Jeannie Ben-Hain

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Digital Compositor

'Westworld' The Passenger (2018)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: John Grillo

Edited by: Anna Hauger, Mako Kamitsuna, Andrew Seklir

Digital Compositor

'Westworld' Reunion (2018)

Television Episode

Directed by: Vincenzo Natali

Cinematography by: John Grillo

Edited by: David Eisenberg

"Westworld" Journey into Night | ShotOnWhat?

Digital Compositor

'Westworld' Journey into Night (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Andrew Seklir

"Agents of S.H.I.E.L.D." The End | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The End (2018)

Television Episode

Directed by: Jed Whedon

Cinematography by: Allan Westbrook

Edited by: Eric Litman

"Agents of S.H.I.E.L.D." The One Who Will Save Us All | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The One Who Will Save Us All (2018)

Television Episode

Directed by: Cherie Gierhart

Cinematography by: Allan Westbrook

Edited by: Dexter N. Adriano

"Agents of S.H.I.E.L.D." Option Two | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Option Two (2018)

Television Episode

Directed by: Kevin Tancharoen

Cinematography by: Allan Westbrook

Edited by: Eric Litman

"Agents of S.H.I.E.L.D." All Roads Lead... | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' All Roads Lead... (2018)

Television Episode

Directed by: Jennifer Lynch

Cinematography by: Feliks Parnell

Edited by: Kelly Stuyvesant

"Agents of S.H.I.E.L.D." Inside Voices | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Inside Voices (2018)

Television Episode

Directed by: Salli Richardson-Whitfield

Cinematography by: Feliks Parnell

Edited by: Eric Litman

"Agents of S.H.I.E.L.D." The Honeymoon | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The Honeymoon (2018)

Television Episode

Directed by: Garry A. Brown

Cinematography by: Allan Westbrook

Edited by: Dexter N. Adriano

"Agents of S.H.I.E.L.D." Rise and Shine | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Rise and Shine (2018)

Television Episode

Directed by: Jesse Bochco

Cinematography by: Allan Westbrook

Edited by: Kelly Stuyvesant

"Agents of S.H.I.E.L.D." Together or Not at All | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Together or Not at All (2018)

Television Episode

Directed by: Brad Turner

Cinematography by: Feliks Parnell

Edited by: Eric Litman

"Agents of S.H.I.E.L.D." Fun & Games | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Fun & Games (2018)

Television Episode

Directed by: Clark Gregg

Cinematography by: Allan Westbrook

Edited by: Kelly Stuyvesant

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Digital Compositor

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

"Agents of S.H.I.E.L.D." Rewind | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Rewind (2017)

Television Episode

Directed by: Jesse Bochco

Cinematography by: Feliks Parnell

Edited by: Dexter N. Adriano

"Agents of S.H.I.E.L.D." A Life Spent | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' A Life Spent (2017)

Television Episode

Directed by: Kevin Hooks

Cinematography by: Feliks Parnell

Edited by: Kelly Stuyvesant

"Agents of S.H.I.E.L.D." Orientation: Part 2 | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Orientation: Part 2 (2017)

Television Episode

Directed by: David Solomon

Cinematography by: Allan Westbrook

Edited by: Dexter N. Adriano

"Agents of S.H.I.E.L.D." World's End | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' World's End (2017)

Television Episode

Directed by: Billy Gierhart

Cinematography by: Allan Westbrook

Edited by: Eric Litman

"Agents of S.H.I.E.L.D." The Return | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The Return (2017)

Television Episode

Directed by: Kevin Tancharoen

Cinematography by: Feliks Parnell

Edited by: Kelly Stuyvesant

"Agents of S.H.I.E.L.D." Identity and Change | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Identity and Change (2017)

Television Episode

Directed by: Garry A. Brown

Cinematography by: Feliks Parnell

Edited by: Dexter N. Adriano

"Agents of S.H.I.E.L.D." The Patriot | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The Patriot (2017)

Television Episode

Directed by: Kevin Tancharoen

Cinematography by: Allan Westbrook

Edited by: Eric Litman

"The Walking Dead" The Damned | ShotOnWhat?

Digital Compositor

'The Walking Dead' The Damned (2017)

Television Episode

Directed by: Rosemary Rodriguez

Cinematography by: Michael E. Satrazemis

Edited by: Evan Schrodek

"Agents of S.H.I.E.L.D." Ghost Rider: Deals with Our Devils | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Ghost Rider: Deals with Our Devils (2016)

Television Episode

Directed by: Jesse Bochco

Cinematography by: Feliks Parnell

Edited by: Eric Litman

"Agents of S.H.I.E.L.D." Ghost Rider: Lockup | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Ghost Rider: Lockup (2016)

Television Episode

Directed by: Kate Woods

Cinematography by: Feliks Parnell

Edited by: Dexter N. Adriano

Digital Compositor - 3 Episodes, 2018

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

Lead Stereoscopic Compositor

Terminator Genisys (2015)

Motion Picture

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Lead Stereo Compositor

Jurassic World (2015)

Motion Picture

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Lead Stereoscopic Compositor

San Andreas (2015)

Motion Picture

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Lead Stereoscopic Compositor

Avengers: Age of Ultron (2015)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Lead Stereoscopic Compositor

Star Wars: Episode VII - The Force Awakens (2015)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

The SpongeBob Movie: Sponge Out of Water | ShotOnWhat?

