Carlos De Carvalho

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Black Panther: Wakanda Forever | ShotOnWhat?

Director Of Photography: Second Unit

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Pokémon Detective Pikachu | ShotOnWhat?

Director Of Photography Second Unit: Dailies

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Director Of Photography: Splinter Unit

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Ocean's Eight | ShotOnWhat?

Director Of Photography Insert Unit

Ocean's Eight (2018)

Directed by: Gary Ross

Cinematography by: Eigil Bryld

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Wonder Woman | ShotOnWhat?

Additional Cinematography

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Darkest Hour | ShotOnWhat?

Director Of Photography: Second Unit

Darkest Hour (2017)

Directed by: Joe Wright

Cinematography by: Bruno Delbonnel

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Phantom Thread | ShotOnWhat?

Camera Operator: "b" Camera

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Director Of Photography: Second Unit, Dailies

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Brothers Grimsby | ShotOnWhat?

Additional Camera Operator

The Brothers Grimsby (2016)

Directed by: Louis Leterrier

Cinematography by: Oliver Wood

Edited by: Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Cameras: ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Pan | ShotOnWhat?

Additional Camera Operator

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Spectre | ShotOnWhat?

Additional Camera Operator

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mission: Impossible - Rogue Nation | ShotOnWhat?

Additional Camera Operator

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Star Wars: The Force Awakens | ShotOnWhat?

Big Eyes | ShotOnWhat?

Director Of Photography: Title Sequence

Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Dracula Untold | ShotOnWhat?

Camera Operator: 2nd Unit

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

RED 2 | ShotOnWhat?

Director Of Photography: Splinter Unit

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

First Assistant Camera: "b" Camera

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Page Eight | ShotOnWhat?

Additional Photography / Second Camera

Page Eight (2011)

Television Movie

Directed by: David Hare

Cinematography by: Martin Ruhe

Edited by: Jinx Godfrey

Cameras: ARRI ALEXA Camera

Lenses: Hawk V-Lite Lenses

Gulliver's Travels | ShotOnWhat?

First Assistant Camera: "a" Camera

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Alice in Wonderland | ShotOnWhat?

First Assistant Camera: UK

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Green Zone | ShotOnWhat?

First Assistant Camera: Second Unit

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Nowhere Boy | ShotOnWhat?

Focus Puller: "b" Camera

Nowhere Boy (2009)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

First Assistant Camera

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Sweeney Todd: The Demon Barber of Fleet Street | ShotOnWhat?

First Assistant Camera: "b" Camera

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Atonement | ShotOnWhat?

First Assistant Camera: "a" Camera

Atonement (2007)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System

The Good Night | ShotOnWhat?

Focus Puller

The Good Night (2007)

Directed by: Jake Paltrow

Cinematography by: Giles Nuttgens

Edited by: Rick Lawley

Hot Fuzz | ShotOnWhat?

Focus Puller: "a" Camera

Hot Fuzz (2007)

Directed by: Edgar Wright

Cinematography by: Jess Hall

Edited by: Chris Dickens

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Blood and Chocolate | ShotOnWhat?

First Assistant Camera

Blood and Chocolate (2007)

Directed by: Katja von Garnier

Cinematography by: Brendan Galvin

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

The Bourne Ultimatum | ShotOnWhat?

Additional First Assistant Camera

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Like Minds | ShotOnWhat?

Focus Puller: Second Unit

Like Minds (2006)

Directed by: Gregory Read

Cinematography by: Nigel Bluck

Edited by: Mark Warner

Basic Instinct 2 | ShotOnWhat?

Focus Puller: "b" Camera

Basic Instinct 2 (2006)

Directed by: Michael Caton-Jones

Cinematography by: Gyula Pados

Edited by: István Király, John Scott

Kidulthood | ShotOnWhat?

Second Focus Puller

Kidulthood (2006)

Directed by: Menhaj Huda

Cinematography by: Brian Tufano

Edited by: Victoria Boydell

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

First Assistant Camera

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Charlie and the Chocolate Factory | ShotOnWhat?

Additional First Assistant Camera

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Sahara | ShotOnWhat?

Focus Puller: "a" Camera

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Thunderbirds | ShotOnWhat?

First Assistant Camera: "a" Camera

Thunderbirds (2004)

Directed by: Jonathan Frakes

Cinematography by: Brendan Galvin

Edited by: Martin Walsh

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

First Assistant Camera: "a" Camera

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Die Another Day | ShotOnWhat?

Camera Focus

Die Another Day (2002)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Andrew MacRitchie, Christian Wagner

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hours | ShotOnWhat?

Focus Puller

The Hours (2002)

Directed by: Stephen Daldry

Cinematography by: Seamus McGarvey

Edited by: Peter Boyle

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blade II | ShotOnWhat?

First Assistant Camera: "b" Camera

Blade II (2002)

Directed by: Guillermo del Toro

Cinematography by: Gabriel Beristain

Edited by: Peter Amundson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Assistant Camera

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Enigma | ShotOnWhat?

Focus Puller

Enigma (2001)

Directed by: Michael Apted

Cinematography by: Seamus McGarvey

Edited by: Rick Shaine

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Wit | ShotOnWhat?

Focus Puller

Wit (2001)

Television Movie

Directed by: Mike Nichols

Cinematography by: Seamus McGarvey

Edited by: John Bloom

Vertical Limit | ShotOnWhat?

Focus Puller

Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

The Ghost and the Darkness | ShotOnWhat?

Focus Puller: "b" Camera

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A Good Man in Africa | ShotOnWhat?

Focus Puller: "b" Camera

A Good Man in Africa (1994)

Directed by: Bruce Beresford

Cinematography by: Andrzej Bartkowiak

Edited by: Jim Clark

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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