Visual Effects Supervisor
'Euphoria' The Theater and Its Double (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Visual Effects Supervisor
'Euphoria' All My Life, My Heart Has Yearned for a Thing I Cannot Name (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Visual Effects Supervisor
'Euphoria' A Thousand Little Trees of Blood (2022)
Directed by: Sam Levinson
Cinematography by: Rina Yang
Visual Effects Supervisor
'Euphoria' Stand Still Like the Hummingbird (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Visual Effects Supervisor
'Euphoria' You Who Cannot See, Think of Those Who Can (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Visual Effects Supervisor
'Euphoria' Ruminations: Big and Little Bullys (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Visual Effects Supervisor
'Euphoria' Out of Touch (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Aaron I. Butler
Visual Effects Supervisor
'Euphoria' Trying to Get to Heaven Before They Close the Door (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Visual Effects Supervisor
'Euphoria' The Next Episode (2019)
Directed by: Pippa Bianco
Cinematography by: Drew Daniels
Edited by: Laura Zempel
Visual Effects Supervisor
'Euphoria' And Salt the Earth Behind You (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Julio C. Perez IV
Visual Effects Supervisor
'Euphoria' The Trials and Tribulations of Trying to Pee While Depressed (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Harry Yoon
Visual Effects Supervisor
'Euphoria' '03 Bonnie and Clyde (2019)
Directed by: Jennifer Morrison
Cinematography by: Drew Daniels
Edited by: Harry Yoon
Visual Effects Supervisor
'Euphoria' Shook Ones Pt II (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
Visual Effects Supervisor
'Euphoria' Made You Look (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Visual Effects Supervisor
'Euphoria' Stuntin' Like My Daddy (2019)
Directed by: Sam Levinson
Edited by: Julio C. Perez IV
Visual Effects Supervisor
'Euphoria' Pilot (2019)
Directed by: Augustine Frizzell
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
Visual Effects Supervisor - 18 Episodes, 2019-2022, Visual Effects Supervisor - 19 Episodes, 2019-2025
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Visual Effects Supervisor: Van Dyke Visual Effects, Inc.
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Visual Effects Producer: Van Dyke Visual Effects
Upgrade (2018)
Directed by: Leigh Whannell
Cinematography by: Stefan Duscio
Edited by: Andy Canny
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
President: Shade VFX
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Visual Effects Executive Producer: Shade Vfx
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Visual Effects Executive Producer: Shade VFX
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Vfx Executive Producer: Shade VFX
'Vinyl' Alibi (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
President
'Marco Polo' The Fellowship (2016)
Directed by: Alik Sakharov
Cinematography by: Gavin Struthers
Edited by: William Henry
President
'Marco Polo' Whitehorse (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
President
'Marco Polo' Serpent's Terms (2016)
Directed by: Jon Amiel
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
President
'Marco Polo' Lullaby (2016)
Directed by: Jon Amiel
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
President / Visual Effects Executive Producer: Shade Vfx
'Marco Polo' Hunter and the Sable Weaver (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Vfx Executive Producer: Shade VFX - 1 Episode, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
President
'Marco Polo' Heirs (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
President
'Marco Polo' Lost Crane (2016)
Directed by: Alik Sakharov
Cinematography by: Gavin Struthers
Edited by: William Henry
President
'Marco Polo' Let God's Work Begin (2016)
Directed by: David Petrarca
Cinematography by: Vanja Cernjul
Edited by: Andy Keir
President
'Marco Polo' Hug (2016)
Directed by: David Petrarca
Cinematography by: Vanja Cernjul
Edited by: Andy Keir
President
'Marco Polo' Measure Against the Linchpin (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Vfx Executive Producer: Shade VFX
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
President: Shade VFX , President: Shade VFX - 8 Episodes, 2016
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
President: Shade VFX
'Westworld' Chestnut (2016)
Directed by: Richard J. Lewis
Cinematography by: Brendan Galvin
Edited by: Mark Yoshikawa
President: Shade VFX
'Westworld' Dissonance Theory (2016)
Directed by: Vincenzo Natali
Cinematography by: Brendan Galvin
Edited by: Tanya M. Swerling
President: Shade VFX
'Westworld' Contrapasso (2016)
Directed by: Jonny Campbell
Cinematography by: Robert McLachlan
Edited by: Mark Yoshikawa
President: Shade VFX
'Westworld' The Adversary (2016)
Directed by: Frederick E.O. Toye
Edited by: Tanya M. Swerling
