Score Recorded And Mixed By
Nimona (2023)
Score Mixed By
Official Secrets (2019)
Directed by: Gavin Hood
Cinematography by: Florian Hoffmeister
Edited by: Megan Gill
Cameras: Sony CineAlta VENICE Camera
Lenses: Leitz Summicron-C Series Lenses
Score Recorded And Mixed By
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Music Scoring Mixer
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Score Mixer
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Score Mixed By
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Music Scoring Mixer, Score Recorded And Mixed By
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Music Scoring Mixer / Score Recordist
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Score Mixed By
Tracers (2015)
Directed by: Daniel Benmayor
Cinematography by: Nelson Cragg
Edited by: Peter Amundson
Cameras: Red Epic Camera
Music Scoring Mixer
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Music Recorded & Mixed By
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Score Mixed By
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Score Mixed By
Cake (2014)
Directed by: Daniel Barnz
Cinematography by: Rachel Morrison
Cameras: ARRI ALEXA Plus 4:3 Camera
Music Scoring Mixer
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Music Scoring Mixer
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Music Scoring Mixer
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Music Scoring Mixer
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Music Scoring Mixer
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Score Recordist
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Score Mixer
Runner Runner (2013)
Directed by: Brad Furman
Cinematography by: Mauro Fiore
Edited by: Jeff McEvoy
Score Mixer
Big Bad Wolves (2013)
Cinematography by: Giora Bejach
Edited by: Asaf Korman
Cameras: ARRI ALEXA Camera
Music Scoring Mixer
Charlie Countryman (2013)
Directed by: Fredrik Bond
Cinematography by: Roman Vasyanov
Edited by: Hughes Winborne
Cameras: ARRI ALEXA Camera
Music Scoring Mixer
Struck by Lightning (2012)
Directed by: Brian Dannelly
Cinematography by: Bobby Bukowski
Edited by: Tia Nolan
Cameras: ARRI ALEXA Camera
Music Mixer / Music Recordist
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Score Mixer
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Music Scoring Mixer
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Music Scoring Mixer
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Music Scoring Mixer
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Music Scoring Mixer / Score Recordist
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Music Scoring Mixer / Score Recordist
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Score Mixer / Score Recordist
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Music Scoring Mixer
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Score Mixer: USA
Otelo Burning (2011)
Directed by: Sara Blecher
Cinematography by: Lance Gewer
Edited by: Megan Gill
Cameras: Red One Camera
Music Scoring Mixer
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Music Scoring Mixer
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Music Scoring Mixer / Score Recordist
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Music Scoring Mixer
Death at a Funeral (2010)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Genesis Camera
Music Scoring Mixer / Score Recordist
Date Night (2010)
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Music Scoring Mixer
The Ward (2010)
Directed by: John Carpenter
Cinematography by: Yaron Orbach
Edited by: Patrick McMahon
Cameras: Moviecam Compact MK2 Camera
Lenses: Zeiss Ultra Prime Lenses
Music Scoring Mixer
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Music Scoring Mixer
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Score Mixer / Score Recordist
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Scoring Mixer
Santa Buddies (2009)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Music Scoring Mixer
All About Steve (2009)
Directed by: Phil Traill
Cinematography by: Tim Suhrstedt
Cameras: Panavision Cameras
Music Scoring Mixer
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Music Scoring Mixer
The Greatest (2009)
Directed by: Shana Feste
Cinematography by: John Bailey
Edited by: Cara Silverman
Music Scoring Mixer
The Hangover (2009)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Music Scoring Mixer / Score Recordist
What Happens in Vegas (2008)
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Music Mixing Engineer / Music Recordist
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Music Scoring Mixer
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Music Scoring Mixer / Score Recordist
License to Wed (2007)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Score Mixer / Score Recordist
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Music Scoring Mixer / Score Recordist
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Music Scoring Mixer
Before the Rains (2007)
Directed by: Santosh Sivan
Cinematography by: Santosh Sivan
Recorded And Mixed By
An American Crime (2007)
Directed by: Tommy O'Haver
Cinematography by: Byron Shah
Edited by: Melissa Kent
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Music Scoring Mixer
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Music Scoring Mixer
Sydney White (2007)
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Music Scoring Mixer
Safe Harbour (2007)
Directed by: Bill Corcoran
Cinematography by: Curtis Petersen
Edited by: Evan Talnik
Cameras: Sony HDW-F900 Camera
Music Score Recordist / Music Scoring Mixer
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Music Engineer / Music Mixer
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Score Co-producer , Score Mixer / Score Recordist
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Score Mixer / Score Recordist
We Are Marshall (2006)
Directed by: McG
Cinematography by: Shane Hurlbut
Score Mixer / Score Recordist
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Music Scoring Mixer / Score Recording Engineer
House of Wax (2005)
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Music Scoring Mixer
Mozart and the Whale (2005)
Directed by: Petter Næss
Cinematography by: Svein Krøvel
Music Scoring Mixer
Tsotsi (2005)
Directed by: Gavin Hood
Cinematography by: Lance Gewer
Edited by: Megan Gill
Cameras: Moviecam Compact Camera
Score Mixer / Score Recordist
Ice Princess (2005)
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Music Scoring Mixer
Hide and Seek (2005)
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Music Scoring Mixer
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Additional Mixing / Additional Recording
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Music Scoring Mixer
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Music Scoring Mixer
L.A. Twister (2004)
Directed by: Sven Pape
Cinematography by: Patrice Lucien Cochet
Score Mixer
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Music Scoring Mixer
Imaginary Heroes (2004)
Directed by: Dan Harris
Cinematography by: Tim Orr
Edited by: James Lyons
Music Scoring Mixer
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Score Mixer / Score Recordist
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Music Scoring Mixer
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Music Scoring Mixer
Gothika (2003)
Directed by: Mathieu Kassovitz
Cinematography by: Matthew Libatique
Edited by: Yannick Kergoat
Music Scoring Mixer
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Music Mixer / Music Recordist
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Music Scoring Mixer
Barely Legal (2003)
Directed by: David Mickey Evans
Cinematography by: John B. Aronson
Edited by: Harry Keramidas
Recordist: Orchestration
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Mixer / Score Recordist
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Music Scoring Mixer / Score Recordist
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Scoring Mixer
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Music Scoring Mixer
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Music Scoring Mixer
Surviving Gilligan's Island: The Incredibly True Story of the Longest Three Hour Tour in History (2001)
Directed by: Paul A. Kaufman
Cinematography by: Kenneth Zunder
Edited by: Sean K. Lambert
Music Scoring Mixer
Bubble Boy (2001)
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin
Additional Music Engineer
The Extreme Adventures of Super Dave (2000)
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Choir Recordist
Urban Legends: Final Cut (2000)
Directed by: John Ottman
Cinematography by: Brian Pearson
Score Mixer
Love Is Strange (1999)
Directed by: Annette Haywood-Carter
Cinematography by: John J. Campbell
Edited by: Andy Horvitch
Additional Recording Engineer
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Music Scoring Mixer
Halloween H20: 20 Years Later (1998)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Additional Recordist
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Recording Engineer
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Scoring Mixer
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Additional Recording Engineer
Midnight in the Garden of Good and Evil (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Score Mixer
Titanic (1996)
Directed by: Robert Lieberman
Cinematography by: David Hennings
Edited by: Tod Feuerman
Additional Recording Engineer
Hard Eight (1996)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
