Steve Slanec

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Adr Supervisor

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

The Fabelmans | ShotOnWhat?

Dialogue Editor

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Conforming Editor

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Dialogue/adr Editor

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Ready Player One | ShotOnWhat?

Dialogue/adr Supervisor, Supervising Dialogue/adr Editor

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

The Post | ShotOnWhat?

Adr Supervisor, Supervising Adr Editor

The Post (2017)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Finding Dory | ShotOnWhat?

Supervising Sound Editor

Finding Dory (2016)

Directed by: Andrew Stanton, Angus MacLane

Cinematography by: Jeremy Lasky

Edited by: Axel Geddes

Bridge of Spies | ShotOnWhat?

Adr Supervisor

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

"House of Cards" Chapter 14 | ShotOnWhat?

Dialogue Editor

'House of Cards' Chapter 14 (2014)

Television Episode

Directed by: Carl Franklin

Cinematography by: Igor Martinovic

Edited by: Byron Smith

Inherent Vice | ShotOnWhat?

Dialogue Editor

Inherent Vice (2014)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Infinitely Polar Bear | ShotOnWhat?

Musician: Trumpet Boy, Trumpet Boy

Infinitely Polar Bear (2014)

Directed by: Maya Forbes

Cinematography by: Bobby Bukowski

Edited by: Michael R. Miller

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Style Lenses

"House of Cards" Chapter 15 | ShotOnWhat?

Dialogue Editor

'House of Cards' Chapter 15 (2014)

Television Episode

Directed by: Carl Franklin

Cinematography by: Igor Martinovic

Edited by: Cindy Mollo, Byron Smith

"House of Cards" Chapter 16 | ShotOnWhat?

Dialogue Editor

'House of Cards' Chapter 16 (2014)

Television Episode

Directed by: James Foley

Cinematography by: Igor Martinovic

Edited by: Cindy Mollo

Her | ShotOnWhat?

Dialogue Editor

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Star Trek Into Darkness | ShotOnWhat?

Dialogue Editor

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

House of Cards | ShotOnWhat?

Dialogue Editor - 3 Episodes, 2014

House of Cards (2013)

Television Series

Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives

Edited by: Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Cameras: Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Lenses: Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

The Master | ShotOnWhat?

Dialogue Editor

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

Red Tails | ShotOnWhat?

Dialogue/adr Editor

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Foreign Mix Supervisor

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Rango | ShotOnWhat?

Foley Supervisor, Supervising Foley Editor

Rango (2011)

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Super 8 | ShotOnWhat?

Additional Sound Editor, Foreign Mix Supervisor

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Cowboys & Aliens | ShotOnWhat?

Foreign Mix Supervisor

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Toy Story 3 | ShotOnWhat?

Adr Editor

Toy Story 3 (2010)

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

The Last Airbender | ShotOnWhat?

Adr Supervisor

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

I Love You, Beth Cooper | ShotOnWhat?

Dialogue Editor

I Love You, Beth Cooper (2009)

Directed by: Chris Columbus

Cinematography by: Phil Abraham

Edited by: Peter Honess

Adr Editor

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Up | ShotOnWhat?

Adr Editor

Up (2009)

Directed by: Pete Docter, Bob Peterson

Cinematography by: Patrick Lin

Edited by: Kevin Nolting

The Eye | ShotOnWhat?

Adr Editor

The Eye (2008)

Directed by: David Moreau, Xavier Palud

Cinematography by: Jeffrey Jur

Edited by: Patrick Lussier

WALL·E | ShotOnWhat?

Adr Editor, Dialogue Editor

WALL·E (2008)

Directed by: Andrew Stanton

Cinematography by: Martin Rosenberg

Edited by: Stephen Schaffer

The Promotion | ShotOnWhat?

Additional Temp Music Editor

The Promotion (2008)

Directed by: Steve Conrad

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein, Tim Streeto

Ratatouille | ShotOnWhat?

Adr Editor: Supervising

Ratatouille (2007)

Directed by: Brad Bird, Jan Pinkava

Cinematography by: Robert Anderson

Edited by: Darren T. Holmes

Enchanted | ShotOnWhat?

Dialogue Editor

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Cars | ShotOnWhat?

Adr Editor

Cars (2006)

Directed by: John Lasseter, Joe Ranft

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Dialogue/adr Editor

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

The Incredibles | ShotOnWhat?

Adr Editor

The Incredibles (2004)

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Hellboy | ShotOnWhat?

Assistant Adr Editor

Hellboy (2004)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson

Finding Nemo | ShotOnWhat?

Adr Editor: Skywalker Sound

Finding Nemo (2003)

Directed by: Andrew Stanton, Lee Unkrich

Cinematography by: Sharon Calahan, Jeremy Lasky, Jericca Cleland

Edited by: David Ian Salter

The Recruit | ShotOnWhat?

Assistant Dialogue Editor

The Recruit (2003)

Directed by: Roger Donaldson

Cinematography by: Stuart Dryburgh

Edited by: David Rosenbloom

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Dialogue/ADR Editor

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Punch-Drunk Love | ShotOnWhat?

Assistant Sound Editor

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Monsters, Inc. | ShotOnWhat?

Ass't Supervising Sound Editor

Monsters, Inc. (2001)

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

O | ShotOnWhat?

Assistant Sound Editor

O (2001)

Directed by: Tim Blake Nelson

Cinematography by: Russell Lee Fine

Edited by: Kate Sanford

Bandits | ShotOnWhat?

Dialogue Assistant

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

The Yards | ShotOnWhat?

Assistant Adr Editor

The Yards (2000)

Directed by: James Gray

Cinematography by: Harris Savides

Edited by: Jeffrey Ford

What Lies Beneath | ShotOnWhat?

Adr/dialogue Assistant

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Cast Away | ShotOnWhat?

Adr Assistant

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Toy Story 2 | ShotOnWhat?

Assistant Dialogue Editor

Toy Story 2 (1999)

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

A Midsummer Night's Dream | ShotOnWhat?

Assistant Dialogue Editor

A Midsummer Night's Dream (1999)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Assistant Sound Editor

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

54 | ShotOnWhat?

Assistant Sound Editor

54 (1998)

Directed by: Mark Christopher

Cinematography by: Alexander Gruszynski

Edited by: Lee Percy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Horse Whisperer | ShotOnWhat?

Asst. Adr Editor

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

The Faculty | ShotOnWhat?

Assistant Sound Editor

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Great Expectations | ShotOnWhat?

Assistant Sound Editor

Great Expectations (1998)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Steven Weisberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Campfire Tales | ShotOnWhat?

Assistant Sound Editor

Campfire Tales (1997)

Directed by: Matt Cooper, Martin Kunert, David Semel

Cinematography by: John Peters

Edited by: Luis Colina, Rick Fields, Steven Nevius, Martin Kunert

Mission: Impossible | ShotOnWhat?

Assistant Dialogue Editor

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

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