Digital Effects
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Digital Effects
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Digital Artist
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Digital Artist
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor / Stereoscopic Conversion
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Digital Archivist: New Deal Studios
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Digital Compositor: New Deal Studios
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Digital Archivist: New Deal Studios
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Digital Archivist: New Deal Studios
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Roto Artist
The Macabre World of Lavender Williams (2009)
Directed by: Nick Delgado
Cinematography by: Matt Egan
Edited by: Mark Apicella
Digital Archivist: New Deal Studios
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Digital Archivist: New Deal Studios
100 Feet (2008)
Directed by: Eric Red
Cinematography by: Ken Kelsch
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Archivist: New Deal Studios
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Digital Archivist: New Deal Studios
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Digital Archivist: New Deal Studios
Resident Evil: Extinction (2007)
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Digital Archivist: New Deal Studios
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Digital Archivist: New Deal Studios
Deck the Halls (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Digital Archivist: New Deal Studios
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Archivist: New Deal Studios
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Digital Archivist: New Deal Studios
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Digital Archivist: New Deal Studios
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Digital Archivist: New Deal Studios
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Digital Archivist: New Deal Studios
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Digital Archivist: New Deal Studios
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Digital Archivist: New Deal Studios
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Digital Archivist: New Deal Studios
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Visual Effects
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Digital Archivist: New Deal Studios
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Digital Archivist: New Deal Studios
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Digital Archivist: New Deal Studios
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Digital Archivist: New Deal Studios
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Archivist: New Deal Studios
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Digital Archivist: New Deal Studios
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Archivist: New Deal Studios
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Archivist: New Deal Studios
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Visual Effects
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
