley Buecker, Alfonso Gomez-Rejon, Michael Uppendahl, Loni Peristere, Michael Goi, Gwyneth Horder-Payton, Jennifer Lynch, Ryan Murphy, Michael Lehmann, David Semel, Howard Deutch, Jeremy Podeswa, Michael Rymer, Angela Bassett, Miguel Arteta, Tim Hunter, John Scott, Craig Zisk, Anthony Hemingway, Nelson Cragg, Marita Grabiak, Elodie Keene, Alexis Ostrander, Barbara Brown, Rachel Goldberg, Liza Johnson, Maggie Kiley, Jennifer Arnold, Sheree Folkson, Sarah Paulson
Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba
Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Lenses, Panavision Lenses
Dialect Coach
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Dialect Coach
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Dialect Consultant
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Dialect Coach
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Dialect Coach
Vacancy (2007)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Dialect Coach
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Dialect Coach
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Dialect Coach
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Dialect Coach
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Dialect Coach
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Dialect Coach
I Heart Huckabees (2004)
Directed by: David O. Russell
Cinematography by: Peter Deming
Edited by: Robert K. Lambert
Dialect Coach
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Dialogue Coach
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Dialect Coach
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialect Coach
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Dialect Coach
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Dialect Coach
Surviving Gilligan's Island: The Incredibly True Story of the Longest Three Hour Tour in History (2001)
Directed by: Paul A. Kaufman
Cinematography by: Kenneth Zunder
Edited by: Sean K. Lambert
Dialect Coach: Ms. Blanchett
Bandits (2001)
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Dialect Coach: Mr. Affleck And Mr. Hartnett
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Dialect Coach: Mr. Finney
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Dialect Coach
My Little Assassin (1999)
Directed by: Jack Bender
Cinematography by: Ronald Víctor García
Edited by: Mark Melnick
Dialect Coach: Ms. Thomas
Random Hearts (1999)
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Dialect Coach
Tumbleweeds (1999)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Edited by: John Gilroy
Dialect Coach
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Dialect Coach: Mr. Oldman
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Dialect Coach
A Thousand Acres (1997)
Directed by: Jocelyn Moorhouse
Cinematography by: Tak Fujimoto
Edited by: Maryann Brandon
Dialogue Coach
Kansas City (1996)
Directed by: Robert Altman
Cinematography by: Oliver Stapleton
Edited by: Geraldine Peroni
Dialect Consultant
The Crucible (1996)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialect Consultant
Up Close & Personal (1996)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Debra Neil-Fisher
Dialect Coach
To Die For (1995)
Directed by: Gus Van Sant
Cinematography by: Eric Alan Edwards
Edited by: Curtiss Clayton
Additional Dialect Coach
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Dialect Coach: Ms. Kidman
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Dialect Coach
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Dialect Coach
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Dialect Coach: Ada
The Piano (1993)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Dialogue Coach
A River Runs Through It (1992)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialect Coach
Dead Again (1991)
Directed by: Kenneth Branagh
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Ultracam 35 Camera
Lenses: Cooke Lenses
Dialect Coach
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Dialogue Coach
The Milagro Beanfield War (1988)
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
