Douglas Smythe

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Transformers: The Last Knight | ShotOnWhat?

Transformers: Age of Extinction | ShotOnWhat?

Cg Supervisor: ILM

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Noah | ShotOnWhat?

Digital Production Supervisor: ILM

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Digital Production Supervisor: ILM

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Iron Man 2 | ShotOnWhat?

Digital Production Supervisor: ILM

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Digital Artist: ILM

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Terminator Salvation | ShotOnWhat?

Sequence Supervisor: ILM

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Iron Man | ShotOnWhat?

Digital Production Supervisor: ILM

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Sequence Supervisor: ILM

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Sequence Supervisor: ILM

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Harry Potter and the Goblet of Fire | ShotOnWhat?

Cg Supervisor: ILM

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Van Helsing | ShotOnWhat?

Cg Supervisor: ILM

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Visual Effects Associate Supervisor: ILM

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

A.I. Artificial Intelligence | ShotOnWhat?

Visual Effects Associate Supervisor: ILM

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

The Perfect Storm | ShotOnWhat?

Associate Visual Effects Supervisor: ILM

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Computer Graphics Supervisor: ILM

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

101 Dalmatians | ShotOnWhat?

Associate Visual Effects Supervisor: ILM

101 Dalmatians (1996)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Jumanji | ShotOnWhat?

Computer Graphics Supervisor: ILM

Jumanji (1995)

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

The Meteor Man | ShotOnWhat?

CG Animator

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

Death Becomes Her | ShotOnWhat?

CG Supervisor: ILM

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Terminator 2: Judgment Day | ShotOnWhat?

Computer Graphics Shot Supervisor: ILM

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Back to the Future Part III | ShotOnWhat?

Computer Graphics

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

The Abyss | ShotOnWhat?

Software Developer: ILM

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Indiana Jones and the Last Crusade | ShotOnWhat?

Digital Compositor: ILM

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Back to the Future Part II | ShotOnWhat?

Computer Graphics: ILM

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Willow | ShotOnWhat?

Computer Graphics: ILM

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

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