Vfx Supervisor
'The Magicians' Have You Brought Me Little Cakes (2016)
Directed by: Scott Smith
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Vfx Supervisor
'The Magicians' The Source of Magic (2016)
Directed by: Scott Smith
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Vfx Supervisor
'The Magicians' Consequences of Advanced Spellcasting (2016)
Directed by: Scott Smith
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Vfx Supervisor
'The Magicians' The World in the Walls (2016)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Head Of Production , Vfx Supervisor
'The Magicians' Mendings, Major and Minor (2016)
Directed by: Bill Eagles
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Head Of Production , Vfx Supervisor
'The Magicians' Impractical Applications (2016)
Directed by: John Scott
Cinematography by: Elie Smolkin
Head Of Production , Vfx Supervisor
'The Magicians' The Mayakovsky Circumstance (2016)
Directed by: Guy Norman Bee
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Vfx Supervisor
'The Magicians' The Writing Room (2016)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Vfx Supervisor
'The Magicians' Homecoming (2016)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Vfx Supervisor
'The Magicians' Remedial Battle Magic (2016)
Directed by: Amanda Tapping
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Vfx Supervisor
'The Magicians' Thirty-Nine Graves (2016)
Directed by: Guy Norman Bee
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Vfx Supervisor
'The Magicians' The Strangled Heart (2016)
Directed by: Jan Eliasberg
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Vfx Supervisor
'The Magicians' Unauthorized Magic (2015)
Directed by: Mike Cahill
Cinematography by: Vanja Cernjul
Edited by: Sue Blainey
Vfx Supervisor / Head Of Production - 13 Episodes, 2015-2016
The Magicians (2015)
Directed by: Chris Fisher, James L. Conway, John Scott, Joshua Butler, Shannon Kohli, Scott Smith, Carol Banker, Meera Menon, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Mike Cahill, Bill Eagles, Jan Eliasberg, Amanda Tapping, Kate Woods, Elie Smolkin, Sterlin Harjo, Geeta Patel
Cinematography by: Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush
Edited by: Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras: ARRI ALEXA Mini Camera
Production Operations
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Head Of Production: Digital Domain
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Head Of Studio: Image Engine
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Head Of Production: Digital Domain
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Head Of Studio: Image Engine
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Head Of Production: Digital Domain
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Digital Production Supervisor: Image Engine
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Head Of Studio: Image Engine
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Head Of Studio: Image Engine
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Digital Production Supervisor: CIS Vancouver
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Visual Effects Production Supervisor: Rainmaker
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Head Of Digital Studio: CIS-Vancouver
Zombieland (2009)
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Head Of Digital Studio: CIS-Vancouver
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Visual Effects Production Supervisor: CIS Vancouver
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Production Supervisor: CIS Vancouver
Space Buddies (2009)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Digital Production Supervisor: Rainmaker
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Visual Effects Production Supervisor: Rainmaker
Snow Buddies (2008)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Digital Production Supervisor: CIS Vancouver
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Production Supervisor: CIS Vancouver
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Production Supervisor: Vancouver, CIS Visual Effects Group
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Visual Effects Production Supervisor
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Visual Effects: Plate Supervisor
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Visual Effects Lead: Rainmaker
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Production Supervisor: Rainmaker UK
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects Supervisor: Rainmaker
Man About Town (2006)
Directed by: Mike Binder
Cinematography by: Russ T. Alsobrook
Edited by: Roger Nygard
Production Management: Rainmaker
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Visual Effects Supervisor: Rainmaker
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Digital Effects Supervisor: Rainmaker
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Digital Compositor
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Compositor: ILM
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Digital Compositor
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Digital Compositor
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Lead Digital Artist
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Lead Technical Designer: Sony Pictures Imageworks Inc.
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Lead Compositor: Sony Pictures Imageworks Inc.
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Lead Digital Artist
The Craft (1996)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Visual Effects Computer Animator: Boss Film Studios
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Digital Animator: Boss Film Studios
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Digital Compositor
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Computer Animator: Boss Film
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Technical Director: Boss Film Corporation
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter