Terry Madden

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Spectre | ShotOnWhat?

Assistant Director: Second Unit

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

First Assistant Director: Second Unit

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Hercules | ShotOnWhat?

First Assistant Director: Second Unit

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Edge of Tomorrow | ShotOnWhat?

First Assistant Director: Second Unit

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

First Assistant Director: Second Unit

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Skyfall | ShotOnWhat?

Assistant Director: Second Unit / Second Assistant Director

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Captain America: The First Avenger | ShotOnWhat?

First Assistant Director: Second Unit

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Your Highness | ShotOnWhat?

First Assistant Director: Second Unit

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Wolfman | ShotOnWhat?

First Assistant Director: Second Unit/action Unit

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

First Assistant Director: Action Unit

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Jumper | ShotOnWhat?

First Assistant Director: Second Unit

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Quantum of Solace | ShotOnWhat?

First Assistant Director: Second Unit

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Bourne Ultimatum | ShotOnWhat?

First Assistant Director: UK Additional Second Unit

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

X-Men: The Last Stand | ShotOnWhat?

First Assistant Director: Second Unit

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Casino Royale | ShotOnWhat?

First Assistant Director: Second Unit

Casino Royale (2006)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Sahara | ShotOnWhat?

First Assistant Director: Second Unit

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

V for Vendetta | ShotOnWhat?

First Assistant Director: Second Unit UK

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Troy | ShotOnWhat?

First Assistant Director: Second Unit

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

First Assistant Director: Second Unit

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Die Another Day | ShotOnWhat?

Assistant Director: Second Unit

Die Another Day (2002)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Andrew MacRitchie, Christian Wagner

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Lara Croft: Tomb Raider | ShotOnWhat?

First Assistant Director

Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

From Hell | ShotOnWhat?

First Assistant Director: Second Unit

From Hell (2001)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Peter Deming

Edited by: George Bowers, Dan Lebental

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Enemy at the Gates | ShotOnWhat?

Additional First Assistant Director

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

The World Is Not Enough | ShotOnWhat?

Assistant Director: Second Unit

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Entrapment | ShotOnWhat?

First Assistant Director: Second Unit

Entrapment (1999)

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Shakespeare in Love | ShotOnWhat?

First Assistant Director Second Unit

Shakespeare in Love (1998)

Directed by: John Madden

Cinematography by: Richard Greatrex

Edited by: David Gamble

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Variable Prime Lenses

Tomorrow Never Dies | ShotOnWhat?

Assistant Director: Second Unit

Tomorrow Never Dies (1997)

Directed by: Roger Spottiswoode

Cinematography by: Robert Elswit

Edited by: Michel Arcand, Dominique Fortin

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Snow White: A Tale of Terror | ShotOnWhat?

First Assistant Director

Snow White: A Tale of Terror (1997)

Directed by: Michael Cohn

Cinematography by: Mike Southon

Edited by: Ian Crafford

Smilla's Sense of Snow | ShotOnWhat?

First Assistant Director: Second Unit

Smilla's Sense of Snow (1997)

Directed by: Bille August

Cinematography by: Jörgen Persson

Edited by: Janus Billeskov Jansen

In Love and War | ShotOnWhat?

First Assistant Director: Second Unit

In Love and War (1996)

Directed by: Richard Attenborough

Cinematography by: Roger Pratt

Edited by: Lesley Walker

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

GoldenEye | ShotOnWhat?

Assistant Director: Second Unit

GoldenEye (1995)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Moviola Editing System, Steenbeck Editing System

First Knight | ShotOnWhat?

First Assistant Director: Second Unit

First Knight (1995)

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

Air America | ShotOnWhat?

Assistant Director: Second Unit

Air America (1990)

Directed by: Roger Spottiswoode

Cinematography by: Roger Deakins

Edited by: John Bloom, Lois Freeman-Fox

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

Licence to Kill | ShotOnWhat?

First Assistant Director: Second Unit

Licence to Kill (1989)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Living Daylights | ShotOnWhat?

Assistant Director: Second Unit

The Living Daylights (1987)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: Peter Davies, John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A View to a Kill | ShotOnWhat?

Additional Assistant Director

A View to a Kill (1985)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E Series Anamorphic Lenses

Champions | ShotOnWhat?

First Assistant Director: Second Unit

Champions (1984)

Directed by: John Irvin

Cinematography by: Ronnie Taylor

Edited by: Peter Honess

Cameras: Panavision Cameras

Octopussy | ShotOnWhat?

Second Assistant Director

Octopussy (1983)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies, Henry Richardson

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Five Days One Summer | ShotOnWhat?

Second Assistant Director

Five Days One Summer (1982)

Directed by: Fred Zinnemann

Cinematography by: Giuseppe Rotunno

Edited by: Stuart Baird

Cameras: Panavision Cameras

Clash of the Titans | ShotOnWhat?

Second Assistant Director

Clash of the Titans (1981)

Directed by: Desmond Davis

Cinematography by: Ted Moore

Edited by: Timothy Gee

For Your Eyes Only | ShotOnWhat?

Second Assistant Director

For Your Eyes Only (1981)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Dogs of War | ShotOnWhat?

Second Assistant Director

The Dogs of War (1980)

Directed by: John Irvin

Cinematography by: Jack Cardiff

Edited by: Antony Gibbs

Cameras: Panavision Cameras

Julia | ShotOnWhat?

Third Assistant Director

Julia (1977)

Directed by: Fred Zinnemann

Cinematography by: Douglas Slocombe

Edited by: Marcel Durham, Walter Murch

Cameras: Panavision Cameras

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Assistant Director

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

The Ritz | ShotOnWhat?

Third Assistant Director

The Ritz (1976)

Directed by: Richard Lester

Cinematography by: Paul Wilson

Edited by: John Bloom

The Hiding Place | ShotOnWhat?

Second Assistant Director

The Hiding Place (1975)

Directed by: James F. Collier

Cinematography by: Michael Reed

Edited by: Ann Chegwidden

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