President: Shade VFX
'Westworld' Trompe L'Oeil (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Brendan Galvin
Edited by: Andrew Seklir
President: Shade VFX
'Westworld' Trace Decay (2016)
Directed by: Stephen Williams
Edited by: Tanya M. Swerling
President: Shade VFX
'Westworld' The Well-Tempered Clavier (2016)
Directed by: Michelle MacLaren
Cinematography by: Jeffrey Jur
Edited by: Mark Yoshikawa
President: Shade VFX
'Westworld' The Bicameral Mind (2016)
Directed by: Jonathan Nolan
Cinematography by: David Franco
Edited by: Andrew Seklir
Visual Effects Executive Producer: Shade Vfx
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Executive Producer: Shade VFX - 8 Episodes, 2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Visual Effects Executive Producer: Shade VFX
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Visual Effects Executive Producer: Shade Vfx
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Shade Vfx
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Visual Effects Executive Producer: Shade Vfx
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Visual Effects Executive Producer: Shade VFX
Million Dollar Arm (2014)
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Visual Effects Executive Producer: Shade Vfx
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Shade Vfx
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
President / Visual Effects Executive Producer: Shade Vfx - 10 Episodes, 2016
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Visual Effects Executive Producer: Shade Vfx
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Visual Effects Executive Producer: Shade Vfx
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Visual Effects Executive Producer: Shade Vfx
The Gambler (2014)
Directed by: Rupert Wyatt
Cinematography by: Greig Fraser
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer: Shade FX
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Shade VFX
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Visual Effects Executive Producer: Shade VFX
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Visual Effects Executive Producer: Shade VFX
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Visual Effects Executive Producer: Shade VFX
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Visual Effects Executive Producer: Shade VFX
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Shade VFX
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Visual Effects Producer: Shade VFX
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Visual Effects Executive Producer: Shade VFX
Chernobyl Diaries (2012)
Directed by: Bradley Parker
Cinematography by: Morten Søborg
Edited by: Stan Salfas
Cameras: ARRI ALEXA Camera
Visual Effects Executive Producer: Shade VFX
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Visual Effects Producer: Shade VFX
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Visual Effects Executive Producer: Shade VFX
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Visual Effects Executive Producer: Shade VFX
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
Visual Effects Executive Producer: Shade VFX
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Executive Producer: Shade VFX
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Visual Effects Producer: Shade VFX
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Executive Producer: Shade VFX
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Executive Producer: Shade VFX
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Shade VFX
Glee: The 3D Concert Movie (2011)
Cameras: ARRI ALEXA Camera, Red Epic Camera
Visual Effects Executive Producer: Shade VFX
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Visual Effects Producer
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Visual Effects Producer
The Last Song (2010)
Directed by: Julie Anne Robinson
Cinematography by: John Lindley
Edited by: Nancy Richardson
Visual Effects Producer: CIS Hollywood
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Visual Effects Producer: CIS Hollywood
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Producer: CafeFX
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Visual Effects Producer: CafeFX
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects Producer: CafeFX
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Visual Effects Producer: Cafe FX
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Visual Effects Producer: CafeFX
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Visual Effects Coordinator: Cafe FX
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Visual Effects Associate Producer
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Visual Effects Coordinator: Tippett Studio
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Visual Effects Coordinator: Tippett Studio
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Coordinator: Tippett Studio
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