Lead Stereoscopic Compositor

The SpongeBob Movie: Sponge Out of Water (2015)

Motion Picture

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Lead Stereoscopic Compositor

Mad Max: Fury Road (2015)

Motion Picture

Directed by: George Miller

Cinematography by: John Seale

Edited by: Margaret Sixel

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Lead Stereoscopic Compositor

Hercules (2014)

Motion Picture

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Teenage Mutant Ninja Turtles | ShotOnWhat?

Lead Stereoscopic Compositor: Stereo D

Teenage Mutant Ninja Turtles (2014)

Motion Picture

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Lead Stereoscopic Compositor

Exodus: Gods and Kings (2014)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Paint Artist

Transformers: Age of Extinction (2014)

Motion Picture

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Lead Stereoscopic Compositor

Need for Speed (2014)

Motion Picture

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lead Stereoscopic Compositor

Godzilla (2014)

Motion Picture

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Lead Stereoscopic Compositor

Guardians of the Galaxy (2014)

Motion Picture

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

X-Men: Days of Future Past | ShotOnWhat?

Lead Stereoscopic Compositor

X-Men: Days of Future Past (2014)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Finaling Lead: Stereo D

Captain America: The Winter Soldier (2014)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Lead Stereoscopic Compositor

Thor: The Dark World (2013)

Motion Picture

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Digital Compositor - 18 Episodes, 2016-2018

Agents of S.H.I.E.L.D. (2013)

Television Series

Cinematography by: Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell

Edited by: Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane

Lead Stereoscopic Compositor

47 Ronin (2013)

Motion Picture

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Lead Stereoscopic Compositor

R.I.P.D. (2013)

Motion Picture

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Stereoscopic Compositor

Hansel & Gretel: Witch Hunters (2013)

Motion Picture

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

3d Conversion: Stereo D

Pacific Rim (2013)

Motion Picture

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Senior Finaling Artist: Stereo D

Star Trek Into Darkness (2013)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Senior Stereoscopic Compositor

G.I. Joe: Retaliation (2013)

Motion Picture

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lead Stereoscopic Compositor

The Wolverine (2013)

Motion Picture

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Percy Jackson: Sea of Monsters | ShotOnWhat?

Lead Stereoscopic Compositor

Percy Jackson: Sea of Monsters (2013)

Motion Picture

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stereoscopic Compositor

Katy Perry: Part of Me (2012)

Motion Picture

Directed by: Dan Cutforth, Jane Lipsitz

Edited by: Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Stereoscopic Compositor

Abraham Lincoln: Vampire Hunter (2012)

Motion Picture

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Stereoscopic Compositor

The Avengers (2012)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Stereoscopic Compositor: Prime Focus

Transformers: Dark of the Moon (2011)

Motion Picture

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Stereoscopic Compositor

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Motion Picture

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

Digital Compositor - 1 Episode, 2017

The Walking Dead (2010)

Television Series

Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall

Edited by: Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera, Panavision Cameras

Lenses: Panavision Lenses, Zeiss Super Speeds Mk I Lenses

Stereo Compositor: Technicolor

Kung Fu Panda (2008)

Motion Picture

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Stereoscopic Compositor

Star Wars: Episode I - The Phantom Menace (1999)

Motion Picture

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Stereoscopic Compositor

Titanic (1997)

Motion Picture

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stereoscopic Compositor

Jurassic Park (1993)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

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Jeannie Ben-Hain

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Digital Compositor - 3 Episodes, 2018

Lead Stereoscopic Compositor

Lead Stereo Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor: Stereo D

Lead Stereoscopic Compositor

Paint Artist

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Finaling Lead: Stereo D

Senior Finaling Artist: Stereo D

Lead Stereoscopic Compositor

Digital Compositor - 18 Episodes, 2016-2018

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Stereoscopic Compositor

3d Conversion: Stereo D

Senior Finaling Artist: Stereo D

Senior Stereoscopic Compositor

Lead Stereoscopic Compositor

Lead Stereoscopic Compositor

Stereoscopic Compositor

Stereoscopic Compositor

Stereoscopic Compositor

Stereoscopic Compositor: Prime Focus

Stereoscopic Compositor

Digital Compositor - 1 Episode, 2017

Stereo Compositor: Technicolor

Stereoscopic Compositor

Stereoscopic Compositor

Stereoscopic Compositor

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