Visual Effects Supervisor: Amblin Partners
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Vfx Supervisor: In-House
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Supervisor: In-house 2D
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Vfx Artist: In House
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Visual Effects Artist: Skulley FX
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Vfx Artist: Skully FX
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Visual Effects Supervisor: In House Team
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Nurse 3D (2013)
Directed by: Douglas Aarniokoski
Cinematography by: Boris Mojsovski
Edited by: Andrew Coutts
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor: ICO VFX
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Visual Effects Supervisor: ICO VFX
Cirque du Soleil: Worlds Away (2012)
Directed by: Andrew Adamson
Cinematography by: Brett Turnbull
Cameras: Sony HDC-1500 Camera
Visual Effects Supervisor: ICO VFX
Glee: The 3D Concert Movie (2011)
Cameras: ARRI ALEXA Camera, Red Epic Camera
Visual Effects Supervisor: ICO VFX
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Stereographer: ICO VFX
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: ICO VFX
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Stereographer: ICO VFX
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Visual Effects Supervisor: ICO Entertainment
You Again (2010)
Directed by: Andy Fickman
Cinematography by: David Hennings
Visual Effects Supervisor: ICO Entertainment
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Stereographer: ICO VFX
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Synthespian Studios
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Visual Effects Supervisor: ICO Entertainment
The Rainbow Tribe (2008)
Directed by: Christopher R. Watson
Cinematography by: Shane Daly
Edited by: Marshall Lee
Compositor: TeamWorks Digital
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Digital Effects Supervisor
Wind Chill (2007)
Directed by: Gregory Jacobs
Cinematography by: Dan Laustsen
Edited by: Lee Percy
Digital Compositing Supervisor: CIS Hollywood
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Compositor: New Deal Studios
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Associate Visual Effects Supervisor: Stan Winston Digital
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Color Timing Supervisor
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Imaging Supervisor
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Imaging Supervisor: Digital Domain
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Digital Imaging Supervisor: Digital Domain
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Digital Imaging Supervisor: Digital Domain
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Digital Imaging Supervisor
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Digital Imaging Supervisor: Digital Domain
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Digital Imaging Supervisor: Digital Domain
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Digital Imaging Supervisor
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Imaging Supervisor
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Digital Imaging Supervisor: Digital Domain
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Digital Imaging Supervisor: Digital Domain
Rules of Engagement (2000)
Directed by: William Friedkin
Edited by: Augie Hess
Color Grading Supervisor
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Color Grading Supervisor: Digital Domain
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Color Grading Supervisor: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Color Grading Supervisor: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Color Grader
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Color Grading Supervisor
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Scanning And Recording Supervisor: Digital Domain
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Scanning And Recording Supervisor
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Model Maker: Art, Sculpture And Production, Inc.
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Recording: Digital Domain
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Model Maker
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Model Maker
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
